In this episode, I sit down with Colin Wilkes, the costume designer behind the film adaptation of Emily Henry’s People We Meet on Vacation, starring Emily Bader and Tom Blyth.

We talk about what it means to feel too much, and how that emotional intensity shows up through clothing, color, and character dynamics.

Colin breaks down how wardrobe helps tell a love story, shapes who characters are before they even speak, and quietly mirrors the tension, tenderness, and timing that make this story hit so hard.

If you love storytelling details, emotional nuance, and the invisible art behind your favorite films, this one’s for you.

In this episode, I sit down with Greg Kotis, the Tony Award–winning writer behind Urinetown the Musical, to unpack the power of satire, musical theatre as social commentary, and why the strangest ideas are often the most truthful.

We talk about the creation and legacy of Urinetown, how Mr Kotis approaches storytelling that challenges audiences without alienating them, and what he’s been working on since.

We also dive into creative chemistr, how to find your creative soulmate, why collaboration matters more than perfection, and what it means to keep making bold, original work in an industry that often rewards what’s familiar.

This conversation is for writers, theatre kids, creatives, and anyone obsessed with stories that take risks and refuse to play it safe.

In this episode, I sit down with singer-songwriter Georgia Parker to talk about her upcoming album, the duality that exists within her sound, and what it means to create without forcing yourself into a box.

We get into the gray areas of music, the push and pull between vulnerability and confidence, softness and strength, who you were and who you’re becoming.

This conversation is part creative diary, part philosophy, part real-time reflection on being an artist in a world that constantly asks you to explain yourself.

Georgia shares what’s shaping her next era, how she thinks about music beyond genre, and why embracing contradiction might be the most honest form of art.

If you’re in your “figuring it out” era, making things you can’t fully explain yet, this one’s for you.