What exactly does an agent do for opera singers - and when should a young artist consider working with one? In this episode of Opera Training Companion, host Rachel Nicholls sits down with Sue Spence (Director, Askonas Holt) and Katy Crompton (Assistant Artist Manager at MWA and National Opera Studio alum) to unpack the vital role of artist managers in today’s operatic world.

From contract negotiations and travel logistics to long-term career building and brand development, we explore how agencies support singers at every stage. Our guests share insider perspectives on what they look for in emerging talent, how the industry has shifted with social media and Brexit, and what practical steps young artists can take when choosing an agent.

Whether you’re a singer wondering when to seek representation, or simply curious about the behind-the-scenes machinery of the opera world, this episode offers candid advice, memorable anecdotes, and expert insights from two industry leaders.

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What exactly is a Young Artist Programme, and why do they matter so much to the future of opera? Host Rachel Nicholls – acclaimed soprano and NOS coach – is joined by two leading figures in the opera world: Eric Melear, Artistic Director of the National Opera Studio, and Laura Canning, General Director and CEO of Opera North. Together, they unpack the world of Young Artist Programmes (YAPs) and cover:

• What defines a YAP and how it differs from postgraduate study or pay-to-sing schemes.
• Why the term “Young Artist” matters.
• How these programmes have evolved internationally over the past few decades.
• What singers should consider when choosing a YAP, from financial structures to cultural contexts.
• How institutions prepare young artists to launch their professional careers on the operatic stage.

📩 Got a question for future guests? Email podcast@nationaloperastudio.org.uk or find us on Instagram @nationaloperastudio.

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Host Rachel Nicholls is joined by baritone Nick Mogg (2018/19 alum), currently a member of the Solo Ensemble at the Staatsoper Hamburg, and Fiona Wells, servicing manager at Groves Artists, to explore the realities of working abroad as an opera artist.

Nick shares his first hand experience of life and work in Germany—how he navigates visas, accommodation, and cultural adjustments, as well as the artistic and personal rewards of working internationally. He reflects on differences in rehearsal styles, audience engagement, and what British musicians could learn from the German approach to opera.

Meanwhile, Fiona provides expert insight into the practicalities of working abroad, from managing travel expenses and visas to adapting to Brexit-related changes and the growing focus on environmentally conscious touring. She also offers valuable advice for young artists planning their first international engagements, including whether a second passport is worth considering.

Useful resources:

Visas and work permits in Europe

https://www.ism.org/visa-guide-europe/

Brexit round-up

https://www.ism.org/advice/brexit-roundup/

📩 Got a question for future guests? Email podcast@nationaloperastudio.org.uk or find us on Instagram @nationaloperastudio.

Hosted on Acast. See acast.com/privacy for more information.