Showing results for "Dancing" in Short Stories

Thirty years ago, David Leavitt first appeared on the literary scene with a gutsy story collection that stunned readers and reviewers. Just 23, he was hailed as a prodigy of sorts: “remarkably gifted” (The Washington Post), with “a genius for empathy” (The New York Times Book Review), and “a knowledge of others' lives...that a writer twice his age might envy” (USA Today). “Regardless of age,” wrote the New York Times, “few writers so effortlessly achieve the sense of maturity and earned compassion so evident in these pages.”

"The Dancing Girls, and Other Stories" contains four short-stories by two-times Pulitzer Prize winner Edna Ferber, written between 1910 and 1919. The title story paints a pictures of small-town America and of life "on the other side of the tracks." "The Dancing Girls" is followed by "Old Lady Mandle," "Long Distance," and "One Hundred Percent." - Edna Ferber (1885-1968) was an American author.

This volume contains ten stellar short stories by Clifford D. Simak. In "Grotto of the Dancing Deer," a man carrying an ancient secret finally speaks up, unable to bear any longer the loneliness he has experienced for millennia. In "Over the River," which Simak wrote in memory of his beloved grandmother Ellen, children from an embattled future are sent back for safekeeping to their ancestors in the peaceful past. And in "Day of Truce," the inhabitants of a suburban subdivision must barricade themselves against bands of roving attackers.

In 16 remarkable stories, Chaya Bhuvaneswar spotlights diverse women of color - cunning, bold, and resolute - facing sexual harassment and racial violence, and occasionally inflicting that violence on each other.

This is a story from The Return of Sherlock Holmes II collection.

Ninth story in a collection of interlinked tales of crime and retribution laced with dark humour, set around the festive season Kayleigh’s a professional. But lap-dancing has rules. And when someone breaks the...

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.