Showing results for "A Play of Shadow" in Arts & Entertainment

Shadow PlayBlake Alexander and his son Lance the Necromancer meet a celebrity ghost Federici the ghost who haunts Melbourne's famous Princess Theater ghost because he spooked a reaper who was taking him to the afterlife. "You don't know the Phantom of the Opera?" Blake chuckled. "Yeah Gaston Leroux wrote it and it was performed here as a musical yonks ago. He is not real," said Lance. "No not that one Frederick Baker," said Blake. "Fredrick Baker?" asked Lance puzzled. "Federici the Phantom of the Princess Theater," said Blake. "Federwhatsi?" Lance said. "Reech ee, Federici he's called," Blake...

PRIMEra: Last thirteen million years. Technology: Military (blatant), limited time-awareness. It’s perhaps unwise to think of the Sontarans as a species, as such. A homunculus breed hatched by the million and engineered for full-engagement warfare, the Sontaran military machine is regarded by many time-active cultures as an “occupational hazard”: a force of nature rather than a race, compelled by duty and genetics to acquire new technologies for its endless war effort. It should be remembered, however, that with the backing of a higher power even the crudest of breeds can become something quite different.

Shadow PlayBlake Alexander and his son Lance the Necromancer meet a celebrity ghost Federici the ghost who haunts Melbourne's famous Princess Theater ghost because he spooked a reaper who was taking him to the afterlife."You don't know the Phantom of the Opera?" Blake chuckled."Yeah Gaston Leroux wrote it and it was performed here as a musical yonks ago. He is not real," said Lance."No not that one Frederick Baker," said Blake."Fredrick Baker?" asked Lance puzzled."Federici the Phantom of the Princess Theater," said Blake."Federwhatsi?" Lance said."Reech ee, Federici he's called," Blake said...

Sir Laurence Olivier. Orson Welles. Vivien Leigh. Joan Plowright. Kenneth Tynan. When these champions of the theatre get together to rehearse Ionesco's Rhinoceros, mere mortals best step aside. With lightning wit and scathing insight into the true nature of genius, Austin Pendleton's new play opens the private worlds of these very public people, exposing their warmth, their egos, and their glittering madness.