Germany's internal border checks were supposed to be temporary.

Introduced in 2015 as an emergency response, they've now become a familiar part of daily life across much of Europe.

Reporter Sam Baker travels to Germany's borders with France and the Netherlands, where commuters sit in traffic, businesses absorb mounting costs, and local leaders question whether the checkpoints make anyone safer. Along the way, she meets journalist Sandra Alloush, whose experience at one of these border checks changed the way she moves through Europe, and explores why a policy that many acknowledge has significant limits continues to expand.

The story raises a larger question: What happens when democracies begin governing through permanent emergencies? And what does it mean when extraordinary powers become ordinary?

Guests:

Wolfram Britz, Mayor of Kehl, Germany

Maartje van der Woude, Professor of Law and Society at Leiden University

Sandra Alloush, journalist, filmmaker, and advocate for refugee rights

Lucien van Ryswijk, Mayor of Zevenaar

Raquel Garcia Hermida van der Walle, Member of the European Parliament

Additional Resources:

History of Schengen, European Commission

Racial Profiling Practices at EU Internal Borders, European Network Against Racism (ENAR) and the Platform for International Cooperation on Undocumented Migrants (PICUM)

Ah Long spent years building a life in Shanghai. Then the pandemic arrived.

China's Zero-COVID policy cost him his job, his relationship, and eventually his faith that he could build a future there. So he did something almost unimaginable: he set out alone for the United States, crossing the Darién Gap, surviving robberies, and surrendering at the US-Mexico border to seek asylum.

But by the time he arrived, America had changed, too.

In this episode, reporter Aria Young follows Ah Long's extraordinary journey from China to New York and examines how both Beijing and Washington have turned to the language of emergency to expand executive power. The story asks a larger question: when governments rule through crisis, what happens to the people caught between?

Guests:

Ah Long, Chinese asylum seeker living in New York

Rory Truex, Associate Professor of Politics and International Affairs at Princeton University

Rev. Mike Chan, Executive Director of Ministries in New York at Chinese Christian Herald Crusade

Additional Resources:

Crossing the Darién Gap: Migrants Risk Death on the Journey to the US, Diana Roy and Sabine Baumgartner, Council on Foreign Relations

Deportation Data Project

A Study of Chinese Law on Restricting Personal Liberty for Public Health Protection: Taking the COVID-19 Epidemic as the Entry Point, Tengfei Liu and Zhongwu Ma, Frontiers in Public Health

A few hours outside Bogotá, a giant yellow circus tent rises above the countryside. Inside, families laugh at clowns, gasp at acrobats, and cheer for trapeze artists soaring overhead.

The performers are all members of the Colombian military.

For more than three decades, Circo Colombia has sent active-duty soldiers across the country to perform for communities, many of them in regions shaped by decades of armed conflict. Military officials say the circus builds trust, provides entertainment, and offers a different face of the armed forces.

But not everyone sees it that way.

Some Colombians view the circus as a sophisticated public-relations project for an institution still grappling with allegations of corruption, violence, and abuses committed during the country's long civil conflict. Others argue the performances can blur the line between entertainment, recruitment, and intelligence gathering.

Reporter Natalie Skowlund travels to the town of Supatá to step inside the tent and meet the people at the center of this unusual story: soldier-clowns, former military performers, circus historians, government officials, and audience members trying to make sense of what happens when the military puts on a show.

In this episode: Why Colombia has a military circus, what it reveals about the country's relationship with war and memory, and how one former circus soldier came to see the circus not as a tool of the military, but as a path to freedom.

Guests:

Professional Soldier Luís Javier Cardenas, clown and trapeze artist with Circo Colombia
Franci Guzmán and Ana Pinzón, audience members at Circo Colombia show in Supatá, Colombia
Rosa Elena González Moreno, Colombian Ministry of Culture Circus Program Coordinator
Jonathan Hernández, professional circus artist and former soldier performer with Circo Colombia
Olga Lucía Sorzano, PhD, Colombian circus scholar and director of Artemotion

Additional Resources:

A Spanish-language report on the history of circus in Colombia.

Tatan's Instagram account.

Colombia's military circus, live, in the AP archive.