Showing results for "Diaries" in Adventure

Jane Sagan: Soldier. Killer. Lover. Dreamer. In John Scalzi's best-selling Old Man's War series of science-fiction novels, we see this warrior woman as the other characters see her - silent and strong, from the outside. But now The Sagan Diary shows us Sagan from another point of view: her own, as she prepares to leave military life and join her new husband and adopted daughter on a colony world.

When Murderbot discovers a dead body on Preservation Station, it knows it is going to have to assist station security to determine who the body is (was), how they were killed (that should be relatively straightforward, at least), and why (because apparently that matters to a lot of people - who knew?). Yes, the unthinkable is about to happen: Murderbot must voluntarily speak to humans! Again!

It has a dark past—one in which a number of humans were killed. A past that caused it to christen itself “Murderbot”. But it has only vague memories of the massacre that spawned that title, and it wants to know more. Teaming up with a Research Transport vessel named ART (you don’t want to know what the “A” stands for), Murderbot heads to the mining facility where it went rogue. What it discovers will forever change the way it thinks.

I’m usually alone in my head, and that’s where 90 plus percent of my problems are. When Murderbot's human associates (not friends, never friends) are captured and another not-friend from its past requires urgent assistance, Murderbot must choose between inertia and drastic action. Drastic action it is, then.

The dystopian future that George Orwell predicted for 1984 has finally arrived, 100 years late and 10 times as brutal. To save all that he loves, Orwell will have to travel between his future self - Erik Blair, Orwell’s descendant and unwitting heir to his legacy - and the past. As for Erik Blair, his life plan isn’t overly complicated: Avoid trouble. Avoid pain. And get from one day to the next without attracting the “wrong” kind of attention, which really equates to any kind of attention when the government and its robotic thugs are involved.

No, I didn't kill the dead human. If I had, I wouldn't dump the body in the station mall. When Murderbot discovers a dead body on Preservation Station, it knows it is going to have to assist station security to determine who the body is (was), how they were killed (that should be relatively straightforward, at least), and why (because apparently that matters to a lot of people—who knew?) Yes, the unthinkable is about to happen: Murderbot must voluntarily speak to humans! Again!

A full year of blood and tears has passed for Adrian Ring. As the dead remain hateful, the living are more desperate than ever: winter approaches and supplies are dwindling. Meanwhile, the conflict with the monsters at the Factory is reaching a boiling point. But Adrian won't have to fight alone. Kevin and Michelle, his unwitting compatriots in the scheme to save the world, are following signs and portents to make their way to a hero they don't yet know.