Thresholds is happy to introduce "Borrowed & Returned," a new podcast from the Brooklyn Public Library about the books that have changed America. This episode was made in partnership between Borrowed & Returned and Thresholds. You can hear the whole interview with Ayana Elizabeth Johnson in our feed.

Episode description:

When Silent Spring came out in 1962, it was an instant best-seller and led to the establishment of the EPA, as well as the ban of harmful pesticides such as DDT. But Rachel Carson’s seminal work also shifted our way of thinking about nature. For the first time, the environment was not just something out there that could be tracked and measured, but something that lived inside all of us.

Hear more of Borrowed & Returned at https://www.bklynlibrary.org/podcasts/

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Jordan sits down with marine biologist, writer, and climate advocate Ayana Johnson to talk about her mission to fight climate fatalism, her love of Rachel Carson, and her skepticism of the impulse to look for "hope" in the face of climate change -- as opposed to possibility, or joy.

Dr. Ayana Elizabeth Johnson is a marine biologist, policy expert, writer, and teacher working to help create the best possible climate future. She is co-founder of Urban Ocean Lab, a think tank for the future of coastal cities, and is the Roux Distinguished Scholar at Bowdoin College. She authored The New York Times bestseller What If We Get it Right?: Visions of Climate Futures.

Previously, she co-edited the climate anthology All We Can Save, co-founded The All We Can Save Project, and co-created and co-hosted the Spotify/Gimlet climate solutions podcast How to Save a Planet. She also co-authored the Blue New Deal, a roadmap for including the ocean in climate policy. Previously, as executive director of the Waitt Institute, she co-founded the Blue Halo Initiative and led the Caribbean’s first successful island-wide ocean zoning effort. Early in her career, she developed U.S. federal ocean policy at the Environmental Protection Agency and the National Oceanic and Atmospheric Administration.

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Jordan sits down with Claire Vaye Watkins to talk about how the grief over her mother's death diffused into a homesickness for the landscape of the Mojave Desert, where she grew up, and the way that that singular landscape then formed her own writing style, which the New Yorker dubbed "Nevada Gothic." They also talk about postpartum depression, Watkins' autofiction novel I Love You But I've Chosen Darkness, and hauntings.

Claire Vaye Watkins was one of the National Book Foundation’s “5 Under 35” and one of Granta's "Best Young American Novelists." She is the author of I Love You But I've Chosen Darkness, Gold Fame Citrus and Battleborn, which won the Story Prize, the Dylan Thomas Prize, New York Public Library’s Young Lions Fiction Award, the Rosenthal Family Foundation Award from the American Academy of Arts and Letters, and a Silver Pen Award from the Nevada Writers Hall of Fame. A Guggenheim Fellow, Watkins is also the co-director of the Mojave School, a free creative writing workshop for teenagers in rural Nevada.

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This week, Jordan sits down with the "queen of Latin American gothic horror," Mariana Enriquez, to talk about the manuscript she burned and how it led her to search for a mode of horror writing that was drawn from her own lived experiences of terror. Mentioned: Jorge Luis Borges, Argentina's military dictatorship of 1976 to 1983, gravestones as monuments, Somebody Is Walking on Your Grave.

Mariana Enriquez is a writer based in Buenos Aires. She has published in English the novel Our Share of Night and three story collections, A Sunny Place for Shady People, Things We Lost in the Fire, and The Dangers of Smoking in Bed, which was a finalist for the International Booker Prize, the Kirkus Prize, the Ray Bradbury Prize for Science Fiction, Fantasy & Speculative Fiction, and the Los Angeles Times Book Prize in Fiction. Her most recent book is a work of nonfiction: Somebody Is Walking on Your Grave.

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Jordan sits down to talk with Miriam Toews about her new book, A Truce That Is Not Peace, her first nonfiction book, and the events that inspired it: the death by suicide of her father and then, later, her sister. They talk about the long periods of silence her father and sister both went through when they were alive, and how Toews' own persistent need to "arrange sentences" pushes back against their silences. Also discussed: grandkids, the whipsaw between horror and hilarity in her work, and the Mennonite community in which she was raised.

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Jordan sits down with Renee Gladman to talk about prose architecture, Henry James, walking in cities, and mushrooms.

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Nicholson Baker sits down with Jordan to discuss writing about the unsung pleasures and details of the world-- things like the way your mother cuts up a banana, or the advertisements in your favorite magazine. Things that "live in this between area of noticing, they're part of the background of life."

Mentioned in the episode:

• Nicholson's book about WWII, Human Smoke
• "Sock (Object Lessons)" by Kim Adrian
• "The Lab Leak Hypothesis," New York Magazine

Nicholson Baker has written seventeen books, including The Mezzanine, Vox, Human Smoke, The Anthologist, and Baseless—also an art book, The World on Sunday, in collaboration with his wife Margaret Brentano. Several of his books have been New York Times bestsellers, and he has won a National Book Critics Circle Award, a James Madison Freedom of Information Award, a Guggenheim fellowship, and the Herman Hesse Prize.

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Sarah Aziza sits down with Jordan to talk about the eating disorder that almost took her life in 2019, and the search into her family's history in Palestine that she undertook in a bid for her own survival.

Mentioned in the episode:

• the Nakba
• transgenerational trauma
• José Muñoz, Cruising Utopia
• ghurba

Sarah Aziza is a Palestinian American writer, translator, and artist with roots in ‘Ibdis and Deir al-Balah, Gaza. She is the author of The Hollow Half, a genre-bending work of memoir, lyricism, and oral history exploring the intertwined legacies of diaspora, colonialism, and the American dream. Her award-winning journalism, poetry, essays, and experimental nonfiction have appeared in The New Yorker, The Paris Review, Best American Essays, The Baffler, Harper’s Magazine, Mizna, The Washington Post, The Guardian, and The Nation, among other publications. Previously a Fulbright fellow in Jordan, she is the recipient of numerous Pulitzer Center grants for Crisis Reporting, a 2022 resident at Tin House Writer’s Workshop, a Pushcart Prize nominee, and a 2023 Margins Fellow at the Asian American Writers Workshop.

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