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This Is A Voice

This Is A Voice

Written by: Jeremy Fisher and Dr Gillyanne Kayes
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Voice experts and bestselling authors Dr Gillyanne Kayes and Jeremy Fisher have been chatting about voice for more than 20 years - this time they've switched the microphone on. Vocal technique? check. Musicals? check. The weird things you can do with your voice? check. Includes AMA on voice, singing, speaking, performance techniques, voice exercises and so much more.© 2026 Vocal Process Art Entertainment & Performing Arts Music
Episodes
  • Singer Interrupted - Love Singing & Hate Performing - here's why that matters
    Feb 10 2026

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    In this episode of This Is A Voice (S12 Ep6), Jeremy Fisher and Dr Gillyanne Kayes continue the story from “The Secret Singer” (Ep5) and go deeper into what happens when a singer’s path gets interrupted.

    Gillyanne shares what came after stopping singing in her late 20s, how she rebuilt confidence (slowly and with care), and why her “happy ending” wasn’t about chasing the stage again. We talk identity, grief, agency and the surprisingly liberating idea that loving singing doesn’t require loving performance.

    Then we zoom out into the bigger picture, how singing skills transfer into teaching, leadership, presenting, training and research. Plus, we unpack the difference between rehearsal and performance as totally different nervous system tasks, and why connection with the audience can change everything.

    If you’re a singer, teacher, vocal coach, choir leader, or anyone who’s ever felt like you need to “prove” your voice, this one’s for you.

    Chapters

    00:00 “Singer Interrupted”
    01:14 The happy ending (and the grief)
    02:45 Returning to singing, rebuilding confidence, technique + agility
    05:12 Seven years off singing, and why that can still lead somewhere good
    06:15 “Performing spoils my day/week”, permission to redefine success
    08:22 Singing identity vs public performance
    10:45 What would your happy ending be if you didn’t have to prove anything?
    12:19 Teaching, training, presenting, research, performance changes shape
    16:47 Connection with the audience, social engagement, polyvagal lens
    18:24 Transferable skills singers forget they have
    20:04 Rehearsal vs performance, what the audience changes
    24:09 Starting from your real emotion, plus “it’s OK to be crap for 10 minutes”
    28:37 Nervous system expectations in performance, what helps

    Mentioned:
    Melissa Forbes, Stop Chasing Perfection, Start Singing for Connection (This Is A Voice Season 11, Ep13 https://youtu.be/r5-Lq4ithDc

    Safe Space 2 - Polyvagal Theory for Performance - our new online course with Franka van Essen
    https://vocal-process-hub.teachable.com/p/safe-space-2-polyvagal-theory-for-performance-with-franka-van-essen

    The Master-Apprentice survey - please fill in this survey (10-20 mins)
    https://www.cognitoforms.com/VocalProcess1/Master-Apprentice-Model-In-Singing-Teaching


    If this episode resonates, drop a comment, what part hit home for you? And tell us, where do you “perform” even when you’re not on a stage?

    Remember to like, subscribe, and hit the bell icon for more insightful episodes. Leave a comment below on what inspired you the most! 👇

    You can find out about our Teacher Accreditation for singing teachers, vocal coaches and choir leaders and start your own journey here
    https://vocalprocess.co.uk/teacher-accreditation/

    We've also got this ↓

    For the best self-guided learning, check out the Vocal Process Learning Lounge - 22 years of vocal coaching resources (over 600 videos) for less than the price of one private singing lesson.
    Click on the link https://vocalprocess.co.uk/learning-lounge/learning-lounge-level-2-deep-dive/

    If you want to discover if our singing teacher training programme works for YOU, message us - we can share the process for joining Cohort26. https://www.cognitoforms.com/VocalProcess1/TheAccreditationProgramme

    Get the One Minute Voice Warmup app here, it's got a 4.9star rating
    Appstore https://apps.apple.com/gb/app/one-minute-voice-warmup/id1212802251
    Google Play https://play.google.com/store/apps/details?id=co.speechtools.warmup&hl=en_GB

    Check out our Voice Journal, written with Rayvox's Oren Boder https://www.rayvox.co.uk/products/voice-journal?ref=VOCALPROCESS

    Find us - follow us on the socials!

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    30 mins
  • The "Not Good Enough" story and the recording never played - special guest episode
    Jan 27 2026

    Send us a text

    In this episode of our This Is A Voice podcast, we do something we've never done before.

    We have a “special guest”, not in the studio but on a recording, one that hasn't been played for more than 40 years. You'll have to listen to the first few minutes to discover who the special guest is!

    This conversation goes straight into the stuff singers quietly carry:
    The feeling that “good enough” is a place you never reach.
    How training can install a deficit narrative.
    Why the master-apprentice model can turn learning into permission-seeking.
    How confidence regresses when the teacher-student dynamic isn’t handled with care.

    There’s also a very practical tangent Gillyanne and I both care about.
    If you never sing music with scales written in them, stop treating scales like the goal. Build exercises from the repertoire you actually perform. Stop singing scales, start practising riffs!

    We close the episode with a second archival excerpt. Same “special guest”. Same question underneath it all.
    What would change if you stopped auditioning for permission, and started making music from ownership?

    ***Apologies for the slightly variable sound quality, our microphones weren't working properly***

    Credits
    Archival excerpt 1, Handel (German aria excerpt “Meine Seele hört im Sehen”)

    Archival excerpt 2, Mozart (Concert Aria K490, "Non temer, amato bene")

    Special guest singer: ???
    Violin: Penelope Wayne Shapiro
    Piano: Jamie Clarke
    Recorded 1983

    Master-Apprentice Survey link: https://www.cognitoforms.com/VocalProcess1/Master-Apprentice-Model-In-Singing-Teaching

    The Birmingham Vocal Coach blog on Rethinking Vocal Coaching https://www.thebirminghamvocalcoach.co.uk/blog


    Remember to like, subscribe, and hit the bell icon for more insightful episodes. Leave a comment below on what inspired you the most! 👇

    You can find out about our Teacher Accreditation for singing teachers, vocal coaches and choir leaders and start your own journey here
    https://vocalprocess.co.uk/teacher-accreditation/

    We've also got this ↓

    For the best self-guided learning, check out the Vocal Process Learning Lounge - 22 years of vocal coaching resources (over 600 videos) for less than the price of one private singing lesson.
    Click on the link https://vocalprocess.co.uk/learning-lounge/learning-lounge-level-2-deep-dive/

    If you want to discover if our singing teacher training programme works for YOU, message us - we can share the process for joining Cohort26. https://www.cognitoforms.com/VocalProcess1/TheAccreditationProgramme

    Get the One Minute Voice Warmup app here, it's got a 4.9star rating
    Appstore https://apps.apple.com/gb/app/one-minute-voice-warmup/id1212802251
    Google Play https://play.google.com/store/apps/details?id=co.speechtools.warmup&hl=en_GB

    Check out our Voice Journal, written with Rayvox's Oren Boder https://www.rayvox.co.uk/products/voice-journal?ref=VOCALPROCESS

    Find us - follow us on the socials!
    🐦 Twitter - https://twitter.com/Vocalprocess
    📸 Instagram - https://www.instagram.com/vocalprocess
    📖 Facebook - https://www.facebook.com/vocalprocess

    #vocalprocess #teacheraccreditation #voicetraining

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    42 mins
  • When A Song Doesn't Land - What to look for and how to fix it
    Dec 12 2025

    Send us a text

    Most singers can learn the notes and the words. That isn’t the part that gets in the way. The real block sits under the surface. It’s the moment where the song should land and somehow doesn’t. You can feel it. The audience can feel it. Something is missing.

    In this episode, we dig into that missing piece
    How singers learn songs too fast
    How the ear follows the recording but not the key
    How interpretation can be lovely but still empty
    And how inhabiting a song changes everything

    We talk through the internal logic sitting inside every piece of music
    The logic of the harmony
    The logic of the text
    The tiny decision points singers often sail past without noticing
    The moments of energy change, tempo change, key change, and emotional shift that carry the story

    There are real examples from our masterclasses, including:
    A classical song that suddenly locked into tune once the chords were stripped back.
    A singer who delivered a perfect interpretation but didn’t sound like himself until we dug for his version of the truth.
    A musical theatre song that revealed its turning point in the silence between phrases.

    00:00 Why your song isn't landing
    01:24 A shift in vocal technique
    03:32 Being honest about your background
    05:17 Helping a singer with tuning
    08:39 Learning the song but not the key
    10:15 Change points help you map the song
    11:23 Do you memorise too quickly?
    12:23 The Speed Run and other techniques
    13:40 Acting without acting training
    16:14 Green Finch and Linnet Bird
    19:23 Not For The Life Of Me - Hidden in the text
    21:47 Gimme Gimme - When ARE decisions made?
    24:03 I Remember Sondheim
    25:54 I Don't Sound Like Me!
    30:30 Interpretation versus Inhabitation
    35:06 The "studio-perfect" voice myth
    37:44 This is our context, what's yours?

    If you teach singers, this episode gives you tools to diagnose why a performance isn’t landing.
    If you’re a singer, it shows you how to slow down, listen differently, and find the place where your voice actually sits inside the song.

    Tell us how you approach learning or teaching songs.
    What do you notice, break down, strip back, or question?
    We’d love to hear it.

    I Cain't Say No (Oklahoma) analysed by FlyNorthTheatricals https://www.tiktok.com/@flynorththeatricals/video/7566630322780081439

    Remember to like and subscribe for more insightful episodes. Leave a comment below on what inspired you the most! 👇

    You can find out about our Teacher Accreditation for singing teachers, vocal coaches and choir leaders and start your own journey here
    https://vocalprocess.co.uk/teacher-accreditation/

    We've also got this ↓

    For the best self-guided learning, check out the Vocal Process Learning Lounge - 22 years of vocal coaching resources (over 600 videos) for less than the price of one private singing lesson.
    Click on the link https://vocalprocess.co.uk/learning-lounge/learning-lounge-level-2-deep-dive/

    If you want to discover if our singing teacher training programme works for YOU, message us - we can share the process for joining Cohort26. https://www.cognitoforms.com/VocalProcess1/TheAccreditationProgramme

    Get the One Minute Voice Warmup app here, it's got a 4.9star rating
    Appstore https://apps.apple.com/gb/app/one-minute-voice-warmup/id1212802251
    Google Play https://play.google.com/store/apps/details?id=co.speechtools.warmup&hl=en_GB

    Check out our Voice Journal, written with Rayvox's Oren Boder https://www.rayvox.co.uk/products/voice-journal?ref=VOCALPROCESS

    Find us - follow us on the socials!
    🐦 Twitter - https://twitter.com/Vocalprocess
    📸 Instagram - https://www.instagram.com/vocalprocess
    📖 Facebook - h

    Show More Show Less
    39 mins
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