Showing results for "Antony" in English, Irish, Scottish & Welsh

Antony and Cleopatra (First Folio title: The Tragedie of Anthonie, and Cleopatra) is a tragedy by William Shakespeare. The play was first performed, by the King's Men, at either the Blackfriars Theatre or the Globe Theatre in around 1607; its first appearance in print was in the Folio of 1623. The plot is based on Thomas North's 1579 English translation of Plutarch's Lives (in Ancient Greek) and follows the relationship between Cleopatra and Mark Antony from the time of the Sicilian revolt to Cleopatra's suicide during the Final War of the Roman Republic.

Antony and Cleopatra is a tragedy by William Shakespeare, believed to have been written sometime between 1603 and 1607. READ BY SIR ANTHONY QUAYLE AND CAST Antony and Cleopatra is a tragedy by William Shakespeare, believed to have been written sometime between 1603 and 1607. It was first printed...

The twin empires of Egypt and Rome mingle and clash in this towering tragedy. Impulsiveness, passion, mistaken identity and dark humor all color the fascinating dalliance between Antony and Cleopatra, the larger-than-life pair at the center of this play.

In this BBC full-cast production of Antony and Cleopatra, the soldier and noble prince Mark Antony's enthralment with the Egyptian queen Cleopatra is proving controversial. Will the tumultuous relationship ultimately end in tragedy? Antony and Cleopatra is an intense love story, exploring the...

Shylock, a Jewish moneylender, agrees to lend Antonio, a Venetian merchant, three thousand ducats so that his friend Bassanio can afford to court his love, Portia. However, Shylock has one condition: Should the loan go unpaid, he will be entitled to a pound of Antonio's own flesh. Meanwhile in Belmont, according to the terms of her father's will, Portia's many suitors must choose correctly from three caskets. Bassanio arrives at Portia's estate and they declare their love for one another before he picks the correct casket.

One of Charles Dickens's most personally resonant novels, Little Dorrit speaks across the centuries to the modern audience. Its depiction of shady financiers and banking collapses seems uncannily topical, as does Dickens's compassionate admiration for Amy Dorrit, the "child of the Marshalsea," as she struggles to hold her family together in the face of neglect, irresponsibility, and ruin. Intricate in its plotting, the novel also satirizes the cumbersome machinery of government.