Showing results for "African Science" in African American

In Bodyminds Reimagined Sami Schalk traces how Black women's speculative fiction complicates the understanding of bodyminds - the intertwinement of the mental and the physical - in the context of race, gender, and (dis)ability. Bridging Black feminist theory with disability studies, Schalk demonstrates that this genre's political potential lies in the authors' creation of bodyminds that transcend reality's limitations.

Ella has a Thing. She sees a classmate grow up to become a caring nurse. A neighbor's son murdered in a drive-by shooting. Things that haven't happened yet. Kev, born while Los Angeles burned around them, wants to protect his sister from a power that could destroy her. But when Kev is incarcerated, Ella must decide what it means to watch her brother suffer while holding the ability to wreck cities in her hands. Rooted in the hope that can live in anger, Riot Baby is as much an intimate family story as a global dystopian narrative.

Afrofuturism is a cultural movement that seeks to explore and transform the experience of the African diaspora. Stretching across multiple art forms and genres, the movement taps into the limitless potential of creativity and the imagination to envision Black liberation through stories, music, architecture, fashion, music, and so much more.

The distinguished American civil rights leader, W. E. B. DuBois first published these fiery essays, sketches, and poems individually in 1920 in the Atlantic, the Journal of Race Development, and other periodicals. Reflecting the author's ideas as a politician, historian, and artist, this volume has long moved and inspired readers with its militant cry for social, political, and economic reform. It is essential reading for all students of African American history.

Aster lives in the low-deck slums of the HSS Matilda, a space vessel organized much like the antebellum South. For generations the Matilda has ferried the last of humanity to a mythical Promised Land. On its way the ship's leaders have imposed harsh moral restrictions on dark-skinned sharecroppers like Aster, whom they consider to be less than human.

The Earth barely survived the Third World War. It isn’t ready for the War of the Worlds. A beam of pure Chaos has descended on the Earth connecting it to the Labyrinth Universe. Monsters will spawn, heroes will level and nations will fall. Chaos will Awaken!

Through candid interviews with Maya Angelou, Toni Cade Bambara, Gwendolyn Brooks, Alexis De Veaux, Nikki Giovanni, Kristin Hunter, Gayl Jones, Audre Lorde, Toni Morrison, Sonia Sanchez, Ntozake Shange, Alice Walker, Margret Walker, and Sherley Anne Williams, the book highlights the practices and critical linkages between the work and lived experiences of Black women writers whose work laid the foundation for many who have come after.

In the tumultuous aftermath of Book One, War of Mortal Gods, the EVO Universe plunges deeper into chaos and uncertainty. As Thracian royalty, Prince Merc and Princess Attea, attempt to apprehend Earth's hero, Freedom (Sophia Dennison), an unforeseen crisis unfolds, leaving the fate of the universe hanging in the balance. Horus, the malevolent force seeking universal conquest, achieves a sinister victory by resurrecting his dead wife, Sekhmet, the self-proclaimed Egyptian goddess of war. Together, they embark on the execution of their malevolent plot, casting shadows across the cosmos.

""Don't be alarmed - that dizzy pleasurable sensation you're experiencing is just your brain slowly exploding from all the wild magnificent worldbuilding in Nicky Drayden's Escaping Exodus. I loved these characters and this story, and so will you."" - Sam J. Miller, Nebula-Award-winning author...

From a new voice in the tradition of Lauren Beukes, Ian McDonald, and Nnedi Okorafor comes The Prey of Gods, a fantastic, boundary-challenging tale, set in a South African locale both familiar and yet utterly new, which braids elements of science fiction, fantasy, horror, and dark humor. In...

Rewriting the pernicious, enduring relationship between blackness and animality in the history of Western science and philosophy, Becoming Human breaks open the rancorous debate between Black critical theory and posthumanism. Through the cultural terrain of literature by Toni Morrison, Nalo Hopkinson, Audre Lorde, and Octavia Butler, the art of Wangechi Mutu and Ezrom Legae, and the oratory of Frederick Douglass, Zakiyyah Iman Jackson both critiques and displaces the racial logic that has dominated scientific thought since the Enlightenment.

Bunk traces the history of the hoax as a peculiarly American phenomenon, examining what motivates hucksters and makes the rest of us so gullible. Disturbingly, Young finds that fakery is woven from stereotype and suspicion, race being the most insidious American hoax of all. He chronicles how Barnum came to fame by displaying figures like Joice Heth, a black woman whom he pretended was the 161-year-old nursemaid to George Washington.

A thousand years into the future, a Black elite class reigns while the underclass toils at their feet. With her society’s future hanging in the balance, young Avi Jore enters into an arranged marriage. But the ceremony turns violent when the servants rebel and kill Avi’s father. In the aftermath of General Jore’s death, Avi and her sister Jade vie for power in a vicious contest. As the rightful heir, Avi has no choice but to defend what’s hers—at any cost. With her loyalties tested and her enemies closing in, Avi must rely on her sister Saige, who searches for allies outside the Union’s walls.

The first comprehensive collection of writings by the Black Panther Party founder and revolutionary icon of the Black liberation era, The Huey P. Newton Reader combines now-classic texts ranging in topic from the formation of the Black Panthers, African Americans and armed self-defense, and FBI infiltration of civil rights groups with never-before-published writings from the Black Panther Party archives and Newton’s private collection, including articles on President Nixon, prison martyr George Jackson, Pan-Africanism, affirmative action, Cuba, and more.

A. C. Arthur presents Book 3 in the Legion series. Contains mature themes.

W.E.B. Du Bois, who drew from his own experiences as an African-American living in American society, explores the concept of "double-consciousness"—a term he uses to describe living as an African-American and having a "sense of always looking at one's self through the eyes of others." With Du Bois' examination of Black life in post-Civil War America, his explanation of the meaning of emancipation and its effect, and his views on the roles of the black leaders of his time, The Souls of Black Folk is one of the important early works in the field of sociology.

In Knucklehead we meet Marcus Hayes, a Black law student who struggles, sometimes unsuccessfully, with the impulse to confront everyday bad behavior with swift and antisocial action. The cause of this impulse is unknown to him. When Marcus unexpectedly becomes involved with the brilliant and kind Amalia Stewart, her love and acceptance pacify his demons. But when his demons return, he is no longer inclined to contain them.

Jackie is a poor boy from Harlem and the victim of abuse from his widowed, alcoholic father. But everything changes on the day he discovers the power of comedy. When his classmates make fun of his tattered clothes, Jackie turns everything around by freely poking fun at himself and soon has everyone on the floor with laughter. His amazing talent, and raging ambition, take him through the local club circuit to become the most sought after comedic entertainer in opulent, '50s Las Vegas and beyond.

The Burden, edited by award-winning Detroit newspaper columnist Rochelle Riley, is a powerful collection of essays that create a chorus of evidence that the burden is real. The Burden expresses the voices of well-known Americans, such as actor/director Tim Reid who compares slavery to a cancer diagnosis, and former Detroit News columnist Betty DeRamus who recounts the discrimination she encountered as a young Black Detroiter in the south.

A northern white couple has relocated to the South to operate a vineyard on a North Carolina plantation. There, they pass their idle hours listening to the stories of one Uncle Julius, who has a deep knowledge of the land. These stories, however, are more than mere entertainments. They all have their time and place, and they offer not only a quiet commentary on the events of the day but also a deeper reckoning with the plantation’s disturbing past.