Showing results for "Claxton" in Literature & Fiction

Arden Beacon has nothing left to lose. Having fought monsters, the deep waters and the establishment to fulfil a promise the man she loved—she is no closer to peace. But against the odds, she has found Jonah once more and they are together now. She means to keep it that way. Jonah, Arden and Chalice are bound for Clay city. Warnings come that the scorned yet powerful Miah and Bellis have joined forces and turned their eyes to the capital, now following the direction of the slippery Mr Lindsay.

1075 and Dowager Queen Edith has died. Her niece Gunnhild longs to leave Wilton Abbey, but is her suitor, Breton knight Count Alain of Richmond, interested in her inheritance as the daughter of King Harold and Edith Swan-Neck, or does he love her for herself? Is her own love for Count Alain an enduring love, or has she made a terrible mistake? The Swan Daughter is woven around a true 11th-century tale of elopement, love and courage.

It is September 1068. Thea, also known as Gytha, the elder daughter of King Harold II, travels with her brothers and grandmother into exile carrying revenge in her heart. She is soon betrothed to a prince of Kiev. Will her betrothal and marriage bring her happiness, as she confronts enemies from inside and outside Russian territories? Will she prove herself the courageous princess she surely is, win her princely husband's respect and establish her independence in a society protective towards its women?

What does Jane Austen mean when she writes approvingly of a character's 'gentility' and ‘delicacy’, or critically of another's 'indolence' and 'impertinence’? What are her characters doing when they take the measure of a person's 'air' and 'address'? These questions and more are answered in this Janeite treasure trove, which examines the distinctive language woven through Austen’s signature stories. Maria Frawley takes 50 of those words - words that are integral to the fabric of Austen's fiction - and explores them in short, accessible and lively entries.

In the 1920s, three young girls enter a strict, cheerless convent school in a quiet London suburb. Six years later they leave, to change the world … Maureen was the movie star, whose role as Tarzan’s Jane helped rewrite the rules of cinema censorship. Sonia was the aspiring writer who became George Orwell’s wife and the guardian of his literary legacy. And Vivien was the actress as iconic as the roles she played, from Cleopatra to Scarlett O’Hara. Together their careers encompassed glamour and tragedy, triumph and scandal.

Two years ago, Sarah’s husband was jailed for her murder; her body was never found. Now, her grieving mother, Claire, spends her sleepless nights running a helpline for vulnerable women. Claire takes many calls, but one caller isn’t like the rest. She isn’t calling for help – she’s calling because she claims to know what happened to Sarah. But when Claire hears the terrifying news that her daughter’s killer has escaped from prison, she realises her nightmare is far from over – and her family are in danger yet again.

Faith Lavender's funeral and the arrival of a stranger upsets the balance of Haverstock. Undercurrents of fierce emotion reach the surface while the tensions rise and the ladies of Haverstock find their actions motivated by mutual suspicion and fear.

Three women’s lives tangled together in a web of secrets, scandal and deceit, as the legacy of Castle du Rêve is finally discovered.

Guests are arriving to celebrate Christmas at Lady Holly's ball, and at the top of each guest's wish list is a last chance to find true love before the new year. Amid the sumptuous delicacies, glittering decorations, and swell of the orchestra, every duchess and debutante, lord and lackey has a hopeful heart.