Showing results for "Digital State" in Women's Fiction

Dr. Julie Walker wakes on a summer morning in San Francisco to find a city in chaos. Today Californians are voting on a controversial ballot initiative that will change history. With the future of the state and the nation uncertain, the streets have erupted into violence. Injured, Julie must make her way across the city by foot to the Veterans Administration Hospital, where her sister, recently returned from Afghanistan, is in labor. At the hospital a brutal scene is unfolding as a man who shares an intimate past with Julie begins to take his revenge.

Anthropologist Calliope Santiago awakens to find herself in a strange and sinister wasteland, a shadow of the New Mexico she knew. Empty vehicles litter the road. Everyone has disappeared - or almost everyone. Calliope, heavy-bellied with the twins she carries inside her, must make her way across this dangerous landscape with a group of fellow survivors in search of answers. Long-dead volcanoes erupt, the ground rattles and splits, and monsters come to ominous life. Calliope will be forced to reconcile the geological record with the heritage she once denied.

The Witch is dead. And the discovery of her corpse - by a group of children playing near the irrigation canals - propels the whole village into an investigation of how and why this murder occurred. Rumors and suspicions spread. As the novel unfolds in a dazzling linguistic torrent, with each unreliable narrator lingering on new details, new acts of depravity or brutality, Melchor extracts some tiny shred of humanity from these characters that most would write off as utterly irredeemable, forming a lasting portrait of a damned Mexican village.

Akiko "Jane" Thompson, a half-Japanese, half-Caucasian woman in her mid-30s, is attempting to forge a quietly happy life in the Bay Area with her fiance, Shiro. But after a bizarre car accident, things begin to unravel. An intruder ransacks their apartment but takes nothing, leaving behind only cryptic traces of his or her presence. Shiro, obsessed with government surveillance, risks their security in a plot to expose the misdeeds of his employer, the TSA. Jane's mother has seemingly disappeared, her existence only apparent online.

Vivian is a cosmopolitan Taiwanese-American tourist who often escapes her busy life in London through adventure and travel. Johnny is a 15-year-old Irish teenager living a neglected life on the margins of society. He has grown up in a family where crime is customary, violence is a necessity, and everything - and anyone - can be yours for the taking. As Vivian looks to find her calling professionally, she delights in exploring foreign countries, rolling hillsides, and new cultures. But all of that changes when...Vivian's path collides with Johnny.

The first time Isabel meets her father-in-law, Omar, he’s already dead - an apparition appearing uninvited on her wedding day. Her husband, Martin, still unforgiving for having been abandoned by his father years ago, confesses that he never knew the old man had died. So Omar asks Isabel for the impossible: persuade Omar’s family - especially his wife, Elda - to let him redeem himself.

Ci sono fili capaci di unire i mondi interiori delle donne: a volte sono la forza delle risate, il valore dell'amicizia, l'amore o il sesso; altre, la paura di fronte a un matrimonio inaridito, l'ipocrisia, la solitudine o il timore dell'abbandono. Ancora una volta, Marcela Serrano dimostra il suo talento nel penetrare anima e psicologia femminili con venti racconti appassionanti e potenti, abitati da donne fragili, forti, avventurose e timorose, casalinghe o intellettuali, le cui voci e storie si imprimono a fuoco nella memoria dei lettori.

Drawing on both lived experience and cultural memory, Norma Dunning brings together six powerful short stories centered on modern-day Inuk characters in Tainna. Ranging from homeless to extravagantly wealthy, from spiritual to jaded, from young to elderly, and even from alive to deceased, Dunning’s characters are united by shared feelings of alienation, displacement, and loneliness resulting from their experiences in southern Canada. They must rely on their wits, artistic talent, humor, and spirituality­ for survival, and find solace in shining moments of reconnection.

Nel 1961 il poeta Homero Aridijs incontra per strada una povera disgraziata che vende per due lire vecchie cartoline, vecchie immagini di sé giovane, nuda, bellissima. I suoi occhi verde smeraldo brillano ancora e il poeta la riconosce: è Carmen Mondragon, in arte Nahui Olin, la più bella donna di Città del Messico quando a Città del Messico c'erano le più belle donne del mondo. Negli anni venti e trenta. Negli anni della rivoluzione, di Emiliano Zapata e di Pancho Villa.

Dos mujeres, una ciudad, un misterio: una historia entre la realidad y la ficción, entre el thriller psicológico y la novela de formación. Una escritora consagrada que trabaja en sus memorias redescubre los viejos diarios de su primer año en Nueva York, a finales de la década de 1970. Recién salida de un pueblo de Minnesota, sin apenas dinero y con hambre de nuevas experiencias, se deslumbra por todo lo que le ofrece la ciudad.

Südchina, 1923. Eine arrangierte Ehe mit einem Witwer in Kalifornien ist für die junge Mei Ling die einzige Chance, bitterer Armut zu entkommen. Unter dem Namen seiner ersten Frau tritt sie die strapaziöse und oft demütigende Seereise an. Liebevoll kümmert sie sich dabei um das kleine Waisenmädchen Shiya. Doch endlich im chinesischen Viertel von San Francisco angekommen, erlebt Mei Ling eine herbe Enttäuschung.

Coming of age during China’s Cultural Revolution, Benfu survived the cruel years, but he did not emerge unscathed. The Scavenger’s Daughters is the story of Benfu and his beloved wife Calli, chronicling their attempts to build a life in the turmoil and aftermath of Maoist China. At the heart of their struggle lies the pain of losing their only child. To fill the terrible hole in their lives, they take in abandoned girls - the unwanted "weeds" - as their own, lovingly caring for them as flowers in a garden.

No one expects to meet their father at their mother’s funeral. But for Gabby Medina, that’s exactly what happens. Her dad abandoned her when she was a baby, and now he’s back. And he wants to give her a house. Gabby doesn’t want the house—or him. But she could use the money. So Gabby agrees to take it under two conditions: First, she can sell the house whenever she wants. Second, accepting it doesn’t mean she accepts him.

A sister struggles with guilt as she helps her brother plan to run away with a man he’s seeing in secret. When the police pull them over one night, everything changes. Bitch Baby is a short story from Halle Hill’s Good Women, which delves into the lives of twelve Black women across the Appalachian South.