Showing results for "Between" in World War II

Facing the harrowing task of rebuilding a life in the wake of the Holocaust, many Jewish survivors, community and religious leaders, and Allied soldiers viewed marriage between Jewish women and military personnel as a way to move forward after unspeakable loss. Proponents believed that these unions were more than just a ticket out of war-torn Europe: they would help the Jewish people repopulate after the attempted annihilation of European Jewry.

During World War II, Latvia, Lithuania, and Estonia found themselves trapped between the giants of the Soviet Union and Nazi Germany. Over the course of the war, these states were repeatedly occupied by different forces, and local government organizations and individuals were forced to choose between supporting the occupying forces or forming partisan units to resist their occupation. Devastated during the German invasion, these states then became the site of some of the most vicious fighting during the Soviet counterattack and push towards Berlin.

When they fell in love in 1928, Rika and Waldemar could have not been more different. She was a thirty-seven-year-old Dutch-born mother, estranged from her husband. He was her immigrant boarder, not yet twenty, and a wealthy Surinamese descendant of slaves. The child they have together, brown skinned and blue eyed, brings the couple great joy yet raises some eyebrows. Until the Nazi occupation of the Netherlands explodes their promising life. What unfolds is more than the astonishing story of a love that prevailed over convention. It’s also the quest of a young boy.

As the Holocaust is memorialized worldwide through education programs and commemoration days, the common perception is that after survivors arrived and settled in their new homes they continued on a successful journey from rags to riches. A closer look at the experience of Holocaust survivors in North America shows it to be untrue. Drawing on more than 60 interviews with survivors, hundreds of case files from Jewish Immigrant Aid Services, and other archival documents, The Montreal Shtetl presents a portrait of the daily struggles of Holocaust survivors who settled in Montreal.

Gorgeous War argues that the Nazis used the swastika as part of a visually sophisticated propaganda program that was not only modernist, but also the forerunner of contemporary brand identity. When the United States military tried to answer Nazi displays of graphic power, it failed. In the end the best graphic response to the Nazis was produced by the Walt Disney Company.