Showing results for "D" in Dark Humour

In the novel Who's Who When Everyone Is Someone Else, the character "C. D. Rose" searches an unnamed middle-European city for the long-lost manuscript of a little-known writer named Maxim Guyavitch. That search was fruitless, but in The Blind Accordionist, "C. D. Rose" has found the manuscript—nine sparkling, fable-like short stories—and he presents them here with an (hilarious) introduction explaining the discovery, and an afterword providing (hilarious) critical commentary on the stories, and what they might reveal about the mysterious Guyavitch.

This is a collection of six short stories from the Caverns and Creatures series. It includes the following stories: "Slimes and Misty Wieners", "Great Balls on Fire", "Your Anus Is a Gas Giant", "Clear and Present Ranger", "The Mimic's Chest", and "Styxian Stoners May Break My Boners".

Quick, punchy, and unpredictable—the same goes for the novella as it does for its titular protagonist, Chuck Masters. Chuck thought he was the next big gift to cinema, but he has proven himself a raging disappointment to the craft and to his family. Chuck is finally ready to claim his glorious return to the spotlight … in the worst hotel imaginable. Ghosts! Frights! Craft services! Enter the world of the Royal Eugenia Hotel, and watch a Master at work. It might just be his last.

El lector tiene por primera vez en sus manos los relatos de Wilmer Urrelo, reconocido novelista de largo aliento. En Todo el mundo cumple sus sueños menos yo los temas y personajes varían, sin embargo se mantiene la voluntad de continuar experimentando con distintos estilos y procedimientos...

Altre due novelle ironiche, spumeggianti e divertenti: "Quintetto" e "Sole d'ottobre".

Un uomo gravemente malato decide di anticipare i tempi della dipartita affidandosi all'esperienza di una professionista. Straniera sensuale e misteriosa, la donna senza nome che si presenta al capezzale per portare a termine il compito si rivela presto controparte tragicomica di un dialogo ambiguo e sospeso in cui il ruolo della vittima si confonde inesorabilmente con quello del carnefice. Ma solo fino all'ultimo momento, l'attimo più breve: quello in cui ogni cosa si chiude. In sottofondo, venti secondi di ottimo jazz.