In 1997, David Bowie released Earthling, an album deeply influenced by the sound of drum and bass and industrial electronic music. Spending time in Dublin city, Bowie befriended the Quadraphonic collective, who brought the drum and bass sound to the city at venues like The Globe and The Kitchen. This led to a secret concert at The Factory venue in Ringsend. My guest Ray O'Donoghue is now the Night Time Economy Advisor to Dublin City Council, but was then part of Quadraphonic and opened for Bowie on the night.Contributions also come from John Brereton, Director of the DublinBowie Festival. This episode contains bad language.

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The release of the 1926 census from the National Archives of Ireland is now imminent. These returns should give us fascinating insights into a post-revolutionary Ireland. In this episode, we look at the capital in 1926. It was a defining year in Irish cultural history, with the birth of 2RN and O'Casey's Plough and the Stars, but it was also an austere time. Strikes were plentiful, with the General Strike in Britain grabbing the imagination of some, while the controversial IRA campaign against Moneylenders took up plenty of column inches. From the reconstruction of the city to the birth of Fianna Fáil, this is the story of the capital in a defining census year.

SERIES 4, EPISODE 1.

Welcome back to a new series. Emmett Grogan was one of the defining figures of American counterculture in the 1960s. Though his name is almost completely unknown in Ireland, the author of Ringolevio: A Life Played for Keeps is a man for whom Bob Dylan dedicated an album, and who was described by Abbie Hoffman (who he distrusted greatly) as "the hippie warrior par excellence." Yet before the Summer of Love took San Francisco, Grogan was in Dublin in the early 1960s. His accounts of the city are fascinating, from Neary's to Guinness, but how much of it is true?

You can read his account here: https://stealthiswiki.com/library/emmett-grogan-ringolevio