What a season, what a season. As The X-Files prepares to head to Hollywood - both literally and metaphorically - Michaela and Ed look back on the fifth season and talk about their favourite episodes and guest performances, and try to determine whether the demands of the movie ultimately hurt the season leading up to it.

This week, The X-Files tries to pull off a grand pseudo-series finale involving a mind-reading chess prodigy and a literal fire in the basement, but the real tension might just be Scully's reaction to Mulder's ex. Michaela and Ed discuss whether 'The End' actually works as an ending, while also catching up on expensive car repairs, Morris dancing, Bob Odenkirk's action movie chops, and a Studio Ghibli film featuring a cat in a tuxedo... or does it?

Mulder's seeing a giant bug man in an episode that is surprisingly tense and paranoiac, even more so when you learn about the troubled production. Michaela and Ed discuss how The X-Files crew managed to turn disaster into victory in post-production, and also talk about the novel Klara and the Sun for arguably too long.

This week Michaela reveals a big life change ahead, AI tries to turn Ed's D&D campaign into a business memo, and we discuss 'The Pine Bluff Variant', an episode of The X-Files with more double-agent turns than the last series of The Traitors*.

*or what I'd assume. Paul only made me watch the last episode.

The X-Files abruptly remembers that Scully's daughter died and tries to examine her grief through the prism of a case involving angels, with mixed results. Michaela and Ed try to make sense of it all, while also discussing video stores and spoiling the hell out of the forgotten Robert Pattinson vehicle Remember Me and the novel My Year of Rest and Relaxation by Otessa Moshfegh, so consider this a spoiler warning.

A major milestone in the UK year has been met with celebrations, meanwhile Ed has joined the Flimsy Wrist Brigade... Is this episode of the X Files a blinder? Did we see too much?

Like R.E.M., The X-Files is exhuming McCarthy this week in an episode that goes back to the 1950s, an era of paranoia and persecution, when absolute psychopaths ran the American government. Hard to imagine such a thing, right? Michaela and Ed also talk about Ed "Velma-ing" on a late night run.

Michaela is mildly annoyed by holiday admin, Ed is uncomfortable about discussing BDSM and Mulder and Scully complete their Freaky Friday plot line.