Showing results for "Boy's Life" in Murder

Nicholas Tochka analyses the role of rock music in the life of Charles Manson, the Family, and the August 1969 Tate-LaBianca killings, which also gives larger insight into Sixties counterculture. Failed singer-songwriter. Devious cult leader. A rock Pied Piper. The product of a sick society. Just another dime-a-dozen singing hippy mystic. Did the guitar-playing guru personify the violence that the rock counterculture inflicted on America? Or did his music diagnose the dehumanizing effects of that society’s broken institutions?

As investigators brought out the bagged remains of several dozen young men from a small Chicago ranch home and paraded them in front of a crowd of TV reporters and spectators, attention quickly turned to the owner of the house. John Gacy was an upstanding citizen, active in local politics and charities, famous for his themed parties and appearances as Pogo the Clown. But in the winter of 1978-79, he became known as one of many so-called “sex murderers” who had begun gaining notoriety in the random brutality of the 1970s.

In his account of the sensational life and murder of Grady Stiles Jr., also known as the legendary carnival "freak" Lobster Boy, author Fred Rosen explains how Stiles's death was engineered by his wife, Mary Teresa, the carny known as the Electrified Girl. Rosen describes how Mary Teresa arranged for her husband's murder after years of physical and emotional abuse. The narrative is full of appearances from the couple's colorful acquaintances, including the World's Only Living Half Girl, Midget Man, and the Human Blockhead.