Welcome back to The Race and Regency Pod.

Today, we are joined by Amita Murray. Amita is a writer based in London, by way of Delhi and California. Her first novel, The Trouble with Rose, came out from Harper Collins in 2019, and her short fiction has won the SI Leeds Literary Prize, and has appeared in Wasafiri, SAND Berlin, the Berkeley Fiction Review and others. She's held writerly residencies with Leverhulme/University College London and Plymouth University/Literature Works, and has taught advanced fiction at the University of East Anglia and CityLit London. She was named runner-up for the 2022 CRIMEFEST scholarship for authors of color.

We discuss her work, paying special attention to her historical romance trilogy set in Regency England, where the mixed-race Marleigh sisters each go through a journey of adventures and love.

Amita also shares some tips for young aspiring writers on her Instagram @amitamurray

Find more of her work on www.amitamurray.com.

To learn more about the Race and Regency Lab, visit https://www.raceandregency.org/

The Race and Regency Pod works as a dynamic sonic space to lend an ear to all things Race and Regency. Using the intimacy, accessibility, and fluidity of the medium, this podcast brings together the public, artists, curators, librarians, scholars, and cultural critics who share their passion for questions of race in this period. Unlike ideas and engagements that can often stay confined behind academic paywalls, this podcast facilitates space for community members and connoisseurs of the Regency era to think together and build together.

Listening with and to a range of people who speak in varied accents and tones, The Race and Regency Pod works as a practice in embodied scholarship. We imagine what enthusiasm and engagement sound like when directed towards sharing, community building, resistance, and self-expression. This podcast will house diverse conversations that expand the conception of the Regency era thematically, geographically, and temporally, by considering how we inherit formulations of race from this period and engage with them now.

Welcome back to The Race and Regency Pod.

Today, we are joined by Carole Bell and Adrianna Herrera.

Carole Bell is a cultural critic, writer, and researcher exploring media, identity, public opinion, and the politics of art and entertainment. Carole’s writing inspires and influences so many writers, thinkers, and readers. She writes about books, new and old, she writes about movies, politics, culture. Carole not only has a finger on the pulse of culture at large, but also the wherewithal to inform it through her incredible writing. She’s written about books and authors for print and online media, including The Atlantic, The New York Times, NPR, The Washington Post, Publishers Weekly, BookPage, Book Riot, Shondaland, and theGrio.

You can find more of her work here: portfolio.cvbell.com

Adriana Herrera is a USA Today Best Seller Author. She loves writing stories about people who look and sound like her people, getting unapologetic happy endings. She has written successful romance fiction and erotica, such as her trilogy: A Caribbean Heiress in Paris, An Island Princess starts a Scandal, and A Tropical Rebel gets the Duke; her Dating in Dallas Books include: Here to Stay and On the Hustle; There’s also the Sombrano Studios Books, The Dreamer Series, and other standalone books as well. She won a Ripped Bodice Award in 2020 and the Audie Award in 2023.

You can find more of her work here: adrianaherreraromance.com

Carole and Adrianna share with us their thoughts on the new adaptation of Wuthering Heights by Emerald Fennell. They also leave us with some incredible recommendations for what to read and watch to satisfy the historical fiction hunger that might emerge post-Wuthering Heights.

To learn more about the Race and Regency Lab, visit https://www.raceandregency.org/

The Race and Regency Pod works as a dynamic sonic space to lend an ear to all things Race and Regency. Using the intimacy, accessibility, and fluidity of the medium, this podcast brings together the public, artists, curators, librarians, scholars, and cultural critics who share their passion for questions of race in this period. Unlike ideas and engagements that can often stay confined behind academic paywalls, this podcast facilitates space for community members and connoisseurs of the Regency era to think together and build together.

Listening with and to a range of people who speak in varied accents and tones, The Race and Regency Pod works as a practice in embodied scholarship. We imagine what enthusiasm and engagement sound like when directed towards sharing, community building, resistance, and self-expression. This podcast will house diverse conversations that expand the conception of the Regency era thematically, geographically, and temporally, by considering how we inherit formulations of race from this period and engage with them now.

Today, we are joined by Dr. Adrienne Childs. Dr. Childs is an independent scholar, art historian, and curator. She is Senior Consulting Curator at The Phillips Collection, Washington, DC. She is also the co-curator of Vivian Browne: My Kind of Protest for The Phillips Collection. In April 2022 The High Museum of Art awarded Childs the 2022 Driskell Prize in recognition of her contribution to African American art and art history.

In this episode, Dr. Childs discusses her new book entitled Ornamental Blackness: The Black Figure in European Decorative Arts, published by Yale University Press. She also shares some of her current and future projects with us.

For more on Dr. Childs' work, see her website https://www.adriennelchilds.com/

To learn more about the Race and Regency Lab, visit https://www.raceandregency.org/

The Race and Regency Pod works as a dynamic sonic space to lend an ear to all things Race and Regency. Using the intimacy, accessibility, and fluidity of the medium, this podcast brings together the public, artists, curators, librarians, scholars, and cultural critics who share their passion for questions of race in this period. Unlike ideas and engagements that can often stay confined behind academic paywalls, this podcast facilitates space for community members, and connoisseurs of the Regency era to think together and build together.

Listening with and to a range of people who speak in varied accents and tones, The Race and Regency Pod works as a practice in embodied scholarship. We imagine what enthusiasm and engagement sound like when directed towards sharing, community building, resistance, and self-expression. This podcast will house diverse conversations that expand the conception of the Regency era thematically, geographically, and temporally, by considering how we inherit formulations of race from this period and engage with them now.

To learn more about the Race and Regency Lab, visit https://www.raceandregency.org/

The Race and Regency Pod works as a dynamic sonic space to lend an ear to all things Race and Regency. Using the intimacy, accessibility, and fluidity of the medium, this podcast brings together the public, artists, curators, librarians, scholars, and cultural critics who share their passion for questions of race in this period. Unlike ideas and engagements that can often stay confined behind academic paywalls, this podcast facilitates space for community members and connoisseurs of the Regency era to think together and build together.

Listening with and to a range of people who speak in varied accents and tones, The Race and Regency Pod works as a practice in embodied scholarship. We imagine what enthusiasm and engagement sound like when directed towards sharing, community building, resistance, and self-expression. This podcast will house diverse conversations that expand the conception of the Regency era thematically, geographically, and temporally, by considering how we inherit formulations of race from this period and engage with them now.