Showing results for "Femme" in LGBTQ+

In Black. Fat. Femme: Revealing the Power of Visibly Queer Voices (in Media) and Learning to Love Yourself, educator and media critic Dr. Jonathan P. Higgins—aka Doctor Jon Paul—delivers an honest and extraordinary new take on how the author, and other Black Fat Femmes like them, have come to find and understand their identity. You'll learn about how standing at the intersection of multiple identities, communities, and causes shapes people and how they see the world.

Hardboiled Los Angeles PI Cain Noble is hired by wealthy and gorgeous Camille Astor to find her husband and a priceless work of art, both of which have disappeared. At the nightclub owned by Mr. Astor, Cain encounters the mesmerizing Lily Lavender, who has the body of a goddess and the sultry voice of an angel - but is really a young man named Riley who attracts trouble like a magnet. What’s a private dick in the vein of LA’s bygone era and a cross-dressing burlesque starlet to do when faced with the hidden decadence and lethal dangers of the Hollywood Hills?

2012 Fabulousity Now! Shar has updated and newly pizzazed her classic with even more information for today's femmes (or those that love us). Part Cosmo, part On Our Backs, part Girl Scout Handbook, this hilarious, practical, and comprehensive guide is for Femme Dykes, Baby Divas, Experience Queens, Outrageous Goddesses, Queer Femmes, Lipstick Lesbians, Vixens, and Vamps of every stripe - and those who want to date us!

What feminine part of yourself did you have to destroy in order to survive in this world? At what point does femininity become synonymous with apology? Who hurt the people who hurt you? Let's figure it out. Femme in Public (2017) is the debut poetry collection by transfeminine writer Alok Vaid-Menon including work from 2014-2017. It is a meditation on anti-trans harassment, a ceremony for loss and grief, and an imagining of what could be if we weren’t taught to fear the very things that have the potential to set us free.

By Cecile depicts post-World War II France as it reels from war and recovery. In Paris, an orphan girl, Cecile, finds refuge with an older man. He introduces her to nightclubs, intellectuals, artists (Jean Cocteau, Jean-Paul Sartre, and Eartha Kitt!), and non-monogamy. When she falls for his mistress, she begins to live a life she deems worthy of writing about...but only under the pseudonym of her husband.

Originally published in 1950, this account of life among female Free French soldiers in a London barracks during World War II sold four million copies in the United States alone and many more millions worldwide. The novel is based on the real-life experiences of the author, Tereska Torres, who escaped from occupied France. She arrived as a refugee in London and joined other exiles enlisting in Charles de Gaulle’s army, then stationed in Britain awaiting an invasion of their homeland by Allied forces. But Women’s Barracks is no ordinary war story....

Read by the authors, Lotte Jeffs and Stu Oakley. What is a black cat lesbian? Is ‘aromantic’ a sexuality or a preference? How are bisexual and pansexual different? What’s it like to be queer and religious? Does Gen Z do darkrooms? How do you navigate life as a OAQ (Old Age Queer)? What...

“A perfectly rendered cast of characters, plenty of mouthwatering moments in the kitchen, and a completely charming small town setting.” —Booklist Two amazing chefs. Two very different restaurants. One recipe for love. For single mom Adah Campbell, the executive chef job at a posh...

Finding self-acceptance both on and off the mat. In Sanskrit, yoga means to “yoke.” To yoke mind and body, movement and breath, light and dark, the good and the bad. This larger idea of “yoke” is what Jessamyn Stanley calls the yoga of the everyday—a yoga that is not just about...

"Je trouvai aimables la couleur sourde et rouge des lumières voilées, la blanche flamme en amande des lampes à opium, l'une toute proche de moi, les deux autres perdues comme des follets, au loin, dans une sorte d'alcôve ménagée sous la galerie à balustres. Une jeune tête se pencha au-dessus de cette balustrade, reçut le rayon rouge des lanternes suspendues, une manche blanche flotta et disparut avant que je pusse deviner si la tête, les cheveux dorés collés comme des cheveux de noyée, le bras vêtu de soie blanche appartenaient à une femme ou à un homme."
C.

Ingeborg Bachmann a près de 30 ans lorsqu'elle écrit cette nouvelle. Le personnage qu'elle met en scène a vécu jusqu'ici "sans s'en faire". "Jamais il n'a pensé que pût être prononcé le mot décisif, et que le jour viendrait où il devrait montrer ce qu'il savait faire et penser, où il serait forcé d'avouer ce qui lui tient vraiment à cœur." Le jour vient pour lui de faire l'expérience de la douleur. Puis, de brisure en brisure, celui qui va sur ses trente ans arrive enfin au terme de son accomplissement.

"C'est en explorant les petits villages de Gironde que j'ai rencontré celle que j'allais nommer Marie Salat. En fouillant dans les cartons d'un libraire brocanteur d'un hameau perdu, je suis tombée sur des cartes postales qui lui étaient adressées. À mesure de ma lecture, une émotion et une gêne profonde m'envahissaient : je surprenais des lettres d'amour d'une femme à une autre femme, et quel amour ! Le lendemain, je me suis précipitée chez le brocanteur."