Spoiler alert: Bryan and A.J. are very excited to talk about White Dog (1982), directed by the great Samuel Fuller and co-written by Fuller and Curtis Hanson (we also give away plot details and twists). Paramount executives were expecting this story, about an actress who realizes the dog she has taken in has been trained to attack Black people on sight and the animal trainer who tries to retrain the dog, to be a sensational horror movie, but Fuller (director of Shock Corridor and The Naked Kiss) created a thoughtful art film that deals directly with racism. In going through the history and release of White Dog a familiar pattern emerges: Hanson writes a screenplay hoping to direct, does not direct, the film is made and then shelved or not released, at least not in America. We marvel at the talent involved on and off screen, including great performances from Kristy McNichol and Paul Winfield and a score by the legendary Ennio Morricone. We also talk about the film’s non-release, speculate on what White Dog would have been like if Hanson directed, and are impressed by Hanson’s resilience after another career setback that should have been a breakthrough. This episode’s themed drink was: Jim Beam.

Curtis Hanson is finally back in the director’s chair, from start to finish, and it is for the now quite obscure kids movie The Little Dragons, AKA Karate Kids USA (1979) Unsurprisingly, this is not a movie that comes up in interviews with Hanson so we had a hard time digging up any background or behind the scenes information. Bryan and A.J. try to make sense of this movie about a pair of young brothers who use their karate skills to foil a kidnapping that is trying to be a mix of The Bad News Bears, The Hardy Boys, and Deliverance. We speculate on how and why this movie changed titles, marvel at the long life and career of character actor Charles Lane, and share the moments that broke our brains. This episode’s themed drink was: cans of beer.

It’s time for another great debate about…Francis Ford Coppola’s Megalopolis thanks to Mike Figgis’s documentary Megadoc (2025) which recently debuted on The Criterion Channel. Both Bryan and A.J. loved Megalopolis so we’re predisposed to like a documentary about its making-of, but Mike Figgis crafted an interesting and non-glamourous movie about making a movie. We talk about Figgis’s career and how his respect for actors figured into his approach to the doc; also discussed are Coppola’s frustration with his department heads and Marvel, the increasing tension between Shia LaBeouf and Coppola, and other documentaries about troubled film productions. This episode’s themed drink was: Francis Coppola Paso Robles Cabernet Sauvignon 2023.