Tennyson’s poem “Ulysses” might just be the greatest Odyssey re-write of all time, even though it starts several years after Homer’s mighty epic ends.

“Ulysses” is a dramatic monologue in blank verse in which the aging Ulysses prepares to leave Ithaca for one last voyage into the unknown. Its famous last line - to strive, to seek, to find and not to yield - inspired Victorians - and continues to inspire us too. It wasn’t published until later in his writing life, but it was written early on after the unexpected death of his greatest friend, Arthur Hallam.

Part of the young Tennyson’s brilliance was the way he reinvented ancient myths and stories to encompass modern ideas as well as his own violently fluctuating mood state. Over the course of his life, he produced a long Arthurian epic, re-popularizing the legends of King Arthur. He also wrote several poems set in the Homeric world of The Odyssey. These include Tiresias - a friend of the show; The Lotus-Eaters and - the subject of this episode - Ulysses.

Here in the SLOB studios we were high-fiving and doing victory laps in celebration of Tennyson’s achievement before we even started recording. We might enjoy this version of the Odyssey more than we’re going to enjoy Matt Damon’s version, though obviously we can’t wait to see it. In short, SLOB stands with Prime Minister Robert Peel, who when he first heard the poem said that he recognized a ‘good speech’ when he heard one and awarded Tennyson a much-needed government pension on the spot.

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We’re in another SLoB code red. Only months after Wuthering Heights smashed onto our screens, Christopher Nolan is here for the blockbuster event of the season, taking the one of the oldest and still greatest epics of all time - Homer’s Odyssey - and giving it what it always lacked. That is to say: Matt Damon.

And not just Matt Damon, but Zendaya, Tom Holland, Anne Hathaway, Travis Scott, Robert Pattinson, Charlize Theron, Lupita Nyong’o, Samantha Morton - and the list goes on. Basically, if you’re an actor and NOT in this film, it’s like discovering you’re the only one in class not invited to a party.

If you’re feeling daunted by the scale and import of both this film and the source material - don’t worry. SLoB is here to help you. We’ve donned our scrubs once again. We’ve got our critical defibrillators, suction devices and valve masks and we’re going to deliver you to the cinema ready to take on Homer and Nolan’s Odyssey.

We’ve republished the episode we did early in SloB on the Odyssey with Mary Beard. In this episode, we’re going to look at how the Odyssey shaped English literature in a portmanteau episode that will encompass everyone from Shakespeare to Keats, Toni Morrison to Margaret Atwood.

In coming episodes, we’re going to take deep dives into Tennyson’s Ulysses and review Nolan’s film. And then, as the dust settles, or the waters meet, we’re going to embark on arguably the greatest Odyssey re-write of all - James Joyce’s Ulysses - in a three part series that will take on each of the works in Joyce’s trilogy of Dubliners, Portrait of an Artist as a Young Man and Ulysses itself.

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To kick-start our series on the Odyssey, we're republishing a hit episode from early SLOB: a conversation with Dame Mary Beard, the world's favorite classicist.

The Odyssey - where stories began. Probably written down around 7th century BC - give or take a few centuries either way - by somebody or somebodies who may or may not have been called Homer. Leaving aside these mysteries, what is the Odyssey really about, why is it so violent and why is Odysseus himself - the lord of the lies - such an unlikeable hero?

Who better to navigate this intellectual Scylla and historical Charybdis than Mary Beard? Sophie and Jonty listen in admiration as Mary describes discovering The Odyssey aged 14 - a self-proclaimed swot with aspirations to be scruffy and cool (or, in Sophie’s parlance, a ‘dag’). How it - or at least the several incidents in which Odysseus’ wife Penelope is told to shut up and go to her room by her own son - inspired Mary’s best-selling book Women and Power. And how the whole poem, which begins with the word ἄνδρα (man), is a riff on toxic masculinity millennia before Andrew Tate was even in a twinkle in Zeus’ eye.

And listen, pithy mortals, to Jonty as he repeatedly mangles Ancient Greek names, particularly the ‘Laestrygonians’, to Sophie as she - not for the first time in this podcast - tries and fails to make a convincing link to The Reformation, and to all of us as we advocate the benefits of an oil rubdown every evening.

Further Reading:

Emily Wilson, trans, The Odyssey

Mary Beard books:

Women & Power: A Manifesto by Mary Beard (Profile Books, 2019)

Confronting the Classics: Traditions, Adventures and Innovations by Mary Beard (Profile Books, 2013)

The Parthenon by Mary Beard (Harvard University Press, 2002)

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