Showing results for "Fantasy Man" in Dystopian

In our own time, when the dark threat of a dystopian world is not an alien or avoidable concept, The Last Man (1826) is revealed as a trailblazing novel. With a truly global view, Mary Shelley’s futuristic romain à clef–containing portraits of her husband Percy (Adrian), Lord Byron (Raymond) and several others–spearheaded the apocalyptic genre for an intimidated 19th-century readership that rejected her ‘diseased imagination’ and ‘polluted taste’.

Seventeen-year-old Truth Medici scavenges for scraps to eat; weathers his parents' abuse; and battles derelicts, killer pimps, and demons in the soul-crushing stretch of desperation he calls home. Even the cops steer clear of the toxic Harban slums. But just across the canal live the magical elite, with their wealth, flying carpets, gorgeous mages, and custom spell beasts, all thanks to the patronage of the almighty Starbrite Corporation. Getting there, and taking his three vulnerable siblings with him, is Truth's only dream.

In the year AD 3000, Earth is a dystopian wasteland, plundered of its natural resources by alien conquerors known as Psychlos. Fewer than 35,000 humans survive in a handful of communities scattered across the face of a post-apocalyptic Earth. From the ashes of humanity rises a young hero, Jonnie Goodboy Tyler. Setting off on an initial quest to discover a hidden evil, Jonnie unlocks the mystery of humanity’s demise and unearths a crucial weakness in their oppressors.

In the year 2055, a quarter-century after the last firearm-related homicide inside the once-peaceful SafeCities, the unthinkable occurs: the murder of the president of this sprawling metropolis. Mark, a seemingly unassuming yet highly effective investigator and a potential suspect, is tasked with gathering the immediate evidence. But the investigation takes an unexpected turn, spiralling beyond the confines of his jurisdiction. What he discovers is a sinister plan to reshape the world, with himself unwittingly cast in the role of a pawn.

When it comes to instigating an apocalypse, it's been a promising start for Truth Medici. But to really get things rolling, he has a monumental undertaking ahead of him: break the systems that keep the immortal Starbrite alive and finally shatter the source of his power. Invisible and impervious to magic, Truth is the one man capable of decapitating the mastermind behind the wicked system controlling his world.

Premier quart du XXIe siècle. La dictature s'est installée aux États-Unis. La télévision, arme suprême du nouveau pouvoir, règne sans partage sur le peuple. Une chaîne unique diffuse une émission de jeux suivie par des millions de fans : c'est "La Grande Traque". Ben Richards, un homme qui n'a plus rien à perdre, décide de s'engager dans la compétition mortelle. Pendant trente jours il devra fuir les redoutables "chasseurs" lancés sur sa piste et activement aidés par une population encouragée à la délation. Tous les moyens sont bons pour éliminer Ben Richards.

Step into the mind-bending worlds of The Selected Works of Philip K. Dick, a powerful collection of classic science-fiction stories from one of the genre’s most influential visionaries, Philip K. Dick. This expertly curated volume showcases Dick at his sharpest—probing the fragile boundaries between reality and illusion, power and freedom, humanity and the unknown.

Truth Medici knows life isn't fair. But for the first time, the balance is in his favor. Cultivation has taken him from desperate slumrat to burglar to mercenary to bodyguard to terrorist, and now he's the revered prince of a kingdom to come—immortal heir to a dynasty hidden for millennia. Pampered by succubae, demons, and sprites, Truth is more than ready to embody the might of his ancestors, who've prospered in secret for centuries. With an aura that reeks of power, he'll make his presence known. His word and will are law.

Truth Medici has three questions: Can he rescue his siblings from the clutches of the evil Starbrite Corporation? What will it require of him? And where does he need to go next to make it happen? When he meets Justinian Merkovah—a strangely ageless spellcaster, teacher of religious law, and nomadic exorcist—he's one step closer to discovering the answers. With his experience providing security to the rich and terrible, Truth accepts a gig as Merkovah's bodyguard. What better way for Truth to grow as a mage?

The Last Man is an apocalyptic, dystopian science fiction novel by Mary Shelley that was first published in 1826. The book describes a future Earth at the time of the late 21st century, ravaged by an unknown pandemic that quickly sweeps across the world.

What’s the point in solving murders if we’re all going to die soon, anyway? Detective Hank Palace has faced this question ever since asteroid 2011GV1 hovered into view. There’s no chance left. No hope. Just six precious months until impact. The economy spirals downward while crops rot in the fields. Churches and synagogues are packed. People all over the world are walking off the job—but not Hank Palace. He’s investigating a death by hanging in a city that sees a dozen suicides every week—except this one feels suspicious, and Palace is the only cop who cares.

It's a red flag to Victor when the only women to get his brief interest are those who look like Freya Aurelius. When did he develop a fetish for the most frustrating and unattainable woman in the world? Is his plan to work closely with Freya for the next five weeks a matter of masochism or the final proof that there's a fine line between genius and insanity?

Six months ago, Laura was Magni's sweet and submissive young wife. Tempted to experience the independence of women in the Motherlands and to learn martial arts, she ran away. Now, she's back, stronger and more confident than before, determined not to let a man dominate her, not even the one she once fell in love with and married.

Chosen to be a priestess from childhood, Athena knows everything about aligning her energy with the universe and spreading hope, healing, and wisdom to people. But her inner balance is disturbed when Finn shows up on her doorstep. The large, annoyingly flirtatious man kept her imprisoned in the past, and now demands she lift the spell she cast on him. Rather than explain to him that the spell wasn't real, Athena sees her chance of teaching him a lesson in karma and makes demands of her own.

Jude Demarco will take any job in the station-city of Nicodemia, so long as it doesn't involve religion or art. People care too much about religion and art, and where there's passion, life gets messy. Then Charlotte Beck walks into his life with a lit cigarette and a lousy deal. She needs him to track down a stolen painting—one sought by art collectors, criminal masterminds, and the Catholic Church. To find it, she needs to locate the men who stole it. She won't take no for an answer.

Four hundred years in the future, women control the world but Khan Aurelius, ruler of the last free men, is determined to take back the power that has been denied men for centuries. Outnumbered by far, he knows that women need to give up their power willingly and with one of their councilwomen as a hostage, he's certain he can influence her with his superior male intellect. She is just a soft woman, after all. Councilwoman Pearl has sacrificed herself to save an innocent priestess. Trapped in the Northlands, her soft voice and sugar-coated view of the world doesn't impress Khan.

Say you're a time traveler and you've already toured the entirety of human history. After a while, the outside world might lose a little of its luster. That's why this time traveler celebrates his birthday partying with himself. Every year, he travels to an abandoned hotel in New York City in 2071, the hundredth anniversary of his birth, and drinks 12-year-old Scotch (lots of it) with all the other versions of who he has been and who he will be.

The end of man was not signaled by marauding gangs or explosions but with silence. People simply grew older knowing a younger generation would not be there to replace them. The final two residents in the neighborhood of Camelot, an old man and his invalid brother, are trapped in their house by forests full of cats and dogs battling with the bears and wolves to eat anything they can find. As the man struggles to survive, he recounts all the ways society changed as the human population continued to shrink.

Mr. Barnstaple is an average man living in English in the early 1900s. He is a journalist and after facing a stressful time at his newspaper decides to take a vacation. But his vacation goes from ordinary to extraordinary in an instant when his vehicle is transported to an alternate world, one called Utopia.

In the summer of 1921, a disenchanted journalist escapes the rat race for a drive in the country. But Mr. Barnstaple’s trip exceeds his expectations when he and other motorists are swept 3,000 years into the future. The inadvertent time travelers arrive in a world that corresponds exactly to Barnstaple’s ideals: a utopian state, free of crime, poverty, war, disease, and bigotry. Unfettered by the constraints of government and organized religion, the citizens lead rich, meaningful lives, passed in pursuit of their creative fancies.