Showing results for "Folk" in Anthologies

In Skin Folk, with works ranging from science fiction to Caribbean folklore, passionate love to chilling horror, Nalo Hopkinson is at her award-winning best spinning tales like "Precious", in which the narrator spews valuable coins and gems from her mouth whenever she attempts to talk or sing. In "A Habit of Waste", a self-conscious woman undergoes elective surgery to alter her appearance; days later she's shocked to see her former body climbing onto a public bus.

This enchanting collection of stories gathers together legends from across Scotland in one special volume. Drawn from The History Press' popular Folk Tales series, herein lies a treasure trove of tales from a wealth of talented storytellers. From the Spaeman's peculiar advice and a laird who is transformed into a frog, to a fugitive hiding in a dark cave and the stoor worm battling with Assipattle, this book celebrates the distinct character of Scotland's different customs, beliefs, and dialects, and is a treat for all who enjoy a well-told story.

Peter Christen Asbjørnsen (1812-1885) was a Norwegian writer, scholar and collector of traditional folktales. 'Matthias the Hunter's Stories' is one of the sets of tales he collected and tells accounts of encounters with the Hulda (woodland or bogland fairy) and the brownie.

Lu Xun (1881-1936) was born in Shaoxing, in the province of Zhejiang, China. He came from a scholar-official family and by the age of six had begun studying the ancient classics. Regarded as the founder of contemporary Chinese literature, Lu Xun used the pen as a weapon to wage an heroic struggle against imperialism, feudalism and bureaucratic capitalism. The rich heritage he has left behind is a treasure in the literature of the Chinese people.

Peter Christen Asbjørnsen (1812-1885) was a Norwegian writer, scholar and collector of traditional folktales. The Cormorants of Udröst is one of the stories he collected. It tells of a fisherman who found the mythical island of Udröst and befriended its strange and wonderfully generous inhabitants.

Lu Xun’s evocative tale is reflected in the memory of the protagonist who, as a young Chinese boy, avidly wanted to fulfil his dream of watching an opera in a rural environment. The listener is given an intriguing insight into people’s lives in China during the late 1920s. This story, amongst others, is also available in the collection entitled Chinese Classic Stories read by Martin Jarvis.