On this episode I had the pleasure of talking to Maureen Crowe. Maureen is a trailblazing music supervisor whose work has shaped some of the most iconic soundtracks in film history, including The Bodyguard, Wayne’s World, Chicago, and The Perfect Storm and, most recently, I Want To Dance With Somebody. As the Founding President of the Guild of Music Supervisors, she has been a driving force in elevating the role of music supervision across the industry. A Grammy and Emmy advocate, Maureen was the first female President of the LA Chapter of The Recording Academy, where she championed recognition for music supervisors. She currently serves as their elected representative at the Academy of Motion Picture Arts and Sciences. Her career blends creative vision with tireless advocacy, leaving a lasting imprint on music in film and television.

Today's episode is a pretty special one for me because I got to talk to Marc Medwin, who just so happens to be one of my all time favorite people to have a conversation with. Medwin is a professor of music at American University, and I took "History of Rock" and "American Music and Politics of Protest" with him. We talked about his relationship with music as a blind man, how sound is used in film and television, the power behind silence, and Sesame Street.

On today's episode, I talked to Billy Gottlieb. Billy is an LA-based music supervisor from the Baltimore area. We discussed what led him to the job, his work as a music coordinator on the movies Pulp Fiction and Clueless with Karyn Rachtman, a number of both his past and upcoming projects, and some of the differences between supervising for film vs. television.