Showing results for "Art" in History

The Confessions of St. Augustine is one of the most moving diaries ever recorded of a man's journey to the fountain of God's grace. Writing as a sinner, not a saint, Augustine shares his innermost thoughts and conversion experiences, and wrestles with the spiritual questions that have stirred the hearts of the thoughtful since time began.

Western civilization is becoming increasingly pluralistic,secularized, and biblically illiterate. Many people todayhave little sense of how their lives have benefited fromChristianity’s influence, often viewing the church withhostility or resentment.How Christianity Changed the World is a...

Not long after Martin Luther's defiance of the Church in 1517, dialogue between Protestants and Catholics broke down, brother turned against brother, and devastating religious wars erupted across Europe. Desperate to restore the peace and recover the unity of Faith, Catholic theologians clarified and reaffirmed Catholic doctrines, but turned as well to another form of evangelization: the arts.

Over the centuries, people have longed for a messiah, whether a religious figure such as Jesus, a political leader, or even in popular culture. The messianic quest emerges most acutely during difficult times when people experience a sense of powerlessness and desperation. But the concept of a messiah — a savior — has its root in the writings of ancient Judaism and early Christianity, evolving from an anointed leader to universal savior.

Marshall McLuhan was the greatest prophet of the digital age. In the 1960s, McLuhan, a Canadian literary theorist, turned his attention toward the budding and befuddling electronic age. Like most prophets, McLuhan became one through a fascination with God. Prophets divine their wisdom from a source, and Digital Communion shows that McLuhan's was his own Catholic faith. In other words, the greatest prophet of the digital age was an ardent Christian. A reconsideration of his vision can change the way we view the online world.

A staggeringly popular work of fiction, Dan Brown's The Da Vinci Code has sold in its millions. But this fast-paced mystery is unusual in that the author states up front that the historical information in the book is all factually accurate. But is this claim true? As historian Bart D Ehrman shows in this informative and witty book, The Da Vinci Code is filled with numerous historical mistakes.

Nineteenth-century America was rife with Protestant-fueled anti-Catholicism. Elizabeth Hayes Alvarez reveals how Protestants nevertheless became surprisingly and deeply fascinated with the Virgin Mary, even as her role as a devotional figure who united Catholics grew. Documenting the vivid Marian imagery that suffused popular visual and literary culture, Alvarez argues that Mary became a potent shared exemplar of Christian womanhood around which Christians of all stripes rallied.

The controversy grows with every sale of the best-selling novel. Throughout the contemporary fictional storyline of The Da Vinci Code, author Dan Brown skillfully weaves "historical" assertions intended to shake the very foundations of Christianity. Authors James L. Garlow and Peter Jones present compelling evidence that Brown's assertions are not only historically inaccurate, but may also contain a hidden agenda.

On May 8, 1373, 30-year-old Julian of Norwich, sick and near death, had a series of visions of Christ. In these 16 visions she learnt about God's loving nature. God in Julian's visions was not angry and wrathful. Instead, the three properties of God were presented as life, love and light, and all of His creation was good, including his servant, man. In Julian's version, Man is not to blame for his sin; instead it is something that he must experience and overcome in his spiritual journey with God.

¿Estuvo casado Jesús? ¿Es la Iglesia una organización nacida para ocultar la verdad sobre Cristo? ¿Son los evangelios una fabricación encargada por el emperador romano Constantino para obtener mayor poder? ¿Qué es el Priorato de Sión? ¿Y el culto a la diosa? Millones de personas han leído El Código da Vinci y han quedado capturados por el intenso ritmo y por los asombrosos datos que revela la novela. ¿Hasta dónde llega la ficción y dónde comienza la realidad?

Orthodoxy, first published 1908, is Chesterton's spiritual autobiography. Subtitled, 'The romance of faith', Chesterton declares that people need a life of 'practical romance; the combination of something that is strange with something that is secure.'

G. K. Chesterton was a journalist, playwright, poet, biographer, novelist, essayist, literary commentator, editor, orator, artist, and theologian. Orthodoxy is his great apologia for the Christian faith, which was prompted by a serious attack in 1903 against Christianity by well-known newspaper editor Robert Blatchford.

Written between A.D. 413 and 426, The City of God is one of the great cornerstones in the history of Christian thought, a book which is vital to the understanding of modern Western society. Augustine originally intended it to be an apology for Christianity against the accusation that the Church was responsible for the decline of the Roman Empire, which had occurred just three years earlier. Indeed, Augustine produced a great amount of evidence to prove that paganism was responsible for this event. However, by the time the work was finished, the book had taken on a larger theme.