Showing results for "A New English Style" in Poetry

You’re Not a Girl in a Movie is a new collection of powerful poems by Hala Alyan, winner of the Arab American Book Award in Poetry and the Dayton Literary Peace Prize. In these nine extraordinary poems, Alyan wrestles with the intimate themes that have driven her acclaimed body of work to date: the aching loss of homeland, the image and worth of women, and the violence of love. In Beirut, Brooklyn, and roads in the American West, she unravels the effects of decades of war and displacement on love and human worth and identity.

The conversion of a local beauty spot into a municipal graveyard is the starting point for New Cemetery. From regular walks around the boundary near his moorland home in West Yorkshire, Simon Armitage chronicles the extraordinary transformation of landscape both outer and inner. These luminous and wry poems—composed in short-lined tercets—reflect the changing world: one of unstable weather patterns and unpredictable news events, all observed across a few acres of Pennine upland.

To the Women is a celebration of the beauty, strength and joy of being a woman. A love letter to our deep capacity to love, rage, fear and rebuild, Donna Ashworth reminds us that we are stronger when we come together and unstoppable when we accept ourselves. With poems such as 'Be That Woman', 'Take Up Space', 'When One Woman Screams', 'There Will Be Days' and 'To the Woman Who Thinks She Isn't Good Enough', Donna helps us find comfort, inspiration and courage in the many roles we play in life as daughters, guides, mothers and friends.

This collection was published in 1923 and won the Pulitzer Prize for the author in the following year. It is laid out in three main sections. The first is a lengthy poem, titled New Hampshire, the name being given to the entire collection. The second section bears the title "Notes", and consists of 14 poems, including the mini drama, "The Witch of Coös". The final section, which contains 30 poems, many of which are very short, is titled "Grace Notes."

New Hampshire features Frost's meditations on rural life, love, and death, delivered in the voice of a soft-spoken New Englander. Critics have long marveled at the poet's gift for capturing the speech of the region's natives and his realistic evocations of the area's landscapes. This compilation, first published in 1923, earned Frost the first of his four Pulitzer Prizes and includes several of his best-known poems: "Stopping by Woods on a Snowy Evening", "Nothing Gold Can Stay", and "Fire and Ice".