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Some episodes sneak up on you. This is one of them.

Peter's back from London and Scotland — no guest, no filter, just him, a microphone, and about thirty years of unresolved feelings. What starts as a breakdown of the biggest UFO disclosure in US history (yes, the Pentagon's 162 declassified files, the Gemini 7 transcripts, the Buzz Aldrin moon sightings, all of it) turns into something much more personal and, honestly, much stranger.

Because here's the thing: the files dropped the same week Peter released Real Housewives of Area 51, a pop song about turning 40, mourning a version of fame that never quite arrived, and fantasizing about getting abducted as a substitute for being chosen. Coincidence? He doesn't think so.

This episode is about the shape of obsession — why UFOs, why fame, why manifesting, why psychics, why all of it — and how those things turn out to be asking the same question in different costumes: Is there something out there that knows I exist and finds me significant? Peter traces that question through his 30s, through a very specific kind of grief that has no event attached to it, through the work of religious scholar D.W. Pazulka (whose research positions UFO belief as a functional replacement for religion in the secular modern world), and into a genuinely fascinating conversation about AI as the newest form of non-human intelligence — and what happens to the human soul when something that knows everything starts answering your prayers.

It's equal parts confession, cultural analysis, and one man asking the sky if it's paying attention. And if you've ever felt like a star in a world that hasn't confirmed it yet — this one's for you.

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We’re back in The O-Files—and this one is pure nostalgia, chaos, and a little bit of glitter-covered history.

I’m sitting down with Nick Opp, former Odyssey bar manager during my most formative (and slightly feral) years, to revisit the bar that somehow became everything. We get into how he went from first-time baby gay walking through those doors… to running the place during its final era—and what it actually felt like to be part of something that big, that messy, and that meaningful.

We talk nightlife before phones, the music that defined a generation, the energy you truly can’t recreate, and that final night that everyone still carries with them. Plus, Nick’s life after The Odyssey—murals, nostalgia tees, AI music experiments, and the return of his drag persona Sigourney Beaver (yes, born on that stage).

This one is about memory, community, and the spaces that shape you long after they’re gone.

If you were there, you already know. If you weren’t… welcome to the myth. ✨

Check out Nic's song BRENDA here:

https://www.youtube.com/watch?v=7zolSm-wg90&list=PLNzBreGWlO0tCx0t_aTzRiA4DGKvhKSvm

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