This episode discusses host Peter Csathy's upcoming article about the breaking news that Google's DeepMind just invested $75 million into powerhouse taste-making, auteur-driven, boutique studio A24.

Yes, A24 — the darling of film hipsters everywhere — just jumped the AI shark. The studio behind breakout hit Backrooms and Academy Award-winning Everything Everywhere All at Once just shook hands with the biggest of Big Tech bros, Google. The mandate? To develop custom AI tools for A24 filmmakers.

A24's talking points about the deal focus on non-threatening storyboarding AI use cases. But make no mistake. Storyboarding is just the Trojan Horse for AI going mainstream into the full pre-production, production, and post-production workflow -- every step of the way.

Csathy's virtual co-hosts discuss it all here -- including what this deal means to the overall Hollywood creative community. Csathy listened to - and approves - the episode's contents and vouches for the insights.

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Remember when ByteDance’s AI video model Seedance was a four-letter word in Hollywood? That was only four months ago, when it was Public Enemy #1 — the AI thief caught red-handed lifting Hollywood’s IP.

Fast forward to today. Seedance now firmly wears the crown with Hollywood creatives. Ask leading AI filmmakers — the ones building the future of video production — and they’ll tell you the same thing. Seedance is the most powerful AI video model on the planet. Full stop.

In this episode, Google NotebookLM's hosts discuss Peter Csathy's article of the same name from his "the brAIn" newsletter. Peter has listened to the contents - and vouches for its P.O.V. and overall utility.

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Peter Csathy recently sat down with Character.AI CEO Karan Anand. While their conversation focused on the notorious chatbot pioneer’s surprising pivot to entertainment and its aggressive courtship of Hollywood IP, it sparked a related new phenomenon — we have now entered the era of the “Always On” celebrity.

In this episode -- based on Peter's recent article of the same name -- Peter's hosts explore the issues raised by Peter's article (and the opportunities it explores).

Imagine living — and even deceased — artists, athletes, and performers completely freed from the physical constraints of time, travel, and human exhaustion. Always available to “work,” and always collecting the scaling revenues that flow from it.

This new “Always On” celebrity opportunity dovetails perfectly with the related concept Peter and Anand previously discussed — “Living IP.” For the last century, Hollywood’s monetization model has essentially relied on a predictable, rigid formula — develop IP, control its distribution window, and charge a passive audience a fee to watch it. It’s a top-down experience controlled by the studio.

The evolution of interactive AI completely flips this script, giving the audience agency. Instead of waiting two years for the next movie featuring their favorite superhero character — or for their favorite musician’s next album — fans can now engage in ongoing, continuous, interactive, two-way experiences with that IP (characters, music).

It's a fascinating podcast, hosted by Google NotebookLM's co-hosts. Peter listened to the entirety of the episode and approves its content.

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In this episode, I feature my exclusive interview with Karan Anand, CEO of Character.AI — the controversial “AI companion chatbot” company that has been at the center of the AI storm (including tragic stories of teens who commit suicide after having established deep relationships with their chatbots).

Likely surprising to many of you (it was to me), Character.AI is now pivoting to be first and foremost an AI entertainment company — courting major studios and creators alike to build and monetize fandom. This is Anand’s elevator pitch: “Think if Roblox, TikTok, and Wattpad had a baby ... this is what Character.AI is rapidly evolving into.”

But can Character.AI successfully make this pivot? And how credible and powerful is its new pitch, including on the critical issues of teen safety? Can the company gain the trust of major studios, IP owners and celebs/influencers from whom they'd like to license content for fandom?

I ask Anand the hard questions. And to his credit, he doesn’t shy away from any of them.

It’s an important, fascinating, and candid conversation — and Peter and Karan covered a lot of ground in 60 minutes, every minute of which is newsworthy.

NOTE: After our interview, Character.AI asked me to include its official response to the new litigation filed by the state of Pennsylvania. Here it is.

“We do not comment on pending litigation. Our highest priority is the safety and well-being of our users.

The user-created Characters on our site are fictional and intended for entertainment and roleplaying. We have taken robust steps to make that clear, including prominent disclaimers in every chat to remind users that a Character is not a real person and that everything a Character says should be treated as fiction. Also, we add robust disclaimers making it clear that users should not rely on Characters for any type of professional advice.

Character.ai prioritizes responsible product development and has robust internal reviews and red-teaming processes in place to assess relevant features.”

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This week I feature last week’s exclusive Digital Hollywood expert panel discussion about AI and copyright — the latest legal and business updates.

I moderated this great panel, which featured AI expert lawyers Lisa Oratz of Perkins Coie, Anthony Glukhov of the RAMO firm, and Jonathan Handel of Feig, Finkel — together with AI and marketing expert Albert Thompson of Walton Isaacson.

We covered a lot of ground in 50 minutes — and it’s worth listening to all of it. You’ll learn a lot, no matter what role you play in the worlds of media, entertainment, AI and tech.

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Just when you thought Hollywood’s increasingly open embrace of AI coincided with newly emerging AI economics and Big Tech norms of engagement, we have a major plot twist. TikTok’s owner from China, ByteDance, just re-launched largely guardrail-less Seedance 2.0 worldwide — and the Hollywood industry’s latest AI pariah is now readily available in the U.S.

Welcome to the new “AI Trade War!”

In this episode, the co-hosts discuss Peter Csathy's article of the same name which tackles the subject - and lays out the implications. (Peter generated the episode using Google NotebookLM - listened to it - and approves the content.)

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This special bonus episode -- just in time for the first weekend of Coachella --features a "deep dive" discussion based on host Peter Csathy's recent article of the same name (here's the link), in which Csathy writes that Artists and Musicians can, in fact, recapture their U.S. copyrights to their songs, recordings and other creative works even if they originally signed publishing and recording agreements under U.K. law (or other international law).

It's conventional wisdom in the music industry that the now infamous U.K. "Duran Duran" court case blocks a Musician's recapture of their U.S. copyrights. But Csathy debunks that conclusion, and lays out why Section 203 of the U.S. Copyright Act (the relevant reversion right) is an absolute right that cannot be taken away by U.K. or any other contractual law.

Csathy represents Musicians in music catalog deals, and has negotiated and facilitated deals on behalf of music icons and legends that include Devo, Prince, A Flock of Seagulls, Boston, Air Supply, Sheila E., Count Basie, Sarah McLachlan, Half Pint, and Wailing Souls.

His Artist-first music catalog representation and advisory firm is DEEP CUTS MEDIA (deepcutsmedia.com), and Csathy can be reached either at peter@deepcutsmedia.com or peter@creativemedia.biz.

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A few weeks ago, I joined a panel of experts at the Television Academy for a packed house Academy-only “AI Summit” weekend session. We discussed the latest business, legal, and regulatory AI issues and developments that impact Hollywood and the overall media and entertainment community. I tackled many of the business issues — including the latest licensing news and business models.

For the first time, non-Academy members can listen to this closed door session here on my "the brAIn" podcast.

So, sit back. Grab your popcorn. And enjoy. Think you’ll get a lot out of it.

Audio courtesy of the Television Academy. Special thanks to the Academy and to our great moderator at the event, Holly Leff-Pressman.

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