Showing results for "Blues" in Poetry

In this stunning collection of new poems, Mary Oliver returns to the imagery that has defined her life’s work, describing with wonder both the everyday and the unaffected beauty of nature. Herons, sparrows, owls, and kingfishers flit across the page in meditations on love, artistry, and...

From the acclaimed Beat Generation author of On the Road and The Dharma Bums come eight extended poems in which he reflects on the urban settings he finds himself in. Best known for his novels, Jack Kerouac is also an important poet. In these poems, Kerouac writes from the heart of experience in the music of language, employing the same instrumental blues and jazz forms that he used in another book of poems, Mexico City Blues.

Bloomsbury presents Under the Blue, written and read by Suzannah V. Evans. 'Breath-taking . . . Evans brings forensic observation and brave grace to turbulent waters and the infinitesimal rituals of care' NANCY CAMPBELL 'Evans hears the world around her like no one else; she paces from beauty to...

Inspired by Diane di Prima, Rene Ricard, Henry Miller and others 'who tell it like it is', The Blues Comes with Good News is a collection of poems by prolific writer Sonny Hall. The collection ranges from articulating addiction, self-destruction and identity to romantic relationships, his journey to recovery and his unapologetic depiction of truth, through life and its happenings. At 18 years old Sonny entered a treatment centre for alcohol and drug addiction, after losing his biological mother - whom he remained close to despite being adopted aged four - to a heroin overdose.

A long poem in Kerouac’s freewheeling and spontaneous improvisational style, Mexico City Blues is a unique epic of sound, rhythm, and religion. Called superb sensory meditations, the poetry takes in life, death, and spirituality but roams widely across continents and cultures. Memories, fantasies, dreams, and surrealistic free association are all lyrically combined in the loose format inspired by jazz and the blues.

Langston Hughes is a widely celebrated African American writer and important leader of the 1920s Harlem Renaissance. Deeply inspired by the great poet Walt Whitman, Hughes’ own writings gave voice to the Black community in the American literary canon. His assertion that “I, too, sing America” echoes through history and continues to be a battle cry in the fight for fair representation and equality. The Weary Blues, published in 1926, was Hughes’ first collection of poetry. He was only twenty-four years old at the time, but his insights carry wisdom beyond his years.

Taylor's first live spoken-word collection since 2003, Icarus Airlines, contains 34 poems.

The poems included in "Audio Book Edition, Slightly Blue Sky" are a collection of poems by Naoko Kudo that appeared in a number of editions over a two year period in the fashion magazine "MRS". The author of the poems is speaking as if to engage with their immediate surroundings. The poems will inspire the reader as they are being read with laughter and a sense of wonder. Naoko Kudo, the author of "Audio Book Edition, Slightly Blue Sky" recorded the poems herself. Please enjoy the author's superb combination of words and voice. Also included in this audio book (which can only be heard here)...

The intellectual and cultural revival of African-American arts and politics in the 1920s and 1930s was centered in Harlem, Manhattan, New York City. Here are poems from three major contributors to that rebirth: The Weary Blues by Langston Hughes, The Heart of a Woman and Other Poems by Georgia Douglas Johnson, and Copper Sun by Countee Cullen, delivered by three multiaward–winning narrators.

Poe: The Delirious Eye is a spoken-word album inspired by the poetry of Edgar Allen Poe. Mesmerizing soundscapes accompany the poetic dialog throughout the 13 tracks. A rich mix of swirling melodies, electronic embellishments, and dreamy sequences encompass avant-garde, experimental, and instrumental radiance. These storytelling poetics should be fascinating for anyone interested in verses set to music. The spoken-word delivery by Louis Biggie is pensive and exquisitely emotive, encompassing enraptured, brooding, and cinematic tones that rise to apogees of aural delight.