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On this episode we discuss Dave Alvin and his 1994 LP, King of California.

Dave Alvin started his storied career in Los Angeles with the Blasters, a band he founded with his brother Phil. Full of energy and attitude, the Blasters found themselves embraced by the LA punk scene. The band did find some commercial success, but they fought like cats and dogs, which while it added to their intensity, but not their long-term possibilities, leading Dave to strike out on his own.

After a couple of attempts at solo recordings, he finally found his voice on King of California. Taking his tried and true approach of complimenting new songs with re-recording, and some outstanding covers, he stripped-down the arrangements on King of California and hit pay-dirt. Considered by many to be his best collection of songs, King of California is the album where Alvin's abilities as a performer mesh with his talent as a song writer. It contains some of his best original songs, including a superb version of "Fourth of July," and a stunning duet with Rosie Flores that in itself is worth a listen.

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On this episode we discuss one America's great modern singer-songwriters -Robbie Fulks, and his wonderful 2016 album Upland Stories.

Produced by the late, great Steve Albini, Upland Stories combines folk and traditional country elements into a rich collection of narrative-driven songs. The album and the fantastic opening track “Alabama at Night” both earned a Grammy nominations, recognition for what is considered by many to be Fulks' finest batch of songs. The album is full of poignant character studies, told with emotional and literary lyrics that are deeply rooted in American storytelling (Let Us Now Praise Famous Men - James Agees' Great Depression account of impoverished tenant farmers is a major touchstone). Like much of Fulks' discography, the album is an eclectic yet highly satisfying mix of tunes, both serious and humorous. Upland Stories explores diverse themes sung by a remarkably rich voice, backed by some topnotch musicianship, and told by a songwriter at the absolute top of his game.

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On this episode of the podcast, we discuss Joni Mitchell’s 1971’s LP Blue, regarded by most critics as a masterpiece and consistently is listed on best of lists of the greatest albums ever made.

A bit of a sea change for Mitchell, incorporating jazz stylings in both her phrasing and the music, it’s sparse on instrumentation, yet the songs feel full largely due to Mitchell's own vocals.

Created just after her breakup with Graham Nash and during her relationship with James Taylor, Blue explores the various facets of relationships from love, to insecurity, to disappointment, and contains some of the most poignant and personal lyrics ever composed.

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