Showing titles in Literature & Fiction

This is the story of a countryside boy, Rajat, who, fresh out of village schools, comes to the happening capital city of Lucknow for his higher education. High aspirations to become an officer, raw manners and slight desi pan in his etiquettes, he struggles his way out in the polished surroundings of college. The city and college start to absorb him, and he tries to adapt to the ways of the city. 

Rahul Kumar Boyal ki kavitayon ka sangrah. 

Upanyaas ‘sunaharee saanjh’ se saritaa shaukeen ne hindee lekhan jagat men qadam rakhaa hai. Har bachchaa apane maataa-pitaa kaa pyaar mahasoos karanaa chaahataa hai. Apanee maan kee god kee garmaahaṭ mahasoos karanaa chaahataa hai. 

Gramin priṣṭhabhoomi men rache-base vaseem akaram ke pahale upanyaas 'chirakuṭ daas chingaaree' men graameeṇa parivesh, paatr aur bolee apane behad maulik svaroop men prastut hue hain. Ek paatr kee terahaveen se shuroo hokar ek any paatr kee terahaveen par khatm hone vaale is kathaanak men jeevan ke vividh rng bahut jeevntataa ke saath prastut hue hain. 

Kitaab ‘svaad zaindagee kaa’ shruti sukumaar dvaaraa rachit kavitaa_on kaa snkalan hai. Ye kavitaa_en yathaarth jeevan par aadhaarit sakaaraatmak soch vaalee kavitaa_en hain. Nakaaraatmak vichaaron ko sakaaraatmak soch men badalanaa aasaan naheen hai lekin kavayitree apane shabdon ke chayan men sahaj hain v vah ise prastut karane men safal huii hain. 

सार्थक सागर की प्रतिनिधि कविताओं का पहला संग्रह। 

साहित्य में हमें मदिरा के ऊपर तो बहुत कुछ लिखा हुआ नज़र आता है, परंतु धूम्रपान के ऊपर कोई विशेष कार्य नहीं हुआ है। विश्व में करीब 100 करोड़ लोग सिगरेट फूँकते हैं और करीब 10 अरब सिगरेट रोज़ बिकती हैं। इतने व्यापक अस्तित्व के कारण...

‘gazal mndaakinee’ ek snkalan hai itihaas men ghaṭit ghaṭanaa_on kaa aur vartamaan men beetate manaaveey moolyonu kaa, jahaan kavitaa_en itihaas ke kiradaaron se baat karatee hai to gazal aaj ke samaaj ko aaiinaa dikhaatee prateet hotee hai- abhiṣek naagar... 

Treasure Girl, jeevan ko daanv par lagaakar apane sapane ko haasil kar lene kee kahaanee hai. Ŏkalainḍa (nyoozeelainḍa) kee rahane vaalee ek ladakee ‘chelsee’, jisakaa khvaab duniyaa kee sabase badee ŏrkiyolŏjisṭ bananaa hai. Ek roj vah sapanaa dekhatee hai ki ŏkalainḍa se hajaaron meel door, bhaarat ke praacheen shahar banaaras ke paas, ek bahut puraane mndir men ka_ii sau saal puraane sone ke sikkon kaa khajaanaa (ṭrejar) dabaa huaa hai. 

Vo haavee hotaa gayaa mujh par main halkee hotee ga_ii us par. Hamaaree mahaphail aksar jamatee rahee. Meraa reetaapan belaag, bekhaupha, pooree bebaakee se badastoor unmaad kee tarah baahar aakar apanaa rng dikhaataa rahaa. Andar kaa sab achchhaa-buraa is kitaab ke pannon par jyon kaa tyon chhitar gayaa hai. Geet-gazal-kavitaa, naa jaane ye kyaa hai....

Likhate hue durgaa, ridhmaa, siddhi aur firadaus in saare kiradaaron men maan kee viraaṭataa ke darshan hue hain. Maan ke lie raameshvar kee tadap kaheen n kaheen meree apanee hee hai. Iishvar ke pratiroop raameshvar kaa us aashram kee chaaradeevaaree men dam ghuṭataa hai. Visheṣ paridhaan aur karmakaanḍa raameshvar kee soch ke darshan kee viraaṭataa ko kam naheen kar paate hain. 

Dr. Ritu Dubey kaa pahalaa kavitaa-sangrah.

We often appreciate the courage of soldiers of the Indian Army, performing their duties in adverse circumstances, as we sit on the couch in our well-furnished, air conditioned rooms, expressing a slight tint of grief in case of a mishappening. The hot discussions over the matters on television boil our blood for a couple of minutes, but everything becomes normal after a short period of time. This novel reveals the lives of those soliders and their families - how terrorism proved to be fatal in different ways and how humanism reaches the highest peaks.

Mainne sthool shareer se aapane aas-paas ek duniyaa rachee. Is baahy jagat kaa srijan-snsaar rachate gaḍhate kab mere bheetar kee aatmakhoh me bhee ek rachanaatmak snsaar aakaar paataa gayaa main samajh hee n paa_ii aur dheere-dheere us maun ne kab kalam thaam bheetar kaa indradhanuṣee snsaar kaagaz par mukhar kar diyaa—sab kuchh mere lie bhee vismrit kar dene vaalaa thaa. Main aapane bheetar udit hue is prem ke mohapaash se mugdhit ho kaavy saritaa-see bahatee chalee ga_ii.  

Yah bhaarat ke ek chhoṭe shahar par aadhaarit ek saamaajik kahaanee hai. Yah kahaanee un logon ko madad karegee jo aksar bade-bade sapane dekhate hain lekin unako pataa naheen hotaa ki un sapanon kaa sach kaise karenge. 

Kaartik aur aaravee donon ek hee kŏlej men paḍhxte hain. Kŏlej men freshar paarṭee ke dauraan aaravee ḍaŏs karatee hai. Use dekhakar kaartik usase dostee naheen pyaar karanaa chaahataa hai. Ek din kaartik apanee pareshaaniyon kaa bojh lekar paark men baiṭhakar sochataa rahataa hai. Tabhee ek shakhs aataa hai aur kahataa hai ki main bhagavaan hoon, sab pareshaanee ṭheek kar doongaa. Kaartik usakee taraf dekhataa hai, aur bolataa hai, jaa_o jaa_o....

Raat, Khamoshi Aur Tum' kavita sangrah hai Nilanshu Ranjan ki kalam se. Suniye aur luft utthaiyay. 

 कबीरदास का यह दोहा वरिष्ठ लेखक राजेन्द्र राव के इस कहानी-संग्रह पर खरा उतरता है। संग्रह की पहली दस कहानियाँ प्रेम के अलग रंग-रूप और सौन्दर्य को पाठकों के सामने जीवन्त रूप में प्रस्तुत करती हैं। 

Revant daan ke yahaan kavitaa ek registaanee nadee kee tarah bahatee hai aur vah apanaa raastaa khud banaatee hai, yaanee vah alhad marusthalee ladkee kee tarah chalatee hai, magar usamen jimmedaaree kaa bodh bhee hai, chunautiyon se ladne kaa saahas bhee hai, mushkilon men muskuraane kaa hunar bhee hai. Meree nazar men revant kee kavitaa kee sabase badee khoobee usakee saadhaaraṇaataa hai aur yah saadhaaraṇaataa aasaanee se arjit kie jaane laayak naheen hai. Yah to paidaa_ishee hai yaa ise bahut mehanat se taraash kar seekhaa aur snvaaraa gayaa hai.  

Ye kavitaa_en jeevan ko prem aur kudarat ke saahachary se snvalit karane kaa upakram hain. In kavitaa_on men stree kee tamaam komal abhilaaṣaa_en hain to preet kee ḍaor men bndhane se lekar nadiyon ke kool- kinaare, prakriti ke mnḍaap-tale pariṇaay rachaane kee utknṭhaa bhee. Kabhee kisee kavayitree ne likhaa thaa,’ mat goontho meraa heerak man apanee komal barajoree se/ nayanon kee resham-ḍaoree se.‘ ye kavitaa_en un manakon kee tarah hain jinhen ek kavayitree ne apane chitt kee resham ḍaoree men goonth rakhaa hai.