• How I Use One-Page Mini-Zines To Generate Ideas Quickly
    Feb 10 2026
    Do you want to generate ideas quickly, without overthinking, without requiring perfection, and without using AI tools? One-page mini-zines are great for brainstorming and exploring things with both speed and depth. In this post, I want to show you how I use this medium not only to structure our Haven zine, but also to develop its topics and prompts. Mini-zines can be a great tool to carry in your back pocket (literally!) for processing, planning, and expressing yourself in different contexts It often helps me when my mind is drawing a blank, and I want a low-stakes way to expand how I think about parts of life that feel stuck and in need of a shake-up. At the end, we will do a quick, easy exercise together to get some creative juices flowing without using much brainpower, if you’re up for it. https://youtu.be/CFzQZcNf4QA What is a mini-zine? If you’ve never seen one before, a mini-zine is folded and cut to form a booklet you can hold in the palm of your hand. My favourite way to do it has eight panels that become pages. It is also reversible, so you can use sixteen pages from a single sheet of paper. The nature of zine-making is that there are no rules. As long as you have something to write with, you can turn a piece of paper into a mini-zine. No extra tech or tools required. Here is the basic folding method I use Folding a One-Page Mini-Zine Fold the paper in half lengthways.Fold that in half.Fold it in half again.Unfold it all and fold it like a booklet.Cut the fold down the middle halfway to the intersection of the fold across.Open it out and squeeze it to form a diamond.Push it together and flatten.Fold again, and you have a booklet you can flick through. When I use mini-zines to generate ideas, I keep them in this booklet format and treat each panel as a separate page. As you will see if I number each page, this does not necessarily put the pages in the most obvious places. You get used to it after a while. This format has been great for this collaborative community project in The Haven because it gives us limits. We set a six-week window for development and production, and we have sixteen pages to fill, including the cover and back. We use a simple prompt and let our imaginations take hold. Why Mini-Zines Work For Generating Quick Ideas For me, the core element that makes this work so well is its limits. One of my biggest obstacles to ideas is the blank page. The paradox of freedom is that when we feel too free, we often end up searching for rules anyway or staring at a blank page forever. Eight or sixteen panels are perfect numbers for setting limits on idea generation. Not enough to be overwhelmed, but not too few to feel pressured by the need to be perfect. When we are aware of the limit, we are free to stop once we reach it. Our only task is to keep generating ideas until we reach the number. Quantity matters more than quality at this stage. We know we can refine and iterate later. A quick exercise to try (10 Minutes) We can do a simple exercise with a blank mini-zine. Go through and number each page like I showed earlier. Set a timer for one minute. On each panel, write down as many things as you associate with the number as you can. Don’t edit, self-censor, or overthink it. Let your intuition lead the way. Reset the timer and do the same for each numbered page. When you’ve finished, flick through the pages and see what you notice: What catches your attention as you go through the pages?What were you feeling and thinking while doing this? (Did it feel simple? Were you hesitant or resistant? Did you feel rushed or able to move at your own pace? Were some easier for you than others?)What do you feel drawn to explore next as a result of this? There are five more exercises like this that I will share in future posts. I will break them into three broad categories: brainstorming for quick creative ideas, brainstorming for helpful questions, and brainstorming for fresh options when facing challenges and decisions. If you fancy joining us to collaborate on a future issue of Coming To Our Senses, The Haven doors are always open.
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    9 mins
  • People Keep Asking Me to Cancel Their Subscription To This App
    Feb 6 2026
    Around Black Friday last year, I started getting strange emails from people asking me to cancel their subscription. Only, they weren’t from Haven members, and they were talking about a weekly charge of $7. After a brief panic and some investigation, I confirmed this was not possible. I assumed these messages were bots phishing for something. Then my attention was caught by one that said, “Hi, I’ve just been charged for the Haven Bible app, but I cancelled my subscription through the app prior to the charging date.” Ahh. It must be a case of mistaken identity. Mystery solved! Well, half of it at least… https://youtu.be/mP6rxVuBmRo …But Why Were People Emailing Me? A quick search for “cancel Haven Bible App subscription” showed a knowledge base page on my website as the top result. I added a message to inform people that this was not the site they were looking for. Still today, I’m getting messages from people who scroll past it and tell me to refund them. I even received a second email accusing me of stealing their money because I refused to help them cancel their subscription. I had already replied to their first email, pointing them elsewhere. Bizarre! It has been a slightly sobering experience, pointing to how unobservant people can be at times. The Auto-Responder I created a short auto-responder to reply to these messages. I asked them to drop a quick reply when they work out how to cancel it so I could pass that information along to others in the same boat. Only one of about 60 people who emailed me bothered to follow up. A special shout-out to Lauren for taking the time to do that. I’ve been able to point people in a more helpful direction as a result. In reality, I don’t know if it’s genuinely difficult to cancel this subscription. What Is This Haven Bible App? After my search, the algorithms started delivering short videos of people promoting the Haven Bible App. It’s been heavily marketed by influencers. I became curious and began to notice overlaps with certain self-help industry mechanics we’ve been unpacking here in recent months. The app is an AI chatbot that answers user questions and prompts with responses from biblical texts. It’s marketed as a way to get simplified explanations, moral guidance, help with reading the Bible, and a sense of connection with a wise guide. Tools, Guidance, and Quiet Influence It’s worth considering the issues surrounding the use, trust, and reliance on this kind of technology as a source of information and guidance. Despite being presented as objective, a chatbot never is. By nature, it always contains biases. It’s programmed and personalised. Over time, it can shape our beliefs, values, and worldview based on the personal information we give it. There’s nothing necessarily inherently wrong with that, but it’s easy to imagine how this could be abused, with the user not noticing that their critical thinking is gradually replaced by conformity to a narrow, dogmatic framework. There’s also the issue of AI sycophancy. This is often described as a deliberate feature designed to hook users, creating a sense of affinity with the technology as if it were a feeling, thinking being. This entered public discussion in 2025 when researchers and mental health professionals raised concerns about what they described as “AI-related psychosis.” One widely reported case involved a man called Allan Brooks, who became misled into believing he had discovered a world-changing mathematical formula after hundreds of hours interacting with ChatGPT. These systems are designed to shift from instruments to relationships through encouragement and affirmation. They tend to praise and validate user input, reinforce existing beliefs, and create a sense of safety in the interaction. They don’t require you to articulate feelings or needs clearly, and they reduce the need to negotiate meaning with others. First- and second-person language further reinforces the illusion of connection. Recognising Unhealthy Dependency on an App A useful question here is whether a tool helps us grow beyond it or cultivates dependency. When dependency forms, creators can charge whatever they like for continued access. And will likely extract other information, such as personal data. Habit formation is central to platforms like this. The perception of a companion you can ask anything of creates reliance not just for knowledge, but for reassurance and connection. Features like reminders and streak maintenance mirror the same techniques used by apps like Duolingo. Not to keep people learning, but to keep them opening the app. The important distinction is whether a tool helps us develop skills and understanding we can take with us, or whether it locks value inside its own ecosystem. With Duolingo, it became clear over time that keeping people engaged mattered more than helping them learn a language. When leaving feels costly, users become vulnerable to price ...
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    15 mins
  • 7 Reasons to Start Drawing
    Feb 3 2026
    I’m holding something very exciting in my hands. A physical copy of Sam Marshall’s beautiful book, Sketch: A Project Guide to Drawing With Confidence. Sam and I spoke about it a couple of weeks ago. I want to pause at the beginning because the first chapter, Why Sketch?, is packed with juice. It speaks to how I understand creativity and why it matters, not just personally but collectively. Whether or not you plan to start drawing, this feels like a reminder of why creativity matters at all. It feels more important than ever to emphasise the role of analogue, tactile, hands-on forms of creative play, which give us something we can’t get in the slightly disavowed relationship with creativity mediated through a screen. https://youtu.be/ukeHIBP_bcI “To make art is to sing with the human voice. To do this you must first learn that the only voice you need is the voice you already have.” – Art & Fear by David Bayles and Ted Orland This feels like the grounding point. As Sam says, this is not a “how to draw” book. It’s an encouraging project guide that helps you sketch in your own way, connecting with confidence in your own creative voice. The voice you already have. Sam offers seven compelling reasons to develop a sketching practice. They act as anchors we can return to when resistance shows up. 1. A Space to Call Your Own Sam describes the sketchbook as: “Your own private sanctuary. It’s a place for you to express yourself freely, without judgement or criticism.” In a world shaped by the onlooking gaze, this feels gently rebellious. A space held for yourself. Not for sharing. Not for approval. A place with no rules, as a private breathing space for the creative spirit. 2. A Gentle Way to Explore Your Creativity All you need is a sketchbook and a pencil. That’s it. A low-stakes beginning that resists the urge to wait for the right materials or conditions. This is an unfolding practice, not an outcome-driven one. You add things as you go, once you get a feel for what deepens what you’re already doing. 3. A Way to Slow Down and Be More Mindful Sam writes: “I draw to calm my busy mind, to slow down, and to connect with my surroundings. I guess you could say that drawing is my meditation.” This is true of many creative practices. They can’t be rushed or forced. I remember joking when ChatGPT first launched that I wouldn’t need to journal anymore. Instead, I could just ask it to write an entry and I wouldn’t have to think. This was obviously absurd, yet I later met people doing exactly that. It shows how productivity thinking has taken over. Doing things only if they serve a measurable purpose. Drawing starts to feel acceptable only if it can be instrumentalised. That framing strips it of its real value. 4. A Way to Help You See More Sam writes: “Drawing helps you see. The more you draw, the more you look, and the more your world opens up.” “When you take the time to draw something, anything, you notice details you might otherwise miss. It helps us see what is there, rather than what we think is there.” Seeing more is not something you can rush. It’s a by-product of staying long enough. Drawing creates the conditions for noticing. 5. To Lift Your Spirits and Connect to the World Sam says: “I feel so connected to the places I’ve drawn; they are special places in my mind, and because I’ve committed them to memory through drawing, I feel I’m able to visit them anytime.” Drawing embeds you in a place. It’s the difference between depth and skimming. Between “doing” a place and actually tasting it. Creativity changes how you inhabit the world. It moves you from consumption to relationship. 6. To Reconnect With Yourself and Your Goals Sam writes: “If you’ve had a rocky road with drawing in the past, if you’ve felt you aren’t creative, then just proving to yourself that you can draw can be incredibly healing.” Creative hobbies are generative. They can spark confidence, energy, clarity. When we slow down, things start to connect across different areas of life. Breakthroughs and insights appear in their own sweet time. 7. A Tool for Remembering Sam notes: “My sketches evoke more memories than any of my photographs do.” This speaks to the role of the senses in memory. Being somewhere long enough for your internal state to change. Long enough to feel hunger, shifts in light, temperature, mood. Drawing deepens the bond between experience and memory. And when art is involved, even mundane days become memorable. Time, Fear, and Returning To Simplicity Sam asks: What’s preventing you from keeping a sketchbook?Time often comes up, but it’s usually a cover for fear. Fear of messing up, not knowing what to draw, or not matching what’s in your head. Her suggested mantra: “There’s nothing to be afraid of. It’s just a pencil and a piece of paper.” Drawing becomes easier the more it’s woven into daily life. It only feels ...
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    31 mins
  • Grow Creative Confidence Using Sketching (with Sam Marshall)
    Jan 23 2026
    Would you like to develop more creative confidence? Have you ever embarked on, or considered, a sketching practice? In this episode of The Gentle Rebel Podcast, we explore the link between the two in conversation with artist, printmaker, and creative coach Sam Marshall. Sam is based here in the UK and has recently released a beautiful book called Sketch: A Project Guide To Drawing With Confidence. I was fortunate enough to receive a digital copy last year and honestly, wow. It inspires, equips, and gently mentors people to start a drawing practice and engage with their natural creativity. What I love most about the book is its emphasis on helping you find your own creative voice. This is supported by Sam’s Sketch Squad, a small group of participants who work through the exercises together. Seeing the same prompts interpreted in wildly different ways has a surprisingly powerful effect. For me, the most helpful part was witnessing the sheer range of styles, approaches, and ways of noticing the world. https://youtu.be/yfiDlMKtMQA Creative Confidence and the Beauty of Difference A huge part of creative confidence is realising that differences in how we see, what we notice, and what we care about are not flaws. This is why art and creativity sit at the heart of being human. Creative expression is our collective humanity experiencing itself in all its weird and wonderful variety. I was reminded of this recently while talking about map-making as a way to understand our relationship with different areas of life. If you give the same prompt to 100 people, you do not get a single map done well. You get a hundred completely different maps. That is what I hope people take into and out of this conversation. Difference is beautiful. It is not about doing it right. What Sam offers through this book is a sketching practice that gives us tracks along which to see, feel, and experience the world in a more alive and interesting way than when we are stuck in ultra-productivity mode, trying to make everything efficient and easy. Why a Sketching Practice Builds Creative Confidence A drawing practice helps us slow down, observe, and engage our creative spirit through process rather than outcome. There is something gently rebellious about sketching in the digital age, where the default response is to pull out a phone and take a photo. There is a difference between capturing something quickly so we can hoard and move on, and drawing as a way of anchoring ourselves in the environment. Drawing asks us to stay. To notice. To let time pass while the world happens around us. Light shifts. Shadows move. People come and go. Smells, sounds, and sensations change. Rather than consuming the environment, we are engaging with it. Sam shares a lovely story about drawing in public and finding herself surrounded by Japanese school children. It creates a beautiful image of the quiet, magnetic energy that people who are deeply engaged with life often carry. Perhaps we are drawn to them because they are interesting. Or perhaps because they are moving at a pace many of us are craving. Practice Over Skill Focusing on practice rather than skill also reshapes what success means in art. Instead of achievement, accomplishment, or the finished piece, success becomes about rhythm, consistency, and an ongoing relationship with seeing and making. Letting go of outcome-oriented art is not about lowering standards. It is about shifting attention. It is not about producing pretty drawings. Rather, it is about sitting down with your sketchbook and using it as a tool for observing. Drawing anchors us in space and time, allowing us to witness change as it unfolds. The Sketching Exercises Sam Walks Us Through In the conversation, Sam takes us through the thinking behind the book’s exercises, each designed to build creative confidence through experience. In the Home Starting where you are. Noticing objects and spaces you have spent years with, perhaps without really seeing them. Outside the Home Venturing out to see the walls of your world from the outside. Noticing what is close by and reconnecting with physical space. It reveals details in neighbourhoods and communities that often go unseen. The Stories We Tell Ourselves About Drawing Sam explores some of the beliefs that hold people back, such as:“What if I am not good enough?”“I do not want to look silly or draw like a five-year-old.” Portraits Portraits were the most challenging exercise for many Sketch Squad members. They require vulnerability. You ask something of another person, and you share something personal in return. This is something we see in Tuula’s Photoyoga For Your Mind Experience. 25 Days of Drawing Simple prompts designed to build a habit and keep you drawing without overthinking it. Drawing in Public Another edge for many people. Being seen doing something personal and slightly unusual in a culture that loves to judge creative effort. Drawing on Holiday Experiencing places ...
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    1 hr and 11 mins
  • Responding to the Contagion of Burnout Energy
    Jan 22 2026
    I saw a reel earlier that made me notice how burnout spreads. An entrepreneurial self-help influencer told followers to demand more power, money, and visibility for themselves. You may be familiar with this flavour of message… “How dare you keep your impact hidden?” they said, “given the state of things right now.” They criticised viewers, demanding that they stop letting fear of what others think rule them. “Start the business, write the book, and share it with a world that needs to encounter it.” There is nothing intrinsically wrong with the underlying sentiment. But I felt troubled by the burnout energy evident in the speaker. I watched with the sound off at first, which intensified the impact of their eyes and hand gestures on my nervous system. There was a sense of panic and hype, which felt completely at odds with what is required for deep courage to meet the very real need being spoken about. I didn’t feel inspired or grounded in creative motivation. Instead, I was overcome by frenetic urgency and the indiscriminate demand to do more, driven by competition and fear. Things we already have in abundance. https://www.youtube.com/watch?v=CWf-FGZqIyE What Burnout Energy Pushes Us Toward There are enough people waving their arms and shouting demands about what we should be doing, using, and spending our finite resources on. What we need is space to slow down, take a breath, and listen deeply to that still, quiet voice within. This inner voice shows us what matters and why. Then we can choose how we bring it all to life. We need leaders who lead from that place, so we might be infused with and infected by the gentleness required to move out of that evident stuckness. That stuckness causes wheels to spin in the cycle of hurry, rush, and reactive firefighting mode. What Does Safety Make Possible? The word “safe” is used a lot today. To some degree, it has become diluted, making it difficult to define. But it’s worth exploring because it sits at the heart of this issue. Maybe we have a desire to change something about ourselves, our lives, or the world. Or perhaps we’ve created, or are creating, something that could make a meaningful difference to other people. We now consider another buzzword of our times: vulnerability. It can feel vulnerable to be honest about what we want in life and to share what matters to us with those who matter to us. It can be scary to admit what we care about and what burns within us. That’s because it can disrupt the status quo and challenge the image people have of us. It’s vulnerable because we cannot be certain how people will react. Vulnerability Is More Than a Mindset Likewise, it may leave us genuinely physically vulnerable if we choose to stand up for what we believe is right, for example, through art or activism. This vulnerability isn’t imagined. It’s not simply an issue of mindset, limiting beliefs to overcome, or a conditioned cultural message we just need to override with reframe hacks. We know there are real-world threats out there. What struck me about the reel was that it failed to provide the support needed to underpin its demands. In fact, it undermined the courage, conviction, and energy required to speak up in a world that might be unreceptive or even hostile to what we have to say. The finger-wagging shame that comes from an influencer demanding we do more because it’s cruel to hide from people who need to see us, however well-intentioned, will ultimately crumble and fold under its own weight. As a result, it creates the very passivity and inaction it warns against. Safety isn’t about comfort or avoidance. It’s the internal condition that enables honest reflection, creative movement, and sustained courage. This isn’t about mindset or thinking. It starts with the context of the stories we swim in, the supportive structures beneath us, and the material conditions that sustain life. Safety is Also Contagious One of the things I have consistently heard from people over the years who have connected with what I do, especially in The Haven and through the Serenity Island course, is the word safety. I’m always curious about what it means to those who use it, because it’s not something I think about explicitly. When I started sharing The Return to Serenity Island at the start of 2021, I received messages from people that put words to the experience: “Oh my word, it is incredible! A really unique mixture of sound and sensory experience, coaching, imaginative play and informal, companionable talks. I’m absolutely hooked. I just did a module and cried like a baby because I felt so safe and seen. It is really special. That kind of cry you do when you’re a kid, not because you’re afraid anymore, but because you’ve been PICKED UP, and the relief just comes flooding out.” – Josie This spoke of safety not as the opposite of courage, but as the cornerstone around which courageous action can be sustained. A ...
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    27 mins
  • David Bowie’s Search for Life, Death and God (with Peter Ormerod)
    Jan 16 2026
    Peter Ormerod is a journalist and writer who has written extensively about culture and faith for The Guardian, and he is also an arts editor for NationalWorld. He’s a very close friend of mine, so it was a real pleasure to speak with him in this capacity for The Gentle Rebel Podcast. Peter has just published a wonderful book, David Bowie and the Search for Life, Death and God. It resonates deeply with many of the themes we explore in The Haven and on the podcast, particularly the idea of what sits below an experimental approach to life. Speaking of which, Peter also makes beautiful music. You can listen here. https://youtu.be/f7jsoUB5jCY Beneath the Changes, a Consistent Question What really interested me was this path Bowie embodied so visibly through his art. The shifting characters, styles, and phases across his career can look like constant reinvention on the surface. But Peter invites us to see something else at play. What if these changes weren’t signs of restlessness, but expressions of something deep and consistent underneath? A spiritual thread running through Bowie’s life and work. That question sits at the heart of Peter’s book. What if the spiritual wasn’t incidental to Bowie’s creativity, but an essential driving force beneath it? Peter shows how this dimension was present from the very beginning, and he takes us on a compelling journey through Bowie’s searching. Writing the Book He Wanted to Read Peter says that after first hearing Hunky Dory at seventeen, his growing obsession with Bowie left him fascinated by the spiritual dimension of Bowie’s creative drive. Other writers had touched on this in passing, but no one had really followed it through in depth. So Peter ended up writing the book he wanted to read. Bowie as Mirror Ball, Not Chameleon In our conversation, we talk about Bowie’s legacy as something like a mirror ball. Shine a light on him and you get countless reflections. Everyone seems to have their own version of who Bowie was, something that became especially visible after his death. He’s often framed through the lens of “ch-ch-ch-changes”, the chameleon of rock. But Peter challenges this reading. The more he researched, read, and listened, the more those changes appeared to be a natural outpouring of a deeper spiritual quest. For experimental people, this can feel familiar. The outer paths shift, but the underlying question remains. Spirituality Without a Vocabulary A “spiritual interest” is often dismissed as a celebrity hobby, something that pops up and disappears. Peter makes a strong case that this wasn’t the case for Bowie. Part of the difficulty is that we don’t really have a shared vocabulary for this territory, which is why we fall back on words like spirituality. Bowie himself was fond of the saying, “Religion is for people who believe in Hell. Spirituality is for people who have been there.” He was sharply critical of religious institutions when he felt they corrupted the message of love at the heart of Christianity. For Bowie, spirituality wasn’t ornamental. It was essential to how he related to his life, his work, and his place in the universe. Seeking Without Arrival Through the seeking you will find. Not seeking to reach a destination, but seeking as a way of being. Why didn’t Bowie give up? What was he seeking? What was he finding? There were clearly things he encountered that made atheism feel insufficient, even when he was tempted by it. If Bowie arrives anywhere, Peter suggests it’s something like this: life is a gift, and love is the point. This can sound oblique, but Peter traces it clearly in Bowie’s later work. What we’re left with is the result of that searching, a remarkable body of work that we can return to, live with, and explore. Creativity, Humanness, and Collaboration There’s a danger in how Bowie is remembered. He can be lifted out of humanness, made to seem like an exception rather than a person. Bowie wrote bad songs. He made misfires. All of it belonged to the same quest. He’s sometimes misread as an unrooted artist, endlessly reinventing himself, but he was deeply sensitive to place and time. He always worked with others. He needed bands, collaborators, and creative relationships. His best work emerged through collaboration, not isolation. Smuggling Meaning Rather Than Preaching It Bowie was political, but he didn’t see political expression as his strongest artistic voice. He admired bands like The Clash for carrying that role more directly. This raises an interesting question about what we expect from celebrated figures, and how easily we project our demands onto them. Bowie was more of a smuggler. At Live Aid, he played a song and showed a video instead. Let’s Dance sounds like it’s about one thing, but it’s really about something else. Much of his music did a similar thing. This was the mark of his artistry. He invited a conversation rather than delivering a message. He trusted...
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    Less than 1 minute
  • Why You Can’t Articulate a Five-Year Plan For Your Life
    Jan 13 2026
    Where do you see yourself in five years? Does that question fill you with excitement, or a quiet sense of dread? We are wired differently. For many people, myself included, the question is not difficult to answer because we lack imagination. It is difficult because it speaks a different language from our natural way of being. We are not compelled by any outcome-oriented approach to planning, conceiving, or measuring success. And yet this orientation is often treated as a default mode we should all operate within. When the Five-Year Plan Feels Constricting Rather Than Motivating “But everyone has a dream,” we might be told, as if struggling to articulate a five-year vision means we are hiding something from ourselves. I have never been able to articulate a grand plan in the way this question assumes. I struggle to picture the future concretely, because it unfolds piece by piece. It always has. And I genuinely love watching how things emerge across different areas of life in ways I could not have foreseen. What drives me is something quieter and steadier. A creative impulse. A desire to make things, to explore what might happen, to respond to what is in front of me, and to integrate what has come before. My life does not move in straight lines. It has grown around and within my values, with seemingly unrelated dots connecting in unexpected ways. Maybe you relate to this? https://youtu.be/qFqIvsBB9HA “If you don’t know where you’re going, any road will get you there.” This quote, inspired by Alice in Wonderland, reminds me of the five-year question. For some, it sounds like a warning. A demand to define the destination so the “correct” road can be chosen. For others, it feels like permission. A reminder that movement itself shapes direction, and that choosing a road does not require certainty about where it leads. Two Approaches to Growing Life There is research that can help us better understand this difference. In an episode about Late Blooming, Kendra Patterson pointed to a study by David Galenson and Bruce Weinberg, who observed patterns in the careers of Nobel Prize winners in economics. They identified two broad orientations to creative innovation. Some people are conceptual innovators. They work deductively. They begin with a clear idea and organise themselves towards it. In the study, these individuals often made their most significant contributions early in life, sometimes in their twenties. Others are experimental innovators. They work inductively. Their contribution emerges step by step through trial, discovery, accumulation, and integration. Their most meaningful work often did not appear until their fifties. Sometimes later. That is a thirty-year difference. Experimental Thinkers and Emergent Direction Experimental lives unfold differently. They need time, space, and patience. Decisions cannot be judged too early, and meaning emerges through lived experience rather than advance planning. These lives are not oriented towards a clearly imagined endpoint, but towards allowing something to take shape over time. Our dominant culture tends to favour the conceptual orientation for obvious reasons. Goals are easier to measure than processes, and outcomes are more reassuring than slow inquiry. So when more experimental people are asked to account for themselves in conceptual language, we can experience a disconnect. The five-year plan. Starting with the end in mind. Being asked to justify movement only if the destination can be named in advance. We might learn to force an answer anyway, for fear of sounding vague and sketchy. Perhaps we adapt our path to fit the question, sometimes tethering ourselves to targets that outlive their purpose. If You Can’t Articulate The Plan, You May Be Asking Different Questions Experimental people tend to better orient around different questions. Not “where do I want to get to?” but “does this path feel worth exploring?”Not “how will I know I have succeeded?” but “what tells me I’m on the right path for now?” This does not mean anything goes. Our values provide an inner compass. A filter through which decisions pass. Experimental consistency grows in relationship with deeper principles, even when they are not fully formed or easy to articulate. We sense them in how something feels. Whether it feels solid, expansive, and quietly right, even in the face of uncertainty. That is very different from hit-and-hope searching. An Unfinished Map The problem begins when we are pressured to live by a map that does not match the territory of our own experience. The Return To Serenity Island grew directly out of this recognition. It was never designed to answer the question of direction. It emerged from understanding the difference between conceptual and experimental ways of moving through life, and from a desire to honour growth and change without forcing myself into a shape that did not fit. The image of mapping an island felt natural. A ...
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    22 mins
  • The Cost of Loyalty
    Dec 20 2025
    A theme that’s dominated 2025 for me (and for many) has been price rises across many subscription-based platforms and services. My correspondence with companies has made clear that loyalty stands for very little. In fact, rather than being rewarded, longevity is increasingly exploited and monetised. In this episode of The Gentle Rebel Podcast, I share a year-in-review through the lens of price rises. The tipping point was an email from my podcast hosting company, Libsyn, announcing a 71 percent increase effective from January. It was the straw that broke this camel’s back after a year of similar moves elsewhere. In the episode, I share exchanges with three companies that reveal how loyalty is no longer valued in itself, but engineered to extract profit from those of us who’ve become reliant on these platforms. https://youtu.be/qrmUSdGwcMs A Symptom of Enshittification Cory Doctorow describes the underlying trend as “Enshittification”, a form of platform decay visible in companies like Facebook, Amazon, Google, Apple, and Adobe. It’s not a glitch, but a feature. Doctorow traces a familiar arc: platforms start by serving users well in order to grow. Once established, they pivot toward business customers, monetisation, and scale. Eventually, when users and businesses are sufficiently locked in, services are degraded for everyone so maximum value can be pulled out as quickly as possible. Disproportionate price rises are one symptom of this process, particularly in how companies treat long-standing customers. Lock-in is maintained through network effects (it’s hard to leave when everyone else is still there), non-transferable data (your work can’t easily be exported), and digital restrictions where purchases only function inside a single ecosystem. Music, books, films, and software are “owned” only as long as the platform allows it. In the name of convenience, we give ourselves over to these systems and become dependent on them. As the digital and physical worlds converge, this logic extends beyond apps and websites into cars, home devices, utilities, and infrastructure. At that point, this stops being a simple matter of consumer choice. Extraction is baked into the products themselves. We are quietly acclimatising to this new normal. It has crept in through corporate consolidation, weak enforcement of anti-trust legislation, and business models that no longer need to meaningfully consider customer relationships once a certain scale is reached. Abusing Trust, Need, and Loyalty Charlie Brooker has cited Enshittification as an influence on Common People, the opening episode of Black Mirror series seven. A couple sign up to a subscription-based medical intervention that escalates in cost, complexity, and dependency. Features are removed. Adverts are inserted. The stakes become existential. One particularly chilling moment sees Mike literally mutilating his own body for money via an OnlyFans-style platform, a stark symbolic image of how value is extracted from people once dependency is established. Price Rises for a “Valued Customer” Libsyn informed me they were raising the price of hosting A Quiet Night Inside No 9 by 71 percent. The justification was a familiar list of added features and growth opportunities, none of which were relevant to how we use the service. We don’t want adverts or growth tools. We want reliable hosting and delivery. This exchange highlighted how much podcasting has changed since I joined Libsyn in 2009. Hosting platforms have increasingly positioned themselves as intermediaries between advertisers and podcasters. That relationship now takes precedence. Advertising is framed as a benefit to creators, while enabling hosts to raise prices and skim revenue from both usage fees and ad sales. Listeners, meanwhile, absorb longer ad breaks as the new normal. Is this stage two of Enshittification in the podcasting world? Note, I pledge never to put adverts on my audio podcasts. YouTube is the only exception, because Google inserts them regardless. ConvertKit and Paying for Features I Don’t Want A similar logic played out with Kit, formerly ConvertKit. I chose it in 2016 because it was simple and reliable and have been a loyal user ever since. A price increase from $49 to $59 a month was justified by new automations and tools I didn’t ask for or use. There is no way to opt out and pay less. The only concession offered was annual billing, which I pointed out mirrors poverty-tax logic: those without upfront capital pay more. Symptoms of a Failing Service Vimeo was the clearest example of platform decay from the inside. Storage rules changed midstream. Long-held assumptions were invalidated. Downgrading meant losing access to years of work. Retention efforts amounted to one-off discounts rather than meaningful alternatives. What stood out wasn’t hostility, but indifference. Once a service reaches a certain size, individual relationships no longer seem to matter. ...
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