From an early visit to Skellington Curiosities to the premiere of The Dark Overlords of Waco documentary, this story traces the slow construction of a community outside Waco’s norms. For people who don’t neatly fit inside a city’s approved categories, choosing to live without apology widens the gap between visible output and the invisible labor required to keep a scene alive.

What emerges isn’t a clean success story or a cautionary tale, but a pattern of repetition—how momentum takes form, thin outs, and returns in altered form—as people try to create a place that feels like home.

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This episode begins with two stories that seem unrelated—new regulations for food trucks in Waco and a proposed 520-acre data center north of town—but collide once you pay attention to how information spreads locally. What looks like confusion or overreaction is often something else: people trying to orient themselves before anything feels settled.

Local reporting doesn’t just produce facts; it produces a shared reality—and this is about what happens when that reality forms unevenly, late, or not at all.

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At the Performing Arts Community Center (PACC), Russell Campbell’s paintings aren’t shown under spotlights or separated from daily use. They hang on a wall where people go to and from classes, work on laptops, and leave half-finished projects behind them. There’s no signal telling you how to look or what kind of attention the work expects.

This episode considers what happens when art isn’t framed as an event but exists inside a creative space in motion.

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