Showing results for "ART" in Drama

The Code of the Woosters is one of the best known of Wodehouse's Bertie and Jeeves series. Bertie's beloved Aunt Dahlia pressures him into stealing a cow-shaped silver creamer much coveted by his uncle from his arch rival in silver collecting, Sir Watkyn Bassett. At the same time, Bertie attempts to patch up the shaky romance between Guisse Fink-Nottle, the newt expert, and Madeline Bassett, a four star drip. The results of Bertie's efforts are, as always, a financial disaster.

Starring James Marsters, this classic comedy of manners from 1773 is still widely performed and studied. Love, lies, and dysfunctional families. Sound like your last family gathering? Try this one on for laughs. Two randy young gents, Charles and George, set out to woo the alluring and upper-crust Kate and Constance. But inexperienced Charles is shy and clumsy around upper-class ladies, so it’s the barmaid who catches his eye. But is she really who she seems?

Chekhov's masterful last play, The Cherry Orchard, is a work of timeless, bittersweet beauty about the fading fortunes of an aristocratic Russian family and their struggle to maintain their status in a changing world. Alternately touching and farcical, this subtle, intelligent play stars the incomparable Marsha Mason.

Director David Fishelson transforms Dostoyevsky's The Brothers Karamazov and The Idiot into spellbinding drama that illuminates both titanic novels. In The Brothers Karamazov, the passionate brothers spring to life, led by their roué of a father ¿ who entertains himself by drinking, womanizing, and pitting his three sons against each other. The men have plenty to fight over, including the alluring Grushenka.

In this original adaptation of E.M. Forster’s novel, an encounter in Florence and an offer to exchange rooms brings George Emerson to the attention of Lucy Honeychurch. Their flirtation is cut short by Lucy’s chaperone, but when they meet again back home in England, Lucy must negotiate the demands of her station with the desires of her heart.

Set in late-19th-century Russian high-society, the aristocrat Anna Karenina enters into a life-changing affair with the affluent Count Vronsky. This classic novel is the basis for the current film.

Prince Dmitry Ivanovich Nekhludoff, performing his public duty as a jurist on the district court, recognizes a defendant, a prostitute accused of murder and robbery, as Katyusha Maslova, who many years ago was a maid, and a pupil of his aunt's. It was Katyusha, with whom he was not even in love, that he seduced and abandoned....

This play takes place in the 1900s in Russia, at a time when it was experiencing a severe economic crisis. A crowd of ruined peasants and workers roam the country and, in the end, sink to the "bottom". The desperate situation of these discarded from people's lives is taken advantage of by the owners of fetid cellars. In one such flophouse Mikhail Kostylev is ready to squeeze the very last penny from his unfortunate and disadvantaged guests. And there are further developments....

The fabulously rich Timon believes all his friends to be as open-hearted and generous as himself. When his wealth suddenly evaporates, however, he discovers the truth and his altruism turns to a bitter hatred of mankind. Stirred up by the cynical Apemantus, Timon retreats to the woods where he plots the destruction of Athens, the city that had formerly seemed to embody everything pleasurable and civilized. The cosmic scope of his hatred is communicated in a series of powerful and disturbing dramatic tableaux.

It’s 1929 as The Jazz Singer hits the silver screen and the talkies promise to change movies forever. Enter three down-and-out vaudevillians who hatch a hare-brained scheme to “make it big” in Tinsel Town. Their plan? To open a voice academy for the witless stars of silent movies. The only things standing in their way are ditzy starlets and power-hungry movie moguls.

Clifford Odets’ masterpiece, starring Mark Ruffalo, Jane Kaczmarek, Richard Kind, and Ben Gazzara, brings to life the struggles of a working-class family aspiring to the promise of the American Dream. Even as they endure the country’s worst economic nightmare, three generations of an immigrant family are crowded into a Bronx tenement, fiercely determined to stay afloat, no matter what the cost.

Judith Anderson and Anthony Quayle perform 'Medea', an ancient Greek tragedy written by Euripides. It is based upon the myth of Jason and Medea and first produced in 431 BC. The plot centers on the barbarian protagonist as she finds her position in the Greek world threatened, and the revenge she takes against her husband Jason who has betrayed her for another woman.