Showing results for "Bill" in Poetry

An anthology of over 60 classic love poems, read by some of our finest actors. Love has always been the supreme inspiration for poets, whether romantic or platonic, reciprocated or unrequited. This collection contains a range of the very best love poems, including Andrew Marvell's "To His Coy Mistress", Keats' "La Belle Dame Sans Merci" and Byron's "So We'll Go No More A-Roving" - as well as several sonnets from the master himself, William Shakespeare.

An anthology of over 50 classic poems, read by some of our finest actors. This collection contains a selection of the very best poems, from verses inspired by love to war poetry, nature poems and children's rhymes.

"The Passionate Shepherd to His Love" is Christopher Marlowe's emotional appeal to his lady to run away with him and live a romantic rural idyll, read by Bill Wallis.

"Poets live the lives all of us live," says Bill Moyers, "with one big difference. They have the power--the power of the word--to create a world of thoughts and emotions other can share. We only have to learn to listen." In a series of fascinating conversations with thirty-four American poets...

Andrew Marvell's classic plea to his mistress to show her love for him while they are both still young and passionate, read by Bill Wallis.

John Donne's famous poem about two lovers surprised by the astonishingly rapid arrival of sunrise, read by Bill Wallis.

Shakespeare's most famous sonnet, in which he tries, and fails, to find an apt comparison in nature, read by Bill Wallis.

First published in the Bulletin in the nineties, Paterson's verse has enjoyed enduring success throughout Australian literary history. Paterson had an intimate knowledge of life in the outback: he knew bushmen and he knew horses. His boundary riders and shearers, his buckjumpers and station hands, are real characters—the first realistic portraits of Australians in the bush at work and play to appear in verse. Many of the characters he created have so imprinted themselves on the public imagination that they have become part of Australian folklore.

Elliott Gould, Burt Reynolds, Meryl Streep, and a host of other celebrities read over 100 poems by four of America's greatest poets. Walt Whitman celebrates the brash and rugged individualism of his country in exuberant language. The spare, precise language of Emily Dickinson conveys her penetrating vision of the natural world and an acute understanding of the most profound human truths.

Raised as a Catholic in rural Vermont, I was infused with an awareness of sin and penitence, but also absolution and forgiveness. My late teenage encounter with Dostoevsky’s Legend of the Grand Inquisitor shattered my youthful allegiance to Catholic dogma, but it’s one thing to walk away from Catholic doctrine and quite another to lose the weight of its beauty, fear, and guilt.

In this exclusive audio publishing event, Billy Collins, former U.S. Poet Laureate, shares an evening of his poetry in a benefit reading for WNYC, New York Public Radio. Often compared to Robert Frost, his poetry has been embraced by people of all ages and backgrounds, and his readings are most...

It is the year 778. The mighty French army, led by Emperor Charlemagne, confronts Saracen forces in the bloody Battle of Roncevaux Pass. In the course of this thrilling epic poem we follow the emperor’s hot-headed nephew Roland into battle. We are privy to the deal struck between the Saracen king Marsilie and Roland’s conniving stepfather Guene.

Robert Burns' well-known poem celebrating the enduring power of true love, read by Bill Wallis.

Perhaps the first great and truly "American" poet, Walt Whitman's writing reflected the idealism and turbulence of the mid-19th century. His poetry broke new stylistic ground with its unconventional meter and rhyme schemes, yet celebrated democratic values, the beauty of nature, and the complex variety and vitality of American life.

In this wholly original reading/performance of the immortal Edgar Allan Poe's most famous poem, actor/performer Bill Mills goes beyond the stereotypical rhythmic rendition, intoned in a sepulchral voice, and instead presents Poe's words as the increasingly deranged dialogue of a man with a visitant he comes to see as an omen.