Showing results for "Classic" in Aesthetics

Featuring long-awaited selections from Robert M. Pirsig's unpublished writings, from before and after Zen and the Art of Motorcycle Maintenance, an original collection illuminating the central theme of Pirsig's thought: “Quality” “The ultimate goal in the pursuit of excellence is...

The Phaedrus by Plato, is a dialogue between Plato's protagonist, Socrates, and Phaedrus, an interlocutor in several dialogues. It was probably written around 370 BC, at about the same time as Plato's Republic and Symposium. Ostensibly about love, the discussion in the dialogue focuses on the art of rhetoric and how it ought to be practiced. The dialogue appears in the direct words of Socrates and Phaedrus, without an introduction.

Is there such a thing as a timeless classic? More than a decade ago, Rochelle Gurstein set out to explore and establish a solid foundation for the classic in the history of taste. To her surprise, that history instead revealed repeated episodes of soaring and falling reputations, rediscoveries of long-forgotten artists, and radical shifts in the canon, all of which went so completely against common knowledge that it was hard to believe it was true.

The Wager We Never Won is a meditation on the human obsession with control—our endless attempts to gamble with chaos, to negotiate with fate, to turn risk into meaning. Through lyrical prose and quiet revelation, the book traces the lineage of ambition from the explorers who defied the sea to the modern dreamers who believe progress will save them. It asks whether courage and arrogance have ever truly been different, and whether survival itself might be the most dangerous illusion of all.

Edgar Allan Poe’s essay, "The Philosophy of Composition", sets forth a theory on good writing. It first appeared in the April 1846 issue of Graham's Magazine, and Poe illustrates his theory on the composition of his poem, "The Raven". The three main elements of his philosophy of composition are length, logical method, and "unity of effect". Poe believed that literary works should be short, claimed that writing is methodical, not spontaneous, and asserted that a work of fiction ought to be written only after the author has decided on the conclusion.