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Frank Sayi grew up in Rhodesia, now Zimbabwe, in the 1970s. His childhood straddled two very significant periods in his country's history, both of which heavily influenced his memoir. The first was the war of liberation (1975-1979), closely followed by the post-independence internecine war (1981-1987).

Frank and his two older sisters, Thoko and Gift, lived with their grandmother, a stern, wise, mercurial matriarch, capable of intimidating severity, and her son Uncle Sami while Frank's mother, the main breadwinner, lived in the city.

Through the connection of the narratives of these two major wars, Frank offers a comprehensive view of a turbulent history with the ongoing consequences of his country’s political violence. Gukurahundi and it’s unacknowledged history is explored, reflecting on what it means to be a people who’s pain has been ignored and erased.

The memoir is intricately woven around the lives of the members of Frank's immediate family, whom he uses to foreground the tragic lives of a people caught within the web of war.

He walks us through the disconnection between memory and reality especially in the aftermath of war, displacement and personal loss. Grief permeates throughout the book, anticipatory and rituals around it as we witness the emotional toll of expecting loss prior to its occurrence.

Written at the intersection of love and abuse, Frank’s memoir explores how these dynamic shape relationships and identities. Frank writes tenderly about the struggle to find belonging in fractured families and communities

In this episode we engage in a profound conversation with Frank Sayi. The discussion delves into the complexities of identity, home, and the lingering effects of colonialism in Zimbabwe and South Africa. Frank shares his personal experiences of displacement and the struggle to reconcile his past with his present, emphasising the theme of returning home to a place that feels both familiar and alien. He articulates the idea that the language of violence and colonialism has shaped the narratives surrounding black identity, complicating the relationship between self and memory.

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As a high-performing, excellence-driven, successful black woman, being in control of everything in her life was crucial to her survival and success for Nozipho Tshabalala. For much of her life, it had always served her well until it no longer did.

The book begins with her receiving the news of her mother’s passing while she stood on the biggest stage of her career. This formative event sends her into a spiral which asks her to reevaluate her ideas of success and the price of these achievements.

We sat down in conversation with Nozipho Tshabalala about her story of burning, of breaking, of becoming. Having described the writing this memoir as an act of deep vulnerability — a labour of love, we were interested in the process of unbecoming and breaking open the things held tightly to for so long.

We explored the journey of soul-searching and discovering new and old but also one of truth- for ourselves and our loved ones. Much of the book centres around confrontation, of self, of narrative and of hidden pain with a journey towards healing made possible by this.

Nozipho like so many of us, stands at the crossroads between certainty and trust, between holding on and finally releasing what no longer serves you, and invites us with truth and vulnerability to come along.

Beyond the things she has let go of, After the Fires is an exploration of the things we find within ourselves, our loved ones and our journeys to becoming. It honours the complexity of womanhood while celebrating the possibility of becoming exactly who you were meant to be, even when that person looks nothing like what you imagined.

In a beautiful, tender conversation, we sojourn with Nozipho to the other side, after the fires finding freedom, clarity, and a reclamation of voice and self. Nozipho demonstrates how surrender becomes not an act of defeat but a pathway to freedom.

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In the captivating 100th episode, we engaged in a profound conversation with Andile Cele, the author of the compelling debut novel Braids and Migraines.

This enlightening discussion delved into a rich exploration of identity, mental health, and the complexity of human relationships.

Braids and Migraines chronicles the journey of a young girl navigating life in a post-apartheid township while battling personal and societal challenges.

Despite the promise of a post-racial South Africa, the protagonist experiences the violence of racism, misogynoir and microagressions at school with white women at the centre of this violence.

The episode concludes with a hopeful reflection on the book's potential impact, emphasizing the power of literature to heal and initiate change.

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“Part theory, part manifesto, part history” – this book sparked a black feminist movement in Brazil. Patricia Hill Collins writes: “Where We Stand boldly claims a space for Black feminism in Brazil. This long-awaited translation offers new audiences a rare opportunity to encounter the rich ideas of an emerging generation of Black women academics and activists who are fearless in pushing for social change.”

Djamila Ribeiro is an activist, writer and coordinator of the Plural Feminisms initiative. She is a university professor who has worked at several institutions, such as the Pontifical Catholic University of São Paulo and New York University. Ribeiro is the curator of the Feminismos Plurais Collection and the author of books on Black feminism, anti-racism, and her own life story. Her works, translated into several languages, have sold over 1 million copies.

In a society shaped by the legacies of enslavement, white supremacy, and sexism, who has the right to a voice? In this book, Djamila Ribeiro brings forth a powerful disruption into conversations on the intersection between race, power and identity: the concept of “speaking place.”

With a particular focus on her native Brazil, Ribeiro uses the speaking place to introduce the the idea that everyone has a social position in the world and that what we can say, and how it is received by others, depends on it. Ribeiro chronicles the evolution of Black feminist, exploring the ways that Black women have been silenced, ignored, and punished for speaking.

Building on feminist standpoint theory, and in conversation with the works of Sojourner Truth, bell hooks, Audre Lorde, and others, Ribeiro joins the Cheeky Natives to invite all of us to recognise where we stand, to imagine geographies different from those we’ve inherited, and to speak a more humane world into being.

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In a world where the lines between privacy and exposure blur increasingly, Onyi Nwabineli's latest novel, "Allow Me to Introduce Myself," offers a profound exploration of identity, familial bonds, and the often untidy experiences of coming of age.

The novel centers around the complex world of Anuri, a child raised in the public eye as the offspring of a popular mommy blogger. It is with this backdrop that discussions about identity, the cost of lost privacy, and the pursuit of autonomy in an increasingly digital world percolate. Onyi keenly addresses these issues, weaving them intricately into Anuri's journey. Throughout the book, grief and identity are ever present.

Onyi also challenges traditional narratives of coming of age, highlighting that identity formation doesn't stop when one reaches adulthood. Onyi highlights the privilege and importance in the luxury to make mistakes away from the limelight.

Onyi writes so tenderly on the significance of chosen family, showing them as a refuge and a source of unconditional love. The novel beautifully portrays the support Anuri receives from her friends and her aunt illustrating the undervalued contribution of friendship to one's life.

One of the novels standout moments is Onyi's use of language as a tool to discuss the importance of cultural identity. In an ode to a long and rich cultural tradition, her characters names are deliberately thought out and decided, accompanied by a decision not to include a glossary for non-English terms, encouraging readers to engage actively and seek understanding, much like how English language dominance often keeps its terms undefined.

In the podcast, Onyi reflects on the 'untidy' ending of the book, mirroring real life's unpredictability.

In a thought provoking conversation, Onyi invites readers to embrace complexity and imperfection in life's narratives.

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We sat down for a candid and vulnerable discussion on rebellion, compliance and the intricacies of language and place with Mubanga Kalimamukwento, author of the prize winning Obligations to the Wounded.

The collection transcends physical spaces and time with Mubanga navigating the interplay of memory and geographical place. Her stories, woven in rich narratives, explore the landscapes and lives of Zambian women.

In an ode to a rich oratory history we explored literary devices and cultural references within her stories.Central to her collection is the theme of rebellious women—those who defy societal norms. Mubanga explores what it means to reimagine the futures of such women, asking readers to contemplate the costs of rebellion and compliance.

Mubanga offers a unique narrative lens in her writing, showing a child's perspective. She draws on her own childhood experiences with grief and loss to blend childlike observation with adult articulation. In this juxtaposition, there is the contrast of the raw, unfiltered view of a child alongside the nuanced understanding of an adult.

In a wide ranging collection covering themes of identity, loss and becoming, Mubanga writes tenderly and vulnerably, often leaving the reader to ponder.

We sat down with to reflect on the meaning of community, obligation and writing in the in between spaces.

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In ‘The Girl With The Louding Voice’, the book ends with Adunni winning the scholarship and her dream of school seems close to fruition.

In this triumphant book that breaks the curse of the sophomore novel, Adunni and Ms Tia are back. This story unfolds over the course of 24 hours, with Adunni being forced to return to her home village just hours before the new school year commences.

As Adunni returns to Ikati, she meets other young women and girls who are similarly forced to account for the crimes: essentially being women and so forced to bear the brunt of society’s blame and anger.

In a testament to the power of female friendship, we see the relationship between Adunni and Tia evolve, from saviour-rescuee to friends. Despite their differences, these two forge a friendship which sustains the other, providing comfort during some of the most difficult moments in their lives.

In this novel, Tia is forced to confront her history and the estrangement from her family as a result. Adunni’s own complicated family relationships are brought to the fore.

An additional layer is the climate crisis and the disproportionate ways in which women are affected. This book offers a searing commentary on climate change and social injustices which arise.

Abi Daré won the inaugural Climate fiction prize for her novel And So I Roar.

Tackling themes of patriarchy, tragedy and justice, Abi Dare is at her best in this sophomore novel.

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In Zukiswa Wanner’s latest novel, we are confronted with couples battling secrets, betrayals and endings. This book is a meditation on the weight of betrayal, difficult choices and navigating moral quandaries. The characters are flawed, making bad choices and yet still remain relatable.

This page turner deftly manages to deal with a wealth of topics including gendered social behaviour, infidelity and difficult choices. We meet Akani and Owami, who are battling interpersonal and communal pressures while trying to navigate black life. Cultural attitudes and the explanations we give to ourselves and others are the subject of a nuanced critique in this book.

Zukiswa asks what becomes of a society where men have license to behave unaccountably and what this does to society’s fabric. Interestingly, the women in this book are themselves portrayed to be flawed, human and multifaceted.

Additionally, Zukiswa explores contemporary and relevant topics such as gender-based violence, the grooming, and sexual abuse. Despite the heavy themes,

Zukiswa’s writing ensures that the reader never feels preached to.

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