Showing results for "Domain" in African American

When The Sport of the Gods opens, the Hamilton family is doing relatively well. They have stable jobs and good reputations as servants for a wealthy Southern family - but they also have little sense of how tenuous their existence has become. When money goes missing, the supposed victim points a finger at patriarch Berry Hamilton, and Berry is sentenced to ten years of hard labor. In response, Berry’s wife, Fannie, and his two children, Joe and Kit, migrate to New York City. Their hope is that the great city of the North will provide them with a fresh start.

Believing fiction to be an invaluable tool for social change, Pauline E. Hopkins used her first novel to challenge the racist and sexist assumptions of her time. Contending Forces operates on an epic scale - with settings ranging from antebellum North Carolina to post-Civil War Boston - and Hopkins surveys this panorama with an eye in particular on the intersections of race, class, and gender relations.

Entering Harvard by passing as white, medical student Reuel Briggs is considered a genius in the unconventional science of the occult. Though ignorant of his own very relevant lineage, Reuel finds himself on a lucrative archaeological expedition to Ethiopia. There, he hopes to raid the treasures of Meroe. Instead, traversing the ruins of a hidden city and beset by maddening visions and escalating dangers, he is forced to confront his own bloodline. What Reuel unearths is beyond anything he imagined.

A civil rights activist and key figure in African American literary history, Alice Dunbar-Nelson made her mark during the emerging Harlem Renaissance. Violets and Other Tales is her debut (included here in full, save for three stories later updated in The Goodness of St. Rocque). The collection includes poetry, short stories, and essays offering a varied examination of class differences, racial identity, oppression, intolerance, and women’s societal roles. The Goodness of St. Rocque and Other Stories assembles 14 of Dunbar’s short works of fiction.

Belton Piedmont and Bernard Belgrave begin their lives as childhood friends, but that friendship is not bound to last. Belton (modeled on Booker T. Washington) is an African American integrationist; Bernard (modeled on W. E. B. Du Bois) is a biracial militant, and their lives, like their politics, quickly diverge. When they do meet again, at a Black nationalist community called “the Imperium,” the stakes could not be higher.