This special edition of our Luminaries series focuses on creative work about watersheds. Today, in the final episode of these watershed-focused conversations, guest host Caitlin Scarano talks with Indigenous author and poet Rena Priest.

Rena served as the 6th Washington State Poet Laureate and is the recipient of numerous awards and fellowships, including the 2024 Washington State Book Award, the 2020 Allied Arts Foundation Professional Poets Award, and the 2018 American Book Award.

For this series, Caitlin kept returning to the question of what it means to tell the story of a river, or the infinite stories a watershed can hold. Rena Priest's latest book, Positively Uncivilized, is a collection of essays from a Lhaq'temish perspective on storytelling, settler colonialism, ecology, treaty rights, and salmon. The poetry collection gave Caitlin a framework she hadn't found anywhere else for thinking about reciprocity as an ethic for living within a watershed.

Rena's insistence that "we are interdependent organisms, reliant on the health of the whole" was ever-present in Caitlin's research into the Skagit River watershed.

"Luminaries" is produced by the Spring Creek Project at Oregon State University. This series invites people to share stories about writing and art that illuminates their environmental thinking or work.

This special edition of our Luminaries series focuses on creative work about watersheds. Today, in part three of these watershed-focused conversations, guest host Caitlin Scarano talks with Christian Murillo, an award-winning photographer.

Christian has worked with National Geographic, Harvard University, and the Smithsonian in his journey to explore the simultaneous power and fragility of nature, particularly within the context of climate change.

His book, Soul of the Skagit, tells the story of the Skagit River, starting from its glacial headwaters all the way down into Skagit Valley and the Salish Sea. The story unpacks our place within the natural world, exposing, and at times celebrating, the nuanced relationships that make the Skagit so special.

"Luminaries" is produced by the Spring Creek Project at Oregon State University. This series invites people to share stories about writing and art that illuminates their environmental thinking or work.

Welcome back to the special edition of our Luminaries series that focuses on creative work about watersheds. Today, in part two of these watershed-focused conversations, guest host Caitlin Scarano talks with author and photographer Amy Gulick.

Amy's images and stories have been featured in Smithsonian, Audubon, National Wildlife, Sierra, and Outdoor Photographer. Her award-winning books include The Salmon Way: An Alaska State of Mind as well as Salmon in the Trees: Life in Alaska's Tongass Rain Forest.

Their conversation focuses on Salmon in the Trees, a luminary book for Caitlin's work and thinking about watersheds. The two talk about how this idea of "salmon in the trees" is far more than a metaphor, but an ecological reality that speaks to the interconnection so often taken for granted in our understandings of watersheds.

By homing in on the great journey of salmon in Alaska's Tongass National Forest — from freshwater streams to the sea and back again — and on salmon's connection with bears, forests, and ourselves, we gain insights into what a watershed is and how taking care of our watersheds is itself a continuous journey.

"Luminaries" is produced by the Spring Creek Project at Oregon State University. This series invites people to share stories about writing and art that illuminates their environmental thinking or work.

Welcome to the first episode of a special four-part edition of our Luminaries series that focuses on creative work about watersheds. This special edition has been curated by Caitlin Scarano, a recipient of the 2024-25 Public Humanities Collaboratory Watershed Fellowship.

Caitlin is a writer and poet whose current project explores cultural, political, and ecological interrelationships within the Skagit River watershed, from the dams of its upper reaches out to the Salish Sea. During this four-part series, she interviews four writers and artists whose work on watersheds are luminaries for her.

Today, Caitlin speaks with author and longtime environmental journalist, Lynda Mapes. Over the course of her 27-year career as a reporter at the Seattle Times, and as the author of seven books, Lynda has earned numerous awards, including the Kavli Gold Award for Science Journalism from the American Association for the Advancement of Science, a National Outdoor Book Award, and the Washington State Book Award for nonfiction.

In her work, Lynda centers connections between people and the natural world. Following a confluence of storylines about one of the largest dam removal projects in the world on the Elwha River, Lynda connected deeply with this watershed and the people who care about it. Caitlin talks with Lynda about her reporting and writing, and the ethic of relationality behind them, that led to the book Elwha: A River Reborn.

"Luminaries" is produced by the Spring Creek Project at Oregon State University. This series invites people to share stories about writing and art that illuminates their environmental thinking or work.

In the final episode of "The Art of Reconnection" series, co-host Daniela Naomi Molnar speaks with poet and ceremonialist Danielle Vogel about the scope, power, and possibility of language.

Danielle is an experimental poet who is committed to an embodied, ceremonial approach to poetics and relies heavily on field research, cross-disciplinary studies, inter-species collaborations, and archives of all kinds. Her installations and site-responsive works are often extensions of her manuscripts and tend to the living archives of memory shared between bodies, languages, and landscapes. She is an associate professor at Wesleyan University and the author of several poetry collections, including A Library of Light, Edges & Fray, and Between Grammars.

Daniela and Danielle's conversation is an ode to the power of language — how the written and spoken word rings throughout the body, how it connects with extremely subtle forms of language both inside and outside our bodies, and how writing, editing, and reading become a ceremony.

Their conversation ranges from darkness to lightness, from cellular activity to glacial activity, from the personal to the collective. They celebrate the way language acts as a mediating agent between our material and immaterial worlds, allowing us to connect to and therefore mend our interior lives and our environments.

Daniela and Danielle invite us to wonder: How can language help us touch time? How do syllables and syntax carry memory in the same way a human body or a geologic body might? And how can becoming aware of the embodied nature of language help us connect across time, across lives, and across bodies?

This podcast series was produced by the Spring Creek Project, an initiative of the Patricia Valian Reser Center for the Creative Arts at Oregon State University. The series was created in collaboration with The Arts Center in Corvallis, Oregon.

In part three of "The Art of Reconnection," series co-host Lee Running speaks with guest Ben Goldfarb to take us on an exploration of roads. Their conversation invites us to see these in-between places in new ways.

Ben is a conservation journalist and award-winning author. His writing has appeared in many outlets, including The Atlantic, National Geographic, and "The Best American Science and Nature Writing." His first book "Eager: The Surprising, Secret Life of Beavers and Why They Matter" won the 2019 PEN/E.O. Wilson Literary Science Writing Award. And his latest book "Crossings: How Road Ecology Is Shaping the Future of Our Planet" was named one of the best books of 2023 by the New York Times.

Lee creates arresting objects using cast iron, enamel, glass, bone, and handmade paper. Her work intimately explores the impact of human-built systems on the natural world, often incorporating the bodies and bones of animals killed on roads. She invites her audiences to renew their sense of kinship with non-human beings.

Lee and Ben have each spent a great deal of time thinking about, walking along, and studying roads. Throughout this conversation, the two discuss this edge landscape, the species that live and die there, and how these arteries of civilization impact non-human beings and ways of life.

Their conversation invites us to wonder how systems designed to connect people and places actually function to separate us from place and from each other. And they talk about how their art and writing call on us to take notice, to see, hear, feel, consider, and connect to the places we speed past.

This podcast series was produced by the Spring Creek Project, an initiative of the Patricia Valian Reser Center for the Creative Arts at Oregon State University. The series was created in collaboration with The Arts Center in Corvallis, Oregon.

In part two of "The Art of Reconnection," series co-host Daniela Naomi Molnar speaks with guest Marcia Bjornerud about the narratives, notions of time, and deep wisdom embedded within rocks.

Marcia is a writer and a structural geologist whose scientific research, which focuses on the physics of earthquakes and mountain building, has taken her around the globe. She is a contributing writer to The New Yorker, The Wall Street Journal, Wired, and the LA Times. She is also the author of the books "Timefulness: How Thinking Like a Geologist Can Help Save the World" and the recently published "Turning to Stone: Discovering the Subtle Wisdom of Rocks."

Throughout Marcia's scientific and academic career, she has learned to listen to landscapes. She and Daniela discuss how the Western fallacies of objectivity and stability may act as a barrier to our innate capacity to notice landscapes not only with our instruments and hypotheses but also with our senses, our lived experiences, and our inherent curiosities.

Daniela is a poet, artist, and writer who creates with color, water, language, and place. She makes large-scale abstract paintings with pigments she creates from plants, bones, stones, rainwater, and glacial melt. Gathered from specific biomes she has visited, these paints become palettes of place with which she investigates the earth's site-specific capacity for both memory and resilience.

This conversation muses on the vast time scales of geologic change, the alienation and spiritual poverty of the modern Western world, and how careful listening to the slow-moving land may help rattle apart the cage of human exceptionalism that has plagued our current era.

Daniela and Marcia also invite us to wonder: What memory does the ground beneath you hold? How does connecting with that story change your experience of the place? And what might it mean for our collective future if we adopted a more geo-centric vision of the world and our place in it?

This podcast series was produced by the Spring Creek Project, an initiative of the Patricia Valian Reser Center for the Creative Arts at Oregon State University. The series was created in collaboration with The Arts Center in Corvallis, Oregon.

In part one of "The Art of Reconnection" our series hosts, Lee Emma Running and Daniela Naomi Molnar, engage in a rich conversation about the ways their place-based practices of artmaking have transformed the quality of attention they bring to a place and their appreciation for the deep memory that is carried by the botanical, animal, and mineral elements found there.

Daniela is a poet, artist, and writer who creates with color, water, language, and place. She makes large-scale abstract paintings with pigments she creates from plants, bones, stones, rainwater, and glacial melt. Gathered from specific biomes she has visited, these paints become palettes of place with which she investigates the earth's site-specific capacity for both memory and resilience.

Lee creates arresting objects using cast iron, enamel, glass, bone, and handmade paper. Her work intimately explores the impact of human-built systems on the natural world, often incorporating the bodies and bones of animals killed on roads. She invites her audiences to renew their sense of kinship with non-human beings.

Throughout their conversation, Lee and Daniela reflect on how foraging for, taking care of, and collaborating with their materials — from cabbage leaf, to deer bone, to ocher — has cultivated in them a nuanced attention to place and a profound capacity for holding seeming opposites: violence and beauty, loss and resilience, brokenness and repair.

They discuss how the intense sensitivity of their materials makes even the most prolific sources of pigment, like queen anne's lace, intimately site-specific; how noticing the ways materials respond to each other necessarily troubles Western notions of separateness; and how meeting grief with care and attention can reshape and heal our relationship to places of loss.

This conversation takes place shortly after Lee and Daniela's shared exhibition "Transformation/Reclamation" was installed at The Arts Center in Corvallis, Oregon, in September 2024. While in Corvallis, Lee hosted a group dinner on a roadside verge, calling attention to the often forgotten border at the edge of our roads. We enter this conversation by way of the artists' reflection on that experience.

This podcast series was produced by the Spring Creek Project, an initiative of the Patricia Valian Reser Center for the Creative Arts at Oregon State University. The series was created in collaboration with The Arts Center in Corvallis, Oregon.