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Word In Your Ear

Word In Your Ear

Written by: Mark Ellen David Hepworth and Alex Gold
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About this listen

Mark Ellen and David Hepworth have been talking about and writing about music together and individually for a collective eighty years in magazines like Smash Hits, Mojo and The Word and on radio and TV programmes like "Rock On", "Whistle Test" and VH-1.


Over thirteen years ago, when working on the late magazine The Word, they began producing podcasts. Some listeners have been kind enough to say these have been very special to them. When the magazine folded in 2012 they kept the spirit of those podcasts alive in regular Word In Your Ear evenings in which they spoke to musicians and authors in front of an audience.


Over these years they've produced hundreds of hours of material. As of the Current Unpleasantness of 2020, they've produced yet hundreds of hours more with a little help from guests kind enough to digitally show them around their attics such as Danny Baker, Andy Partridge, Sir Tim Rice and Mark Lewisohn. For the full span of the Word In Your Ear world, visit wiyelondon.com.

Hosted on Acast. See acast.com/privacy for more information.

Word In Your Ear
Music
Episodes
  • Pleasure Gardens, cabaret, nightclubs, rave & 350 years of the Big Night Out
    May 7 2026

    Mass commercial nightlife began in a Japanese Pleasure Garden in 1657 and it’s blossomed ever since – via Victorian Vauxhall, cabaret Paris, jazz-driven New Orleans, flappers, speakeasies, moonshine, Studio 54 and the rave palaces of the 21st Century. Imogen Willetts tracks its riotous evolution in ‘Up All Night: A History of Going Out’ and wonders if the invention of the iPhone has burst the balloon. She talks to us here about …

    ... the Tango, the Can-Can: dances that got you arrested

    … how bourgeois French ‘slummers’ found a taste of danger

    … the heady allure in the Vauxhall Pleasure Gardens as an escape from Victorian squalor

    … how Anita Berber’s chloroform ballet shocked and delighted Weimar Berlin

    … when dancing was a mating ritual and the impact of Dating Apps

    … democracy on the dancefloor: the unrepeatable mix of punters and celebrities at Studio 54

    … and how the invention of the electric light got people going out and the iPhone made them stay home

    Order ‘Up All Night’ here: https://www.weidenfeldandnicolson.co.uk/titles/imogen-willetts/up-all-night/9781399617093/


    Help us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourear

    Hosted on Acast. See acast.com/privacy for more information.

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    30 mins
  • Andy Earl’s memories of photographing Prince, Madonna and Johnny Cash
    May 5 2026

    Andy Earl helped create the new dawn of colour photography in the ‘80s pop video age and went on to shoot a series of unforgettable portraits, album sleeves and magazine covers, many featuring in his new exhibition in Bankside Yards, London. He looks back here at some of his subjects and the analogue days when you flew halfway round the world for the right light and backdrop and every prop in the picture was real. Along with …

    … that controversial BowWowWow shoot and how he got the job

    … Johnny Cash in a cornfield near Melbourne and the dogs he called “Hell” and “Redemption”

    … Duran Duran (and a mysterious nun) in Sri Lanka

    … “my job was to create a look”

    … why the age of digital photography brought a loss of control

    … the Robbie Williams Life Thru a Lens “law court” shoot

    … “he couldn’t have been more eccentric”: Prince in Monte Carlo and the confiscated camera

    … Pink Floyd’s Delicate Sound of Thunder for Hipgnosis: where Dali met Magritte

    … “in Monument Valley with a truckload of giant prosthetic eyeballs”: the Cranberries’ Bury the Hatchet cover

    … how covers changed when the CD arrived

    … and Madonna opening the hotel window and inhaling the sound of screaming fans: “I just need my hit!”

    Andy’s show at Bankside Yards runs from May to August and is free to enter. Details here: https://banksidelondon.co.uk/events/andy-earl-x-bankside-yards/


    Help us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourear

    Hosted on Acast. See acast.com/privacy for more information.

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    34 mins
  • Talk Talk, a deep-dive tale of mystery and imagination
    May 4 2026

    Talk Talk made just five albums, all written and recorded unconventionally and no-one’s entirely sure how they did it. And in the last two decades of his life Mark Hollis released only 92 seconds of music. Lifelong admirer Graeme Thomson explores the band’s endless mysteries in his memoir ‘In Another World: the Four Seasons of Talk Talk’, and looks back here at the last hurrah of the days of studio extravagance, which includes …

    … why Traffic in 1967 was the Mark Hollis Holy Grail

    … “25 per cent of him never appeared above the surface”

    … the Talk Talk ‘human sampling’ method – eg a few seconds of Danny Thompson, Steve Gadd or Larry Klein woven into the mix

    … “music made with the blindfold on”

    … the ‘80s press reaction to Mark’s eulogies about Miles Davis, Stockhausen and Shostakovich

    … where you can hear Talk Talk in the music of Kate Bush

    … making records the way Kubrick made films

    … head music: how Spirit of Eden suits the rebirth of headphones

    … band lynchpin Tim Friese-Greene, producer of the Lion Sleeps Tonight!

    … what unlimited time and choice does to a studio bill

    … and the 92 seconds of music he made for the Kelsey Grammer TV series Boss.

    Order ‘In Another World: the Four Seasons of Talk Talk’ here: https://www.simonandschuster.co.uk/books/In-Another-World/Graeme-Thomson/9781917923613


    Help us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourear

    Hosted on Acast. See acast.com/privacy for more information.

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    45 mins
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