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The Curator Podcast

The Curator Podcast

Written by: Mark Fraser
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About this listen

 The Curator is a podcast about passion and creativity. We chat to musicians and artists about their creative process, why they do what they do and the passion that drives them. We also talk about other stuff sometimes (most times) but hey, it’s all part of the conversation, right? New episodes every second Thursday.

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Episodes
  • S2: Episode 28 - Tom May from The Menzingers Drinks Mysterious Coffee and Talks About The Band's Creative Evolution

    S2: Episode 28 - Tom May from The Menzingers Drinks Mysterious Coffee and Talks About The Band's Creative Evolution
    Feb 2 2018

    I've chased this interview for years. The Menzingers are without a doubt one of my favourite bands. Having been a fan for so long, I feel as though I've grown up with them in a way, experiencing the weirdness of being in your 20s in an age where everything seems primed to keep us in a state of suspended adolescence. Their earnest and sincere songwriting won me over from the moment I first heard 'Chamberlain Waits', and I've stayed with them ever since. A lot of their thoughts echoed my own as I drifted through my 20s and into my 30s. It was surprising and wonderful to find out that their new album is a meditation on what it's like to move into your 30s, and I think that's got a lot to do with why 'After the Party' resonates with me so much.


    Tom is a very nice chap. Let that be said from the outset. Continuing to be humble in the wake of their continued success. In many ways, it feels like The Menzingers have been building up to 'After the Party', and as Tom discusses in the interview, they've looked at each record as the next one towards the perfect Menzingers' record. Perfection is impossible of course, but progress is not and it was really awesome to be able to spend some time talking to Tom about that progress, their drive to keep at when everyone was telling them to stop, and so much more.


    Also, I'm fairly sure the interview took place in the world's most echo-y room. But hey, ambience amirite?


    I hope you enjoy this interview.

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    23 mins
  • Unsung Podcast Episode 5 - Entroducing by DJ Shadow

    Unsung Podcast Episode 5 - Entroducing by DJ Shadow
    Jan 29 2018
    This is one of my favourite albums and I was so happy we had a chance to talk about it on this show. You can find out more about this and the podcast over at www.unsungpod.net

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    32 mins
  • (Rebroadcast) 21 - Casey Crescenzo from The Dear Hunter

    (Rebroadcast) 21 - Casey Crescenzo from The Dear Hunter
    Jan 18 2018
    A rebroadcast of one of my favourite ever interviews with Casey from The Dear Hunter.This podcast is primarily about creativity, and over the course of the past twenty episodes I’ve spoken to some pretty productive people. Casey Crescenzo is probably amongst the most productive. Over the course of ten years The Dear Hunter’s oeuvre is as impressive in its scope as it is in its musical diversity, with their album/EP collection ‘The Color Spectrum’ comprising 36 songs all on its own. Which is wonderful, because the genre hopping nature of their music is about is staggering as the sheer volume. As you’ll find out when you listen to the podcast, Casey is the kind of guy who treats songwriting like a job and it’s this approach which many productive artists seem to share in common, whether they’re aware of it or not. Except, Casey is a super passionate and insightful guy, and is just so thankful that he gets to do what he does. There’s no lengthy story in this week’s show notes about how I first got into The Dear Hunter. Instead, all I can offer is rumination on their music – it’s deep, it’s cinematic, it somehow feels weighty. How people classify progressive rock music is anyone’s guess, but to me this just feels like epic rock music, and that’s why I’m drawn to it. It’s bursting with ideas, it’s driven by a strong sense of narrative yet still somehow feels hugely personal. They are, in just about every single way, the exact opposite of the punk rock that I grew up listening to. Except, their sound is more immediate than most prog bands. There’s a peppiness to the melodies which means that hooks come thick and fast, and never leave your head. Highlights include: - The connotations of the very term “prog rock” and the diversity of that genre - He tries not to pigeonhole the sound because it can limit the creative scope - The music he grew up on sounds nothing like his band - Casey thinks that perhaps one of the reasons they aren’t a huge band is because they aren’t in a specific genre - Coming from a creative household and when Casey remembers wanting to be a guitar player/songwriter - When people who consider themselves high art conduct interviews like they’re special, I never look at myself like that. I just think, this is a way for me to speak. - Parents being receptive to being a musician, but also being wary because they’d seen the pitfalls of being a career musician - His parents worry more about Casey when he does something different as opposed to worrying about the pressure of the work - “Do the thing that you believe you should do – don’t worry about what they’re going to think until it’s too late” - “The moment when I worry about people think is when an album is finished, mastered and ready to go out” - On the fear of having your art accepted - “As a creative person it should only be self-expression, but that’s the scariest thing: if you’re doing it only out of self-expression, at some point it goes through a filter and becomes a product…and it’s up to whoever buys it to think whatever they want about it.” - Wanting people to take away something from a record that you put into it, and hoping that the opposite doesn’t happen - Wanting to give people what they want after letting him do The Dear Hunter for ten years, but it doesn’t have any bearing on what he’s doing when he’s doing it – only after the creation is complete does the hope and fear set in - It’s taken a lot of hard work to find an audience for The Dear Hunter - It’s good that there are musicians out there that still makes music that makes people think and isn’t all about creating hits - Music as a product is okay, but it’s a different world from the kind of world bands like The Dear Hunter operate in where people want music that provides them a little bit more - The discipline of creating music and treating it like work comes from his parents - The feeling of euphoria after completing a piece of work is worth any amount t...

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    1 hr and 10 mins
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