Showing results for "Britain" in Fairy Tales

In the late 19th and early 20th centuries, unique tales inspired by traditional literary forms appeared frequently in socialist-leaning British periodicals, such as the Clarion, Labour Leader, and Social Democrat. Based on familiar genres, these stories were meant to entertain readers of all ages - and some challenged the conventional values promoted in children’s literature for the middle class. Acclaimed critic and author Michael Rosen brings together more than 40 of the best and most enduring examples of these stories in one beautiful volume.

The islands of Britain and Ireland hold a rich heritage of plant folklore and wisdom, from the magical yew tree to the bad-tempered dandelion. Here are traditional tales about the trees and plants that shape our landscapes and our lives through the seasons. They explore the complex relationship between people and plants, in lowlands and uplands, fields, bogs, moors, woodlands and towns.

Stories and animals have long travelled the same routes. Through our heritage of charming, quirky and profound tales, you will find yourself re-acquainted with Britain's wondrous fauna. Find out how hedgehog ended up with spines and what makes him scuttle so fast, discover how pigs saved a prince from leprosy and why the wealthy lord was so intent on capturing the black fox. Sharon Jacksties' wonderful book combines traditional stories, little-known zoological facts and true anecdotes to create a treasure trove of stories for animal lovers of every kind.

Combined into one volume, this is the definitive collection of Tolkien’s five acclaimed modern classic ‘fairie’ tales in the vein of The Hobbit, read by Derek Jacobi. The five tales are written with the same skill, quality and charm that made The Hobbit a classic. Largely overlooked...

The Homecoming of Beorhtnoth Beorhthelm’s Son was originally published in the 1953 edition of Essays and Studies. In December of that year, J.R.R. Tolkien took possession of a reel-to-reel tape recorder and, some time during the first few months of 1954, decided to record ‘the whole thing on tape’ as a way of ‘testing’ the performative quality of the dramatic dialogue between Tídwald and Torhthelm.