Episodes

  • Women Talking - Sarah Polley Makes Perfect, Difficult Films
    Jan 22 2026

    Content & Trigger Warning: this episode discusses sexual assault in the film and in real life.

    Episode Summary: this episode does eventually become "a very special episode" because the subject matter is difficult and portrays the evils of humanity and current human society, but prior to that it's pretty fun to discuss a film that arguably has "no plot" beyond women going into a barn to talk.

    The background is that the women of a self-secluded community have been violently sexually assaulted for years, but some of the male perpetrators have finally been caught by the women and so the women have been given two days to decide if they should do nothing, stay and fight, or leave the community.

    The plot is that a vote was taken between the three options, and the vote was essentially tied, so three families are chosen to talk through the three options.

    They are though talking about an enormously important and emotional question: do nothing, stay and fight, or leave?

    FULL INTERVIEWS WITH SARAH POLLEY:

    "Making Women Talking: Sarah Polley explains why laughter was key to adapting Miriam Toews's novel" Q with Tom Power

    "Sarah Polley unpacks Women Talking" Now Toronto


    SOUND DESIGN ATTRIBUTION:

    S: drumroll_for_ceremony_long.mp3 by Heigh-hoo | License: Creative Commons 0

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    49 mins
  • Carol - Happy Holidays & Happy New Year Because Two Women Are In Love and Two Guys Are Mad About It
    Jan 3 2026
    Carol takes place in the "liminal space" that floats between Christmas and the start of the new year, and it occupies the space held for best films ever made that didn't win and weren't even nominated for Best Picture at the Academy Awards... possibly because it is a classic story told in a slightly unconventional manner or because of the same conscious or unconscious prejudices that the characters in the story itself must live through.
    You can and should watch this film any (and arguably multiple) times per year: once for the holidays, once for the visual story, and once for every time you you want to feel like you're falling in love but it's complicated.
    If you love the film already, then please, also listen to Subtextual's episode about "Carol" because they do an even longer breakdown and find it to be a warm Christmas hug and they're one of the best film review podcasts in general as well!
    https://podcasts.apple.com/us/podcast/holiday-rerun-carol-2015/id1597822346?i=1000589808456
    https://www.instagram.com/subtextualpod/
    CREATIVES:

    Director: Todd Haynes (Known for Far from Heaven, I'm Not There, May December)

    Screenwriter: Phyllis Nagy (Based on the novel The Price of Salt by Patricia Highsmith)

    Producers: Elizabeth Karlsen, Stephen Woolley, Christine Vachon

    Cinematographer: Edward Lachman (Shot on Super 16mm film)

    Composer: Carter Burwell (Known for his work with the Coen Brothers)

    CAST:

    Cate Blanchett as Carol Aird (Known for Blue Jasmine, Elizabeth, Tár)

    Rooney Mara as Therese Belivet (Known for The Girl with the Dragon Tattoo, Women Talking)

    Sarah Paulson as Abby Gerhard (Known for American Horror Story, Ratched)

    Kyle Chandler as Harge Aird (Known for Friday Night Lights, Manchester by the Sea)

    Jake Lacy as Richard Semco (Known for The White Lotus, Girls)

    John Magaro as Dannie McElroy (Known for Past Lives, The Big Short)

    AWARD NOMINATIONS

    88th Academy Awards (Oscars)

    Best Actress: Cate Blanchett

    Best Supporting Actress: Rooney Mara

    Best Adapted Screenplay: Phyllis Nagy

    Best Cinematography: Edward Lachman

    Best Original Score: Carter Burwell

    Best Costume Design: Sandy Powell

    73rd Golden Globe Awards

    Best Motion Picture – DramaBest Director: Todd Haynes

    Best Actress in a Motion Picture – Drama: Cate Blanchett

    Best Actress in a Motion Picture – Drama: Rooney Mara

    Best Original Score: Carter Burwell

    69th British Academy Film Awards (BAFTA)

    Best FilmBest Direction: Todd Haynes

    Best Actress in a Leading Role: Cate Blanchett

    Best Actress in a Supporting Role: Rooney Mara

    Best Adapted...

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    39 mins
  • The Muppet Christmas Carol - Scary Great
    Dec 18 2025

    We love the Muppets, Michael Caine deserved an Oscar, and Robby drops the biggest pun in the history of the show, but there is so much more to talk about here.

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    31 mins
  • "The" GameCube Vine - The Perfect Six Second Story
    Dec 4 2025

    Woe to all who took Vine for granted, and WATCH the Vine we discuss HERE.

    Because as Jaclynn says, in this episode "we didn't know what we had."

    In this episode we look back and break apart what Cole would argue was the best Vine of all time, "The" GameCube Vine.

    What we consider the best is baked into the start of the episode (and it plays twice on purpose), but a compilation of all of the rest can be found here:

    https://www.youtube.com/watch?v=lzqXoZSN5jY

    If aliens arrive to our rummage through our digital bones, let them see this creativity so that they might know what it is to be human.

    SOUND DESIGN CREDITS:

    S: CRWDReac_Crowd Groan In Disagreement_ShaneVincent_GSC24_FUMA-AmbeoVR.wav by ShangusBurger | License: Creative Commons 0

    S: sitting in a desk chair.wav by nickrave | License: Attribution 4.0

    S: Office Chair.wav by AndreaBezuidenhout | License: Attribution NonCommercial 4.0

    S: Indoor adult murmur, large group.wav by SpliceSound | License: Creative Commons 0

    S: Rolling Office Chair by SduggySounds | License: Creative Commons 0

    S: Boo 3 surprised.wav by jayfrosting | License: Creative Commons 0

    S: Ambience Empty Office Hallway (Stereo) by Sheyvan | License: Creative Commons 0

    S: tokyo narita.wav by milton. | License: Attribution NonCommercial 3.0

    S: Elevate with BossaNossa: Hypnotic Minimal Synth Track by kjartan_abel | License: Attribution 4.0

    S: ScratchingBeard.WAV by busymaxvictor | License: Creative Commons 0

    S: Beard Scratching.wav by Wihan98 | License: Creative Commons 0

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    18 mins
  • Hymns To The Obvious - A Play Written by Robert Weinstein
    Nov 25 2025

    Robert Weinstein, our far too humble host and resident storytelling teacher has written yet another play, which was performed by the Barrow Group, and we get to talk about it, celebrate it, and accidentally tear into it.

    Read the play here: https://drive.google.com/drive/folders/1O_pb-vqXSIgZY2o9UsmZRMpkdBG1STGN?usp=sharing

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    37 mins
  • Fleabag S02, EP 01 - Writing Three Full Episodes & Throwing Them All Away
    Nov 20 2025

    EPISODE DESCRIPTION & SHOW NOTES

    This episode is all about Jaclynn's only note... the only note she ever gives... ad nauseam to the point that it has (nearly) ruined friendships.

    That note is "write three FULL episodes and throw them out."

    This is "how" Phoebe Waller-Bridge made the "perfect" television season/series, and Jaclynn gives us a full breakdown of the glorious ways in which two hours of screen time was turned into what is essentially a 5 minute montage!

    And sorry, it's obviously more than a montage, but that's the idea that needs to be conveyed if you're trying to decide whether or not to listen to this episode!.

    CHAPTERS & CAN'T MISS MOMENTS

    00:00 - Cold Open

    02:15 - Jaclynn's Only Note Ever

    04:18 - Phoebe Waller-Bridge Wrote Three Full Episodes & Threw Them Out

    06:43 - Jaclynn Taking Her Own Note

    10:57 - Why Cole Was "Sent Over The Edge"

    16:09 - Beat-By-Beat Breakdown

    25:49 - Robby's Practical Side

    33:20 - Robby's Quotes Cuomo & Predicts Mamdani's Victory Speech

    35:13 - Outro - Robby Tries & Fails To Be Mean

    CREATIVES:

    • Writer: Phoebe Waller-Bridge (also known for Killing Eve and Crashing)
    • Director: Harry Bradbeer (also known for Killing Eve and Enola Holmes)
    • Executive Producers: Phoebe Waller-Bridge, Harry Williams, Jack Williams, Harry Bradbeer, Lydia Hampson, Joe Lewis
    • Editor: Gary Dollner (Emmy-winner for Fleabag S2, Ep 1; known for Killing Eve and Veep)
    • Cinematographer: Tony Miller

    CAST:

    • Phoebe Waller-Bridge as Fleabag (Creator and star of Fleabag and writer of Killing Eve)
    • Sian Clifford as Claire (Fleabag's Sister; known for Quiz and Life After Life)
    • Andrew Scott as The Priest (Known for playing Moriarty in Sherlock)
    • Olivia Colman as Godmother (Oscar-winner for The Favourite; known for The Crown and Broadchurch)
    • Bill Paterson as Dad (Known for Doctor Who and Outlander)
    • Brett Gelman as Martin (Claire's Husband; known for Stranger Things)
    • Maddie Rice as Needy Waitress (Guest appearance in the episode)

    Awards Won and Nominated For:

    • Won: Emmy Award – Outstanding Single-Camera Picture Editing for a Comedy Series (Gary Dollner)
    • Nominated: Emmy Award – Outstanding Cinematography for a Single-Camera Series (Tony Miller)
    • Nominated: British Academy Television Award (BAFTA) – Best Scripted Comedy (Series)

    Sound Design Attribution for The Arc.fm Ep 11:

    • S: CRWDReac_Crowd Mmm In Agreement 01_ShaneVincent_GSC24_SpacedOmni-MK012.wav by ShangusBurger | License: Creative Commons 0
    • S: CRWDApls_Snapping 02_ShaneVincent_GSC24_XY-AKG214-96k.wav by
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    39 mins
  • Don't Think Twice (with Sophie Long) - Actual Improv On Screen?!
    Oct 30 2025

    EPISODE DESCRIPTION:

    People (meaning like tourists visiting a major city, network television sitcom comedy writers living in a major city, or people watching network television sitcoms anywhere in the US) associate improv with "whacky" "games" that are treated as something like "comedy sports."

    But to us, and especially to our guest, improv is long-form theatre, a way of thinking, and if it's not too pretentious to say so... a philosophy of thought: does your mind expand or contract the ideas it's presented with, and do you support your fellow humans along the way or not?

    The film "Don't Think Twice," is ostensibly about improv, but our conversation would argue that it's about much more, such as, jealousy, capitalism, and whether or not life is fair.

    Our guest is Sophie Long, who is from Sydney, Australia but has lived in and studied in Chicago (the "birthplace" of "comedy") and spent extensive time in New York so, yes, this conversation does at times talk about improv, but overall, it's more about philosophy and how the characters in this film treat their "friends."

    The premise of the film is extremely true to life and everyone who was a part of this conversation has lived through something similar: there's an improv troupe who has two members audition for (basically) Saturday Night Live, and when one of them actually makes it on the show, the entire dynamics of the group change– drastically.

    As always, you do NOT have to have watched this film/story/show to enjoy the conversation, but we bet that five minutes into the episode, you'll at least want to give it a shot.

    CREATIVES:

    Director & Screenwriter: Mike Birbiglia (also known for Sleepwalk with Me)

    Producers: Mike Birbiglia, Miranda Bailey, Amanda Marshall, Ira Glass (creator of NPR's This American Life)

    Cinematographer: Joe Anderson

    CAST:

    Keegan-Michael Key as Jack (Known for Key & Peele)

    Gillian Jacobs as Samantha (Known for Community, Love)

    Mike Birbiglia as Miles (Known for his stand-up and storytelling)

    Kate Micucci as Allison (Known for Garfunkel and Oates, The Big Bang Theory)

    Chris Gethard as Bill (Known for The Chris Gethard Show)

    Tami Sagher as Lindsay (Known for writing on 30 Rock and Inside Amy Schumer)

    Cameos: Lena Dunham, Ben Stiller, Pete Holmes

    Awards Nominated For:

    Critics' Choice Award for Best Comedy (a significant nod for an independent film)

    Accolades: Universal critical praise (100% on Rotten Tomatoes during initial release).

    The Film’s Legacy:

    Don't Think Twice is a defining piece of 21st-century independent cinema, celebrated not just as a comedy, but as a painful meditation on friendship, capitalism, and the human desire for validation. While ostensibly about improv, its true legacy is its raw, unblinking look at what happens to a tight-knit family unit when the brutal, zero-sum logic of the entertainment industry (personified by the "Weekend Live" audition) enters their lives. It is noted by artists for authentically exploring jealousy among friends, forcing characters and viewers alike to confront whether one can truly support a friend's success when it highlights one's own failure. The film's philosophical core should have been backed by the belief that improv's "Say Yes" philosophy must extend off-stage to navigating an often-unfair life, but instead it explores a capitalist reality that that philosophy may not extend to real life.

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    44 mins
  • Freaky Friday (2003) - What Even Is "Communication?!"
    Oct 23 2025

    EPISODE SUMMARY:

    This episode is a discussion of whether we are talking about a "film" or a "movie" (one is "better" than the other) and there is talk about whether or not it is too problematic to re-watch, but we all agree that it's kind of, sort of an early 2000s classic– despite the fact that only one of us has seen it before.

    If you know, have worked with, or have heard of any of the three of us already, then this is a must-listen because it becomes an extremely personal story for everyone.

    TIME STAMPS & MUST LISTEN MOMENTS:

    00:27 - What You Need To Know Before Watching

    01:39 - What Robby, A Storytelling Teacher Thinks

    08:12 - Is "Freaky Friday" A Film or a Movie?

    18:18 - When Did We We All Cry?

    23:30 - Does Money Buy Happiness + Sketch

    27:41 - Serious Question: What Is Communication?

    31:04 - The Big Takeaway: Chad Michael Murray

    35:03 - Jaclynn's Love of BRITNEY SPEARS

    38:22 - Robby's Way Too "Sexy" Britney Spears Summer In Italy

    42:33 - Favorite Lines

    EXTENDED EPISODE NOTES:

    We begin by trying to set the scene for anyone who hasn’t seen the movie — Lindsay Lohan and Jamie Lee Curtis at their absolute peak, body-swapping chaos, a soundtrack that could only exist in 2003.


    From there, we start drifting between Jaclynn's nostalgia and critique. Robby, our resident storytelling teacher, treats the film like a case study in structure and theme, breaking down how body-swapping becomes a metaphor for communication (and miscommunication).


    Jaclynn admits it's a movie, not a film, but Cole argues that it’s film because of its cinematography.


    When we finally circle back to the “film vs. movie” debate, it becomes an ongoing bit for the rest of the episode. Is Freaky Friday high art or just a comfort watch? Does it matter if something makes us feel seen even if it’s “just” a teen comedy?


    Still, somewhere in the middle of all the laughter, we accidentally hit something real. Around the time we start talking about the mother-daughter storyline, everyone admits they cried — sometimes for personal reasons that have nothing to do with the movie.


    There’s a moment where one of us says, “This isn’t about Lindsay Lohan anymore,” and it’s true. We realize the film’s message about not understanding each other across generations lands harder as adults. It’s suddenly less about comedy and more about empathy — and maybe that’s what keeps us coming back to movies like this.


    The conversation takes a turn into whether money buys happiness (spoiler: it doesn’t, but it does buy time to make bad art), and we somehow end up doing an impromptu sketch that only sort of makes sense in context. That’s the rhythm of this episode — moments of real insight followed by moments of complete absurdity. By the time we get to “What is communication?” the tone shifts again.


    We start half-joking, half-serious, about how body-swapping might actually be the most honest depiction of failed communication in families.


    After that, things devolve gloriously. Jaclynn admits her lifelong love of Britney Spears, and Robby starts talking about his “sexy Britney Spears summer in Italy." Everyone’s laughing, half out of disbelief, half because this is exactly why we do this podcast — to have these weirdly intimate, unserious-but-serious talks about pop culture that feel like group therapy disguised as conversation. We end by sharing our favorite lines from the movie, and it becomes this collective realization that even though we came into the episode pretending to analyze, what we were really doing was remembering — remembering what it felt like to be teenagers, to want to be understood, to watch something silly and feel like it meant something. We all agree that Freaky Friday isn’t a...

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    48 mins