Showing results for "Brown" in Anthologies & Short Stories

The gentle, unassuming cleric ferrets out the guilty in such mysteries as "The Blue Cross", "The Honour of Israel Gow", "The Hammer of God", "The Queer Feet", "The Flying Stars", "The Secret Garden", "The Eye of Apollo", "The Invisible Man", "The Wrong Shape", "The Sins of Prince Saradine", "The Sign of the Broken Sword", and "The Three Tools of Death".

Father Brown, G. K. Chesterton's lovable little Norfolk priest, has an uncanny knack of unraveling mysteries that leave lesser mortals floundering. His sympathetic understanding of human nature never deserts him, even when he himself is touched by a breath of scandal, thanks to the hasty conclusions of a crusading newspaperman. In this collection, Father Brown uses his distinctive style of deduction to solve the seemingly insoluble.

This is collection of 18 crime stories with a diverse range of characters and scenarios, from guilt-ridden fraudsters to lovesick murderers.

"The Secret Garden" is a short story by G. K. Chesterton. It was originally published in The Story-Teller in October 1910. It is the second story in the collection The Innocence of Father Brown. It is the second story about the French detective Valentin and completes his plot arc, begun in The Blue Cross.

Every story of Chesterton's unassuming little priest detective, from the first four published collections: The Innocence of Father Brown (1911), The Wisdom of Father Brown (1914), The Incredulity of Father Brown (1926), and The Secret of Father Brown (1927).

Eight BBC Radio crime dramas featuring Golden Age detective Gideon Fell, starring Donald Sinden With his cape, canes and shovel hat, portly amateur sleuth Dr Gideon Fell cuts an eccentric figure - but his odd appearance belies his sharp intellect and astonishing faculty for deduction. Created by...

The Head of Caesar is a short story by Gilbert Keith Chesterton: There is somewhere in Brompton or Kensington an interminable avenue of tall houses, rich but largely empty, that looks like a terrace of tombs. The very steps up to the dark front doors seem as steep as the side of pyramids; one would hesitate to knock at the door, lest it should be opened by a mummy. But a yet more depressing feature in the grey facade is its telescopic length and changeless continuity.

Mr. Edward Nutt, the industrious editor of The Daily Reformer, sat at his desk, opening letters and marking proofs to the merry tune of a typewriter, worked by a vigorous young lady. He was a stoutish, fair man, in his shirt-sleeves; his movements were resolute, his mouth firm and his tones final; but his round, rather babyish blue eyes had a bewildered and even wistful look that rather contradicted all this. Nor indeed was the expression altogether misleading.

"The Sign of the Broken Sword" is a short story by G. K. Chesterton featuring his famous characters Father Brown and former criminal Flambeau. In the centre of a story is a mysterious death of General Sir Arthur St. Clare, who was hanged on a tree with his broken sword hung round his neck. It is a detective story and throughout it Father Brown reveals to us the mystery of General St. Clare.

Two men appeared simultaneously at the two ends of a sort of passage running along the side of the Apollo Theatre in the Adelphi. The evening daylight in the streets was large and luminous, opalescent and empty. The passage was comparatively long and dark, so each man could see the other as a mere black silhouette at the other end. Nevertheless, each man knew the other, even in that inky outline; for they were both men of striking appearance and they hated each other.

The humble yet shrewd Father Brown returns in a series of epic mysteries that see him use his gift of human understanding to solve the crimes at play. After all, it is not just logic and rational thinking that can get to the root of these crimes – but moral reasoning too. In these twelve tales, we see a man seemingly disappear from a locked room, a staged robbery, a fatal love triangle and much more. Rather than mere criminal tricks, these stories offer profound psychological and spiritual truths.

The Paradise of Thieves was published in The Wisdom of Father Brown. This mystery is a real cliff-hanger. The great Muscari, most original of the young Tuscan poets, walked swiftly into his favourite restaurant, which overlooked the Mediterranean, was covered by an awning and fenced by little lemon and orange trees. Waiters in white aprons were already laying out on white tables the insignia of an early and elegant lunch; and this seemed to increase a satisfaction that already touched the top of swagger.

Die Unschuld des Pater Brown ist der erste von fünf Sammelbänden. Pater Brown (im englischen Original Father Brown ) ist eine literarische Figur, die von Gilbert Keith Chesterton erfunden wurde. Zwischen 1910 und 1935 erschienen neunundvierzig Erzählungen von Chesterton über Pater Brown, zunächst in Zeitschriften und anschließend zusammengefasst in fünf Bänden.

Father Brown, an unassuming and shabbily dressed priest, possesses an incredible ability to solve crimes and murders. Here he reveals the secret of his success. He discovers the culprit by imagining himself to be inside the mind of the criminal. This fourth collection of Father Brown stories contains the magnificent "The Chief Mourner of Marne"- a fascinating story with unexpected twists - about a duel and a case of mistaken identity.

In "The Incredulity of Father Brown," G.K. Chesterton treats us to another set of bizarre crimes that only his "stumpy" Roman Catholic prelate has the wisdom and mindset to solve. As usual, Chesterton loves playing with early twentieth-century class distinctions, "common-sense" assumptions, and the often anti-Catholic biases of his characters. He loves showing, through his characters, how those who hold themselves superior to the "fantasies" of Brown's Catholic faith themselves devolve into superstitious blithering when faced with the tiniest of mysteries.

A fictional priest and amateur detective named Father Brown had a face once described “as round and dull as a Norfolk dumpling”. This made him appear somewhat clumsy and naïve, but that didn’t take into account his keen understanding of human nature and exceptional intuition. Stories include: “The Blue Cross”, “The Secret Garden”, “The Queer Feet”, “The Flying Stars”, “The Invisible Man”, and more.

Detective fans of all races and creeds, of all tastes and fancies will delight in the exploits of this wise and whimsical padre. You will be enchanted by the scandalously innocent man of the cloth, with his handy umbrella, who exhibits such uncanny insight into ingeniously tricky human problems. This collection includes 12 mysteries solved by Father Brown.

First published in 1911, The Innocence of Father Brown contains stories involving one of the greatest characters in the history of detective fiction: Father Brown. He is a Roman Catholic priest who has an uncanny insight into human evil. Rather than the large serial villains in, for example, Sherlock Holmes stories, the mysteries Father Brown solved were more local murders by small-town crooks, narrowing the suspect list down to those in the area of the crime.

Father Brown is an eccentric priest with his own particular ways of dealing with crime. David Timson, having completed the whole of Arthur Conan Doyle's Sherlock Holmes canon, a remarkable achievement, turns his hand to the genial but certainly not innocent priest! This collection contains a group of stories from the Innocence of Father Brown, told unabridged.

The indomiitable cleric's gentle expertise in ferreting out the guilty is presented in selected stories, including: "The Absence of Mr. Glass", "The Paradise of Thieves", "The Duel of Dr. Hirsch", "The Man in the Passage", "The Mistake in the Machine", "The Head of Caesar", "The Purple Wig", "The Perishing of the Pendragons", "The Salad of Colonel Cray", "The Strange Crime of John Bounoir" and "The Fairy Tale of Father Brown".