In this episode, we explore three powerful productions that tackle some of the biggest questions facing society today. From the dangers of deepfake technology and online voyeurism to supernatural terror during wartime Iran and an inspiring true story of ingenuity in Malawi, these are shows that challenge, move and ultimately stay with you long after the curtain falls.

Are You Watching?

What happens when technology blurs the line between reality and exploitation?

Georgie Dettmer makes an impressive professional playwriting debut with Are You Watching?, a bold new world premiere directed by Jess Edwards, whose acclaimed work includes Conversations After Sex. Exploring deepfakes, pornography, online voyeurism and the commodification of grief, the play asks difficult questions about consent, responsibility and our growing desensitisation to digital abuse.

As stories intertwine and perspectives shift, audiences are forced to confront their own relationship with the content they consume and the systems that profit from it. Timely, provocative and deeply unsettling, we discuss whether this powerful new work succeeds in holding a mirror up to our increasingly online world.

Under the Shadow

The horrors of war and the supernatural collide in this gripping stage adaptation of Babak Anvari's BAFTA-winning film.

Adapted by Carmen Nasr, Under the Shadow transports audiences to Tehran during the final years of the Iran-Iraq War, where Shideh is left to care for her young daughter as bombs rain down on the city. Yet alongside the very real threat of conflict lurks something far older and more sinister: a djinn carried on the wind between the missile strikes.

Featuring a remarkable central performance from Leila Farzad as Shideh, supported by Nadia Albina, Bijan Daneshmand, Souad Faress, Mona Goodwin, Nicholas Karimi and Rachid Sabitri, this atmospheric production feels especially resonant given current events in Iran. We discuss how the play balances psychological horror with a deeply human story about motherhood, identity and the impossible choices faced during times of war.

The Boy Who Harnessed the Wind

Based on William Kamkwamba's bestselling memoir and the acclaimed 2019 film directed by Chiwetel Ejiofor, The Boy Who Harnessed the Wind arrives in the West End as a moving and uplifting new musical full of heart, hope and extraordinary talent.

Directed by Lynette Linton, with book and lyrics by Richy Hughes and music and lyrics by Tim Sutton, the production tells the true story of a thirteen-year-old boy in drought-stricken Malawi who uses ingenuity, determination and a handful of library books to build a windmill that transforms his community.

We discuss the outstanding central performance from Alistair Nwachukwu as William, alongside Madeline Appiah as his mother Agnes and Sifiso Mazibuko as his father Trywell. The inventive use of puppetry, Frankie Bradshaw's vibrant set and costume design, Oliver Fenwick's lighting and George Dennis' soundscape combine to create a production that celebrates resilience, imagination and the power of education to change lives.

Three remarkable stories. Three very different worlds. One episode about the courage to confront fear, challenge injustice and dream beyond the impossible.

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This episode, Darren sits down with acclaimed stage and screen actor JJ Feild.

Currently starring in the world premiere of Ben Ockrent's darkly comic family drama Relics at the Lyric Hammersmith, JJ discusses the appeal of the play, its exploration of family dynamics and the secrets we inherit.

The conversation also takes a broader look at his remarkable career, from returning to the stage as Oberon and Theseus in A Midsummer Night's Dream at the Bridge Theatre to his work on major screen productions including Jack Ryan, Captain America: The First Avenger, Telstar and Lost in Space.

JJ reflects on the roles that have shaped him, what he looks for in a script, the differences between theatre and screen acting, and the importance of continuing to challenge himself as a performer.

A warm, thoughtful and insightful conversation with one of Britain's most versatile actors.

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This episode, we're talking horses - but in two very different theatrical experiences. Natalie reviews Peter Shaffer's psychological masterpiece Equus at the Menier Chocolate Factory, while Darren heads to the National Theatre for the long-awaited homecoming of the global phenomenon War Horse.

Equus

What could drive a seemingly ordinary seventeen-year-old boy to commit an act of shocking violence against six horses?

That's the question at the heart of Peter Shaffer's modern classic Equus, now revived at the Menier Chocolate Factory in a gripping new production directed by Lindsay Posner. As psychiatrist Martin Dysart attempts to understand his young patient Alan Strang, the investigation becomes something far more profound than a search for motive. The deeper Dysart digs, the more he is forced to confront his own beliefs about passion, normality, worship and what it truly means to live a fulfilled life.

Natalie discusses whether this powerful revival still packs the same psychological punch that has made Equus one of the most celebrated plays of the twentieth century, and why its questions remain as provocative today as when it first premiered.

War Horse

Nearly twenty years after it first changed the landscape of British theatre, War Horse returns home to the National Theatre.

Based on Michael Morpurgo's beloved novel, the production follows young Albert and his horse Joey, whose bond is tested when the First World War tears them apart. As Joey is shipped to the battlefields of France, Albert embarks on a dangerous journey to bring his beloved companion home.

Featuring the extraordinary puppetry of Handspring Puppet Company, a soaring score and some of the most breathtaking stagecraft ever created, War Horse remains one of the defining theatrical productions of the modern era. Darren reflects on experiencing the show for the first time, discussing whether its emotional storytelling and revolutionary puppetry still have the power to captivate audiences in an era shaped by productions such as Life of Pi and My Neighbour Totoro.

Two acclaimed productions. Two unforgettable relationships between humans and horses. One explores obsession and psychology; the other love, loyalty and survival against the backdrop of war.

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