Showing results for "Between Worlds" in Wars & Conflicts

When they fell in love in 1928, Rika and Waldemar could have not been more different. She was a thirty-seven-year-old Dutch-born mother, estranged from her husband. He was her immigrant boarder, not yet twenty, and a wealthy Surinamese descendant of slaves. The child they have together, brown skinned and blue eyed, brings the couple great joy yet raises some eyebrows. Until the Nazi occupation of the Netherlands explodes their promising life. What unfolds is more than the astonishing story of a love that prevailed over convention. It’s also the quest of a young boy.

During World War II, Latvia, Lithuania, and Estonia found themselves trapped between the giants of the Soviet Union and Nazi Germany. Over the course of the war, these states were repeatedly occupied by different forces, and local government organizations and individuals were forced to choose between supporting the occupying forces or forming partisan units to resist their occupation. Devastated during the German invasion, these states then became the site of some of the most vicious fighting during the Soviet counterattack and push towards Berlin.

Facing the harrowing task of rebuilding a life in the wake of the Holocaust, many Jewish survivors, community and religious leaders, and Allied soldiers viewed marriage between Jewish women and military personnel as a way to move forward after unspeakable loss. Proponents believed that these unions were more than just a ticket out of war-torn Europe: they would help the Jewish people repopulate after the attempted annihilation of European Jewry.

Die Historikerin und Autorin Miriam Gebhardt beschreibt das Lebensgefühl deutscher Frauen nach dem Zweiten Weltkrieg eindringlich, persönlich und mit viel Empathie. Dazu hat sie in bis dahin unerreichter Dichte die Selbstzeugnisse von Frauen ausgewertet und stellt konsequent deren Erleben in den Mittelpunkt.

Gorgeous War argues that the Nazis used the swastika as part of a visually sophisticated propaganda program that was not only modernist, but also the forerunner of contemporary brand identity. When the United States military tried to answer Nazi displays of graphic power, it failed. In the end the best graphic response to the Nazis was produced by the Walt Disney Company.

In 2003 Rachel Aspden arrived in Egypt as a 23-year-old journalist. She found a country on the brink of change. The two thirds of Egypt's eight million citizens under the age of 30 were stifled, broken, and frustrated, caught between a dictatorship that had nothing to offer them and their autocratic parents' generation, defined by tradition and obedience. In January 2011 the young people's patience ran out.