Jess and Stephen find out why the British Film Institute says the UK’s independent film sector is being strained to the point of market failure, and why the cinema chain Vue’s lenders are taking over the company in a £1bn deal.

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Jess and Stephen find out why Disney may lose the exclusive rights to Mickey Mouse, and discuss why high rates of inflation around the world are hitting the TV and movie industry hard. 

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Jess and Stephen find out why veteran movie stars like Al Pacino and Robert De Niro are receiving crazy fees for minimal amounts of work, and why one of the biggest debates in the movie industry appears to be settled after two years of upheaval because of the COVID pandemic.

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Jess and Stephen find out why the UK’s booming TV and movie production industry is facing a skills shortage, and why the average age of actors appearing toward the top of the bill in film and TV projects has risen significantly over the last twenty years.

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Jess and Stephen analyse the finances behind 'cinematic universes', and discuss just how much control directors have over the money involved in making movies.  

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Jess and Stephen find out what's going on as the Vue cinema chain says it didn’t cancel screenings of the new horror film Dashcam due to its content, and find out why La La Land’s Oscar winning composer Justin Hurwitz is taking the talent agency WME to court.

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Jess and Stephen find out why Netflix has a new strategy when it comes to making movies, and look into the way different 'producer' credits work on movies and TV shows.

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Jess and Stephen discuss Spike Lee becoming the latest director to enter the NFT space with an upcoming collection of Ethereum artwork based on stills from his 1986 film “She’s Gotta Have It”, and find out why the UK cinema chain Curzon is reducing its ticket prices.

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If you have a question you'd like answered on the show, email showmethemoneypod@gmail.com.