Showing results for "Charles" in Magical Realism

Welcome to Newford: to the music clubs, the waterfront, and the alleyways where ancient myths and magic spill into the modern world. Gemmins live in abandoned cars and skells traverse the tunnels below, while mermaids swim in the gray harbor waters and fill the cold night with their song. Come meet Jilly, painting wonders in the rough city streets; and Geordie, playing fiddle while he dreams of a ghost; and the Angel of Grasso Street gathering the fey and the wild and the poor and the lost.

In his stunning works. Charles de Lint has brought an entire imaginary North American city to vivid life: Newford, where magic lights the dark streets, myths walk clothed in modern shapes, and a broad cast of extraordinary people work to keep the whole world turning. At the center of it all stands a young artist named Jilly Coppercorn, with her tangled hair and paint-splattered jeans, whose paintings capture the hidden beings that dwell in the city's shadows.

Ever since Jilly Coppercorn and Geordie Riddell were introduced in de Lint’s first Newford story, "Timeskip," back in 1989, their friends and readers alike have been waiting for them to realize that they belong together. Now, in Widdershins, a stand-alone novel of fairy courts set in shopping malls and the Bohemian street scene of Newford's Crowsea area, Jilly and Geordie’s story is finally being told.

In the Old Country, they called them the Gentry: ancient spirits of the land, magical, amoral, and dangerous. When the Irish emigrated to North America, some of the Gentry followed...only to find that the New World already had spirits of its own, called manitou and other such names by the Native tribes. Now generations have passed, and the Irish have made homes in the new land, but the Gentry still wander homeless on the city streets. Gathering in the city shadows, they bide their time and dream of power.

Grace, as her friends call her, has a Ford Motor Company tattoo running down her leg and grease worked deep into her hands. She works at Sanchez Motorworks customizing hot rods. Finding the line in a classic car is her calling. Now Grace has to find the line in her own life. Grace loves John, and John loves her, and that would be wonderful, except that John, like Grace, has unfinished business: He's haunted by the childhood death of his younger brother. He's never stopped feeling responsible.