Brian Cox on Directing Glenrothan, Trusting Your Collaborators, and the Magic of the Edit Filmmakers, you are in for an absolute treat today. We are joined by a true titan of the industry, the legendary Brian Cox. After decades of delivering iconic performances on stage and screen, Brian sits down with us to discuss stepping behind the camera for his highly anticipated feature directorial debut, Glenrothan. Fresh off a phenomenal premiere at TIFF (complete with a massive standing ovation!), Brian breaks down his deeply egalitarian approach to filmmaking. He shares the brilliant story of how his producer, Neil Zegler, flat-out told him he was the only person who could direct this movie, and how he leaned heavily on his DP to bring the vision to life. We dive into the nitty-gritty of the craft: why Brian prioritizes script, story, and actors over rigid shot lists and storyboards, the delicate art of directing yourself and "staying out of your own way," and how assembling a powerhouse cast—including Alan Cumming, Shirley Henderson, and brilliant young talent—elevated the entire production. Plus, he shares some invaluable lessons from the cutting room, including why they had to switch editors and dramatically restructure a crucial waterfall scene. Topic of the Week: Make sure you stick around for the outro, where we break down Brian's philosophy in our Topic of the Week: The Egalitarian Set: Why the Best Directors Don't Micro-Manage. We discuss why letting go of control and trusting your Heads of Department is actually an indie director's greatest superpower. IN THIS EPISODE WE DISCUSS: The Push to Direct: How producer Neil convinced Brian he had to take the helm of Glenrothan. The TIFF Premiere: The emotional experience of screening the film and receiving a standing ovation. The Egalitarian Set: Why Brian threw out rigid storyboards to focus entirely on the script, the story, and the actors. Directing Yourself: The secret to acting in your own movie and learning how to "stay out of your own way." Casting Magic: Working with heavy hitters like Alan Cumming and Shirley Henderson alongside rising young stars. The Realities of the Edit: Navigating post-production hurdles, switching editors, and the brilliant decision to move a crucial waterfall scene to later in the film. Brian’s Ultimate Advice: Why a director’s greatest superpower is trusting their department heads and valuing everyone's creative contribution. Links & Resources: Follow The Filmmakers Podcast on Twitter & Instagram: @filmmakerspod Enjoying the show? Please leave us a 5-star review on Apple Podcasts and Spotify—it really helps us keep bringing you these incredible masterclasses! FOOD FOR THOUGHT documentary out NOW | Watch it FREE HERE. A documentary exploring the rapid growth and uptake of the veganlifestyle around the world. – And if you enjoyed the film, please take amoment to share & rate it on your favourite platforms. Every review& every comment helps us share the film’s important message withmore people. Your support makes a difference! Help us out and Subscribe, listen and review us on iTunes, Spotify,or wherever you get your podcasts but more importantly, tell your palsabout this podcast. Thank you! PODCAST MERCH Get your very own Tees, Hoodies, on-set water bottles, mugs and more MERCH. https://my-store-11604768.creator-spring.com/ COURSES Want to learn how to finish your film? Take our POST PRODUCTION COURSE https://cuttingroom.info/post-production-demystified/ PATREON Big thank you to: Serena Gardner Mark Hammett Lee Hutchings Marli J Monroe Karen Newman Want your name in the show notes or some great bonus material on filmmaking? Join our Patreon for bonus episodes, industry survival guides, and feedback on your film projects! SUPPORT THE PODCAST Check out our full episode archive on how to make films at TheFilmmakersPodcast.com CREDITS The Filmmakers Podcast is written, edited and produced by Giles Alderson @gilesalderson Logo and Banner Art by Lois Creative Theme Music by John J. Harvey Learn more about your ad choices. Visit megaphone.fm/adchoices
Show More
Show Less
39 mins
52 mins
1 hr and 10 mins