Showing results for "Digital Inclusion" in Women's Fiction

Brought to you by Penguin. No one is better equipped in the struggle for wealth and worldly success than the alluring and ruthless Becky Sharp, who defies her impoverished background to clamber up the class ladder. Her sentimental companion Amelia, however, longs only for caddish soldier George...

Hester (1883) is a dramatic story of female power and family tensions within Victorian society. Using her own money, Catherine Vernon manages to save the family bank from collapse after her cousin John absconds with some of its money. As the matriarch of Redborough, Catherine is used to commanding authority, but this is challenged with the arrival of John’s strong and capable teenage daughter, Hester. Ignorant of her father’s conduct, Hester takes against Catherine and a mutual antipathy soon sets in. A masterpiece of domestic realism, the novel is one of Mrs Oliphant’s most admired works.

Ramona Ortegna, the foster child of Señora Moreno, is much loved by all who live and work at the Moreno ranch, except Señora herself, who cannot bring herself to think of the girl as anything but a mixed-blood child. Half white, half Indian, Ramona had been adopted by the Senora’s sister who then entrusted the child to her upon her death. Already embittered by the loss to the Americans of much of her southern California land as the result of the 1846 Mexican-American War, the pious old woman is also distraught by the near destruction of California’s Catholic missions.

Rediscover one of the greatest love stories of all time with this new audio edition of Pride and Prejudice, masterfully narrated by actress Adjoa Andoh (Bridgerton, Doctor Who). Pride and Prejudice's prolific status as a beloved story is thanks to its dynamic, ever-evolving central characters, as well as the strength of the wit and satire wielded by Austen. It is a love story, yes, but it is also a profound critique of Georgian high society and the plight of women. Without a male heir, the Bennet daughters risk losing their home and their income when their father, Mr Bennet, passes.

First published in 1813, Pride and Prejudice is the most polished of Jane Austen’s novels, with a humorous and upbeat mood. It was written at a time when the author’s narrative powers were fully developed and the story flows with an ease that conceals the skill of its construction. The plot line follows the sequence of a love relationship apprehended, misunderstood, and finally realized, which has since become a standard format of the romcom genre. However, Austen complicates the action by involving not one but four romantic relationships in the plot.

The Club of Queer Trades revolves around the members of a London club who must invent their own peculiar and unique professions, and make a living from them. These six tales send up the British class system, the state of London in the Victoria era, the ironies of the law, and more.

Set in Nuremberg, this psychological novel explores the crushing of a young girl's spirit by her aunt's Calvinist fanaticism and insistence on her marrying an old man against her will.

"Cristina" è l’emblema delle eroine imperfette della candidata al premio Nobel per la letteratura, Matilde Serao, riflesso della sua vita tormentata e piena di contraddizioni: contesa tra l'odio e l'amore, tra la ricerca della libertà e il rischio degli arresti domiciliari, divisa tra il padre anziano e un uomo per cui lei non prova nulla. Una continua lotta verso un orizzonte di felicità che si allontana sempre di più, sospinta da un mare cinico e beffardo come può esserlo il destino.

Love and Freindship [sic] is a juvenile story by Jane Austen, dated 1790, when Austen was 14 years old. Love and Freindship (the misspelling is one of many in the story) is clearly a parody of romantic novels Austen read as a child. This is clear even from the subtitle, "Deceived in Freindship and Betrayed in Love," which neatly undercuts the title. Written in epistolary form, it resembles a fairy tale as much as anything else, featuring wild coincidences and turns of fortune, but Austen is determined to lampoon the conventions of romantic stories.